The 6th Annual Kips Bay Decorator Show House Dallas has officially opened its doors to the public, returning to 2999 Turtle Creek Boulevard. The property is a grand 25,000-square-foot French Renaissance-style estate nestled within the esteemed Turtle Creek neighborhood, the same show-stopping building that captivated design lovers in last year’s showcase.
“Each year, the Dallas Show House surpasses expectations, and this year is no exception,” said James Druckman, President of the Board of the Kips Bay Boys & Girls Club. “Returning to the same home for a second year presented an exciting creative challenge, and it’s been remarkable to see how our designers have reimagined the estate through entirely new perspectives and ideas.”
Proceeds from the Dallas Show House benefit the Kips Bay Boys & Girls Club, which provides essential after-school and enrichment programs to more than 12,000 young people across the Bronx. The event also supports Dwell with Dignity, a Dallas-based nonprofit dedicated to helping families transition out of homelessness through beautifully designed, functional living spaces, and The Crystal Charity Ball, a beloved local institution raising funds for children’s charities throughout Dallas County.
This year’s edition runs from November 7 to November 23, inviting the public to experience the magic firsthand for the next two weeks. Tickets can be purchased here. Let’s take a peek at some of TGP’s favorite highlights!
Paloma Contreras Design “The Morning Garden”
Conceived as a fresh interpretation of timeless interiors, The Morning Garden is a light-filled and inviting morning room designed for both elegance and ease. The space unfolds in layers—a dining area, a relaxed seating nook, and an adjoining hall—each contributing to a sense of gracious flow. Unlike private commissions, where every decision is tailored to a client’s specific lifestyle, a showhouse allows for pure creative exploration. Here, the imagined residents live richly in this space: beginning their day with breakfast, pausing for lunch or tea, and gathering again in the evening for cocktails or a casual supper. At the heart of the room is a bespoke hand-painted de Gournay wallpaper, Hortus Medicus, from the newly launched Bunny Mellon collection. Rendered in a custom palette developed exclusively for this project, the design is based on 17th-century canvas paintings once acquired by Mellon at the suggestion of her friend, Hubert de Givenchy. With its nuanced tones of soft blush and quiet neutrals—and its storied connection to two icons of style—the wallpaper sets both the spirit and the narrative of the space. Balancing refinement with a touch of tension, the dining table is dressed in a charming floral chintz fabric by Schumacher. A vivid pink abstract by artist Kerry Hayes injects a note of modern energy, while Maison Drucker’s woven rattan chairs and a tufted Highland House sofa in understated ticking stripe anchor the room in quiet sophistication. Custom pelmet boxes and drapery crafted by The Shade Store feature the “Royere Scroll” tape trim from Paloma’s collection with Schumacher and serve as a beautiful way to frame the dramatic windows throughout the space. The mix of bespoke, vintage, and contemporary furnishings—from partners including Vaughan, Made Goods, Blue Pheasant, Benjamin Moore, JAMES Showroom, Visual Comfort, L&M Custom Carpets and Rugs, Bunny Williams Home, Moxie Interiors, and Paloma & Co.—creates a dialogue between past and present, resulting in a room that is as imaginative as it is livable.
Katharine Pooley “The Study”
A refined palette of dark blues and warm ochres come together to create an elevated and contemporary study, interwoven with elegant homages to classicism for this inviting space. Curated for those whose journeys have shaped a refined, worldly perspective, the room features panelled walls finished with Venetian plaster, and hand-painted wallpapers by Studio E. Artwork in the setting has been carefully curated to suggest the intimacy and intention of a collection assembled over a lifetime, and includes compositions by Piero Centofanti, Quintessa Art and pieces from Katharine’s private collection. These works are paired with landscapes from Deborah Tarr, and suspended on a distinctive chain hanging system, handcrafted by Collier Webb. Upon entering the room, the eye is drawn to the original joinery, sympathetically repurposed and bathed in Benjamin Moore’s ‘Van Deusen’ blue. Each shelf showcases a unique array of antique and contemporary finds, sourced both from Katharine’s London Boutique and her own private collection with each thoughtfully chosen piece revealing a story and a glimpse into Katharine’s eponymous style. Set against Etamine’s radiant Solaire fabric and in pride of place, sits a bronze bust of her Father, Robert Pooley. At the heart of the room stands a bespoke desk made in a British style, by Parkway England, crafted in American walnut and walnut burr veneer. The piece intertwines British history beautifully with American timber and is complemented by a deep blue Holly Hunt leather blotter. The desk is accessorized with treasures such as an El Casco gold-plated pencil sharpener, sourced from Abask’s distinctive collection, while an Alexander Lamont Geo table lamp provides soft illumination. Behind the desk sits the striking ‘Quiver Klimos’ leather chair by Soane Britain. A bespoke sofa by Bray Design, upholstered in de Le Cuona’s Vienna Velvet in ‘Hula’ and a Samuel & Sons’ trim. Accented with striking blue cushions as well as Holland & Sherry’s newly launched ‘Pennant’ design. Flanking the sofa, a pair of Vaughan floor lamps with Heathfield ‘Sandstone’ linen shades cast a warm glow onto Alexander Lamont Portico Side Tables. At the centre of the space, a handsome Chalon steamer trunk from Bentleys London, commands attention, while a bespoke hand-tufted rug by Ice International in New Zealand wool, anchors the scheme with geometric patterns in blues and oranges. Floor-to-ceiling windows are dressed in Holland & Sherry fabrics with a decorative ‘Argyle’ trim, expertly handcrafted by The Shade Store with de Le Cuona’s ‘Regatta’ linen sheers delicately layered behind. Adding to the room’s allure is the freestanding ‘Fajir’ drinks cabinet from David Gill Gallery. Crafted in stainless steel and nickel, it houses fine stemware by William Yeoward crystal and barware from Katharine’s own collection, which includes a vintage crystal pineapple showpiece alongside an extraordinary Art Deco-inspired, boat-tail shaped racing car silver cocktail shaker. To one side, the FBC London ‘Angelina’ lounge chair in wool bouclé is complemented by the Column side table with striking Calacatta Viola top, while a de Gournay folding screen adds further decorative interest. On the lounge chair, a textured Toyine Sellers cushion adds contrast and overhead, the ceiling shimmers with a metallic paper in ‘Smooth Sterling’ by Phillip Jeffries, crowned by a chandelier from Vaughan. The overall design of the study is brought to life by exquisite architectural lighting provided by John Cullen Lighting.
Nicole Zarr “Raising the Zarr”
Slightly dirty, shaken—not stirred. Nicole Zarr’s martini order also happens to be the perfect metaphor for her upstairs hideaway: playful yet polished, elevated but never too serious. The Zarr Bar is a small but mighty lounge that bubbles with personality, where vibrant colors, rich textures, and a wink of humor invite guests to linger over champagne and conversation. The spark began in de Gournay’s Paris showroom, where Nicole discovered the striking Pietra Dura floral-blocked design. Evoking the patterned stone and marble of 16th-century Florentine courts, the wallpaper was custom-colored in a sumptuous chocolate brown, providing the ideal foil for her signature canary yellow—splashed across cornice drapes and the trim of a tented Schumacher silk-checked ceiling. Framing the bar is a custom-shaped cornice by The Shade Store, featuring intricate Samuel & Sons piping layered over Tailored Pleat Drapery for softness, marrying structural elegance with tactile comfort. At the heart of the room, the studded leather bar is flanked by custom built-ins fully stocked with ABASK artisan barware—everything the consummate host requires. Overhead, a sculptural Jamb light fixture casts a warm glow, drawing guests deeper into the space. Every corner raises the bar on detail and pattern play: a custom banquette in geometric Rubelli yellow anchors the room beneath the shimmer of Hudson Valley brass sconces; a vintage brass-and-glass coffee table sculpted like a branching tree offers a perch for cocktails; a modern Retorra rug grounds the room with fresh energy. Rose Cumming embroidered chairs and pillows punctuate the mix, layering in storied textiles with playful verve. An Italian Savonarola chair upholstered in bold Lee Jofa textile sits beside an 18th-century burl walnut secretary—where even the resident pup lounges in bespoke Scalamandré style. Nick Mele’s witty photographs inject aristocratic humor, while an antique game table tempts guests to roll the dice. The Zarr Bar is a study in juxtaposition—old and new, grand and cheeky, serious style with a sparkle of irreverence. Nicole Zarr has bet on herself with this showcase, and as the champagne corks pop, there’s only one toast to make: Watch us raise the Zarr!
Avery Cox Design “Blue in Green”
Inspired by an iconic color and named after a classic Miles Davis number, the listening lounge reimagines the legacy of American chic through a personal lens. Cloaked in “Robins Nest” by Benjamin Moore and referencing the color that covered the entry hall of Avery’s childhood home among other rooms throughout history, the room blends classic elegance with modern ease, continuing a tradition of spaces that are artful, daring, and deeply comfortable. Decorative applied wall molding from Casci Plaster gives architectural order to the lofty space. Designed for relaxation and intimate listening, the room features a layered window treatment from The Shade Store, with olive-green silk drapery and a patterned Muriel Brandolini silk roman shade that filters daylight into a moody, expressive glow. A patterned custom sofa made by Bolt and Hide and covered in a rich brown pattern fabric by Templeton through Wells Abbott is accented with robin’s egg blue silk pillows from Rubelli and a Holland and Sherry Cullman and Kravis weave made into a throw blanket. Above, art selections from Conduit Gallery, Craighead Green Gallery, Blueprint Gallery, and CoCollect fill the wall while two Paul Schneider Ceramics lamps in silver luster and fitted with silk blue shades from Nushka through James Showroom gleam on either side of the sofa. An oversized silver-leaf mirror from Legacy Antiques sits behind a Casa Branca linen velvet custom chaise by Process Home. Beside, a side table by J.M. Szymanski Workshop and a pedestal from Bunny Williams Home. The custom-made ottoman featuring mottled velvet from Kerry Joyce through George Cameron Nash, citron leather piping from Samuel & Sons, and oversized rosettes from Houles through David Sutherland, anchors the seating atop a selection from Arsin Rug Gallery. In the corner, a Billy Baldwin Studio slipper chair in blue patterned fabric by Sister by Studio Ashby through Canvas Showroom pairs with a traditional Bunny Williams Home through JAMES Showroom drinks table and a neoclassical Vaughan wall sconce. A custom designed cabinet by Mitered Millworks courtesy of Hawkins Welwood Homes in tiger maple features a Balineum green mottled tile top and hardware from P.E. Guerin. An antique brass and glass Vaughan chandelier hangs in the center, complemented by a nickel floor lamp and bar cart, both by Vaughan. From lighting and textiles to curated art, Avery Cox Design has created a lounge that is visually striking, deeply inviting, and perfect for conversation, quiet reflection, or enjoying music in style.
Sarah Stacey Interior Design “The Last Room”
Welcome to The Last Room, an experience of color, classic old-world motifs and a surreal couture edge. With a vast array of inspiration from Medieval Bavaria to the Schiaparelli runways, this study is an ode to history, whimsy, and craftsmanship. A Georgian bookcase from Hayslip Interiors stands adjacent to a Victorian desk from ByCloudia, setting the foundation for a room that feels both dramatic and collected. At its heart, a custom mohair sofa by Burton James trimmed in Samuel and Sons fringe gathers around a chinoiserie coffee table by Bunny Williams. Underfoot, a one-of-a-kind rug from Arsin Rug Gallery rests against red and green marble octagon-and-dot flooring from TileBar, while overhead a Murano chandelier from Legacy Antiques shimmers in golden light. Vintage artwork from Gillian Bryce Gallery hangs from a brass picture rail by Robert Kime, forming the salon wall that anchors the room. Texture carries across the architectural envelope. A custom Porter Teleo wallcovering pairs with trim in Old Navy by Benjamin Moore, while Anne Meredith Design added decorative folk paintwork atop the ceiling color, Dark Walnut by Benjamin Moore. Paige Martin Artifacts +Studio introduced a faux finish at the mantle and fireplace. At its center, the custom Hell’s Mouth fire surround, conceived in our studio, is being realized through 3D printing by Innova 3D, Inc. Lighting, planned by Maria Morrissey of ATX Design Studio, combines monopoint fixtures from Solias Lighting Group with electrical rough by Legrande, while Vaughn Designs picture lights accent the artwork that flanks the mantle. Seating layers continue with a Ballard Design desk chair reupholstered by Slipworks, and a vintage Milo Baughman Parsons chair revived in Dedar Nouvelles Vagues by Ambrose Upholstery, sourced with the help of Culp & Asso., who also arranged for a glass lamp by Porter Romano. Window treatments feature Schumacher moire fabric with a ruffled edge fabricated by the Shade Store. Over the fireplace hangs a hand carved oak leaf mirror stained in green and designed by Sarah. The final touches complete the vision: antique mirrors and accessories from Austin Auction Gallery, paired with a hand-beaded artwork by Rebecca Reeves, lend texture and artistry, while florals by Twelve Thirty Four support and soften the look of the space, carrying the Bavarian-medieval Schiaparelli spirit through to the last detail.
Shannon Bowers Designs “Salle à Manger”
Honoring the architectural heritage of 2999 Turtle Creek, Shannon Bowers Designs envisioned a space rooted in story and steeped in history. We imagine the Salle à Manger within a centuries-old Château Laurent in the French country
Christopher Architecture & Interiors “La Cuisine Divine”
Our Francophile journey (sans égal) begins in the vestibule, which is merely an hors d’oeuvre for La Cuisine Divine. Dramatic, dark, and moody wallcovering from Perennials, adorns the walls and is highlighted by high gloss paint from Benjamin Moore. These, in turn, set the tone for the unique furniture and décor curated from Christopher Collection. The bespoke hand painted bench is adorned by a long lumbar pillow (with a nod to a favorite French pastime) is crafted with textiles from Work and Sea (Supply Showroom) and is finished with a beautiful silk brush fringe from Samuel & Sons — all meticulously sewn by The Drapery Room. A mirror from Global Views reflects the stunning glow of the Paolo Moschino Milan Pendants (James Showroom), creating the exact ambiance desired in such an intimate space. Complementing this ambiance, two Hector Finch (James Showroom) Simone fixtures and the Selina Picture Light add layered illumination and interest. The space is then grounded by a one-of-a-kind Persian rug from Arsin Rugs, while our florist, Haile Wossen, lifts your gaze and interest with an impeccable touch of nature. Finally, a zebra bench completes the scene, dressed in Sanderson (Jerry Pair) pillows crowned with a playful Samuel & Sons pom-pom trim, once again, expertly sewn by The Drapery Room. Moving into La Cuisine Divine, the kitchen design draws its inspiration from the timeless duality of Apollo and Artemis—twin deities who embody balance, harmony, and the dialogue between light and shadow. These two deities from Christopher Collection preside over La Cuisine Divine atop steel pedestals by Weldon Welding. This mythic tension becomes a guiding principle in the kitchen, where radiance and intimacy, structure and softness, precision and fluidity coexist in a carefully choreographed balance. Apollo’s influence reveals itself through the natural light, clean lines, and radiant openness of the communal areas. These qualities are reflected in the luminous finishes of the Francois & Co. stone surfaces, skillfully fabricated by Il Granito, and adorning the sculptural precision of the Kingdom Woodworks custom cabinetry. Exquisite cabinetry deserves exquisite hardware from Classic Brass (Brandino Brass), which provides just the right amount of interest. JennAir appliances integrate themselves seamlessly into the composition, uniting innovation and elegance to enhance both the art and the act of gathering. A large island workspace anchors La Cuisine Divine and is beautifully illuminated by the Elena Light by Paolo Maschino (James Showroom), while John Cullen Lighting provides the necessary functional lighting that completes a beautiful, layered illumination effect. Another work of natural art by Haile Wossen adds a different, but important, layer to La Cuisine Divine. Artemis and Apollo are swathed in luxury with a backdrop of double-layered window treatments featuring textiles from Pollack Fabrics and Romo Fabrics, all artistically fabricated by The Shade Store. These two are flanking a unique, custom bar cabinet by Burl & Oak. Nestled between the windows, it features antiqued mirrored tile from Tile Bar and plenty of storage- a barkeeper’s dream. On either side of the island, runners from Sacco Carpets offer a soft and inviting place to stand while cooking or entertaining. The Windemere bench from Arteriors, layered with plush Thibaut pillows which are trimmed in a dramatic Samuel & Sons fringe and fabricated by The Drapery Room, anchors the oversized mirror from Christopher Collection — giving guests another elegant place to perch and socialize. Artemis brings her touch through organic materials and tactile moments. The handcrafted Tiles of Ezra from Triton Stone Group extend beyond traditional boundaries, wrapping the ceiling in an artful composition that introduces depth, rhythm, and quiet drama. Rich finishes and natural tones rendered in Benjamin Moore paint ground the space in warmth and sophistication, while the plaster hood from Meoded Paint and Plaster and refined plumbing fixtures from Kohler blend beauty and function for everyday rituals. To tie everything together, the expert craftsmanship of Alair Homes ensures each element is executed with precision and harmony. Completing the composition, the Medway light from Vaughn Designs beautifully highlights the names of our generous sponsors. Together, these collaborators shape a kitchen that is both monumental and personal. La Cuisine Divine becomes more than a functional room—it is a symphonic composition, a living dialogue of light and shadow. Bon appétit!
Studio Eckstrom “Mr. Trotter’s Drawing Room”
Studio Eckström reimagines the Gilded Age salon for a self-made modern gentleman—our fictional muse, Mr. Trotter—where heritage meets reinvention. Faience tile, Palladian symmetry, and crystal light mingle with American resolve and quiet confidence. Every surface tells a story: of craft, of character, of becoming.
Fleming Peters“A Taste of William Morris – The Unfinished Works”
Exciting, unfinished drawings of William Morris were recently discovered at The Huntington Library in San Marino, California, and one of our primary sponsors, Morris & Co., decided to complete them and offer them to the world this past September. Fleming Peters became instantly intrigued with the idea of showcasing “A Taste of William Morris – The Unfinished Works.” . As the former director of corporate fundraising at The Huntington Library, Clare Fleming Peters, our artistic director and founder, could not resist sharing her hero with our visitors. With this in mind, Morris & Co. graciously and enthusiastically contributed gorgeous wall-coverings, fabrics, and the early conceptual drawings of their talented London-based atelier which completed the works. Following Morris’ childhood spent in the English countryside and his passionate vision of an “earthly paradise,” we have covered our walls in Morris & Co.’s stunning Daisy & Oak wallcovering, the ceiling in their Chamomile wallcovering, and their Elm Stripe fabric graces the single roman shade, the creation of which was provided by The Shade Store. Rug & Kilim kindly provided a stunning Dhurrie rug in further celebration of our shared concept of beauty at home. Fleming Peters purposely kept the upholstery simple and sculptural — using vintage Scandinavian furniture generously lent from LIEF Gallery in Los Angeles. The “jewelry” in our room, provided by Hector Finch Lighting, are fixtures that illuminate individual shadow boxes showcasing the creative process of Morris & Co.’s London-based atelier, as well as Morris himself. Hector Finch’s Sir John Soane sconces also flank our mirror, featuring a poetic quote by William Morris, as well as our list of gracious sponsors. The beautiful ottoman and side table are provided by both JAMES Showroom and Casa Branca, and the attractive bar cabinet is contributed by both JAMES showroom and Justin Van Breda. The custom framing was graciously provided by J. Pocker in New York. Please come in, relax and reflect on our shared pursuit of beauty at home under the benevolent gaze of our hero, designer, poet and painter, the most brilliant and prolific creative mind of the 19th century, William Morris.
Studio Thomas James “The Belvedere Room”
Studio Thomas James created the “Belvedere Room” with inspiration drawn from Piero Portaluppi’s Villa Necchi Campiglio. A sculptural Donghia chandelier anchors the space, complemented by a tailored mix of seating, Thomas Pheasant for Baker Furniture cocktail tables, Phillip Jeffriesdallas wallcoverings, and layered artwork that lends warmth and sophistication.
Doniphan Moore Interiors “The River Room”
In poker, the river is the final card dealt — the moment of ultimate suspense, where everything is revealed. The River Room channels that same sense of anticipation and quiet drama. Conceived for a pair of worldly Texas collectors, the design rejects the cliché of the dimly lit “smoking den” in favor of a space that is handsome yet light, luxe yet inviting, and layered with subtle wit.Lighting by John Cullen Lighting gently defines the mood, its quiet glow shaping the contours of the architecture and guiding the rhythm of the room.The foundation of the space lies in the hand-finished artistry of Casci Plaster, whose work wraps the walls in a serene, tactile richness. Each surface is sculpted with a quiet precision that captures light and shadow, transforming structure into sculpture. Their craftsmanship lends the room a timeless elegance — a sense that every curve and edge was drawn with intention and care. The trim, painted in Benjamin Moore, provides a crisp architectural frame that grounds the layered palette. Its tailored finish acts as a visual punctuation, bringing order to the room’s soft material gestures. At the center, a sculpted hearth from Il Granito anchors the space — its weight and refinement giving balance to the room’s lighter, more ethereal elements. Drapery from The Shade Store completes the composition with movement and warmth, its fabric catching the light and diffusing it into a soft, ambient glow. The interplay of opacity and sheen lends a gentle rhythm, echoing the fluidity of conversation and the quiet thrill of the game itself. Walls cloaked in a custom hand-painted wallpaper by de Gournay, created especially for this room and drawn from their newest collection, envelope the space in atmosphere. The delicate artistry of brush and pigment evokes both nature and dream — a gesture of generosity and beauty that transforms the room into a living canvas. The River Room becomes not merely a setting for cards, but a meditation on performance, ritual, and restraint — a stage for friendship, confidence, and the subtle art of suspense, where every hand feels like a story waiting to unfold.
Jean Liu Design “Above the desert, the silence was as vast as the space”
“Above the desert, the silence was as vast as the space” is a site-specific collaboration between Jean Liu Design and German artist Florian Meisenburg. The installation expands the classical rotunda into a simulated grid space, transforming Renaissance architecture into a digital illusion. Blue perspective lines stretch across the walls, evoking the sensation of expanded space, or an unfinished rendering. The atmosphere carries faint echoes of Kubrick’s 2001: A Space Odyssey and Superstudio’s infinite grid-spaces at once austere and utopian, suspended between fiction and reality. Within this matrix, several paintings appear to float-like glitches or windows into alternate worlds-where organic marks and narratives puncture the grid. The dialogue between the hall’s grandeur and the fragile, playful geometry of the virtual frame turns the entire room into a threshold: between past and future, between solid structure and immaterial simulation.
Mohon Interiors “The Evening Lounge”
Mohon Interior’s Evening Lounge is the place to end your day: a space of warmth, style, intimacy, and lived-in romance. Inspired by the layered charm of a Paris salon or a Highland Park family room, the room reflects the patina of personal history and the enduring relationship one cultivates with home.
Embracing romanticism, the Evening Lounge balances silver and gold tones, contemporary gestures and classic references, creating a setting both practical and poetic. A curtain of shimmering metal beads surrounds a dynamic oak and steel table by Berman Rosetti, while the seating area centers on a teal Summer Sofa by John Saladino, paired with a custom Mohon-designed chaise resting on an oversized Moroccan rug from Arsin Rug Gallery. A monumental gallery wall by Weingarten Art Group anchors the space, complemented by a marble and bronze fireplace by Marmi Stone. Throughout the room, the La Graca Etagère from Luxury Living Group Dallas along with select pieces from Arteriors, including the Duvall Ottoman and Rucci Cocktail Cabinet, lend sculptural presence and subtle glamour. Layers of lush velvet drapery by The Shade Store, paired with an intricate lighting scheme, featuring an Italian Rococo-style wood and tole chandelier from The Fournier Collection, the Klaus Chandelier from Arteriors, and recessed lighting by John Cullen Lighting, enhance the room’s layered textures and atmospheric warmth. This space is as functional as it is beautiful—ideal for a cocktail gathering, a quiet evening sketching, a lively game of mahjong, or simply curling up with family at the end of the day. Romanticism here becomes not a fleeting gesture, but a way of living: stylish, personal, and enduring.
Ellerslie Interiors “Moonlight Pavilion”
Moonlight Pavilion by Ellerslie Interiors envisions a serene retreat that honors Asian artistry and the timeless tradition of mahjong. Drawing on the cosmopolitan glamour of 1930s Shanghai, the room layers Art Deco geometry with soft contemporary silhouettes. Inspired by an early 20th-century portrait of a woman exuding grace and quiet confidence, the space was designed as both an intimate lounge and a gathering place. Hand-painted artistry anchors the room with a custom mural by Colette Cosentino, while a copper dragon bench by Robert Kuo and a 1927 Art Deco chair from Pagoda Red reflect a dialogue between heritage craftsmanship and modern design. Moiré silk walls from Schumacher shimmer like water under moonlight, while a gilded geometric ceiling and luminous Benjamin Moore trim envelop the room in warmth and glow. Building on this foundation, custom-fabricated screens upholstered in Schumacher fabric add privacy and architectural intrigue, while dramatic drapery, roman shade, and overscale tassels introduce layers of texture and movement. The lounge area’s layered seating, faceted glass coffee table, and vintage accents balance global craft with contemporary comfort. Adjacent to this space, the mahjong area is anchored by a Brigitte fossilized stone table from Made Goods, paired with tailored seating that supports spirited play. Lighting adds sculptural impact, from a pleated Urban Electric pendant above the table to a vintage Paolo Gucci skyscraper lamp. This glow carries into the cocktail and refreshment station, where an Arteriors Manhattan bar cabinet is styled with lamps from JAMES Showroom. Curated accents by Robert Kuo further highlight Asian artistry, tying the room together with depth and cultural resonance. The atmosphere is completed with fresh florals by Eden Meadows, a bespoke room fragrance by Les Fumées, and a Macao mahjong set by Hermès. Together, these elements transform the room into a sanctuary alive with elegance, storytelling, and timeless glamour. Ellerslie Interiors presents to you, Moonlight Pavilion!
Nicole Gordon Studio “Overlook Hideaway”
Designed to evoke a sense of quiet sophistication, the Overlook Hideaway balances masculine allure with understated luxury, making it an ideal sanctuary for fun, conversation and simply escaping the bustle of everyday life. A burl cocktail bar custom designed by Nicole Gordon Studio was made by Green Park Construction. The Bordeaux marble counter was sourced and fabricated by TileBar and is surrounded by a bronze framed mirror, meticulously crafted by Glasshouse. JennAir undercounter refrigerator and freezer drawers help make the bar functional without compromising form. Elegant curtains by The Shade Store and their quality oil rubbed bronze curtain rods with wool fabric from Holland & Sherry frame the space, adding depth and a sense of privacy. A plush lounge banquette sofa upholstered in a Mark Alexander cotton velvet anchors the room with comfort and style. Opposite the sofa features a stone mantel from Dallas-based Pittet Architecturals and a custom lacquer game table with vintage chairs from the legendary antique showroom JF Chen. In the center of the room is a coffee table by acclaimed MOMA artist Elliott Hundley, grounded by a custom designed wool area carpet by Arsin Gallery. Subtle accents and refined materials work together to create a cozy yet polished environment—an intimate escape designed for quiet conversations and reflection over a drink or game of cards. Beautiful hardwood flooring from Madera Surfaces and rich red plaster work by Green Park Construction tie the entire room together. Every element, from the carefully sourced fabrics to the rare Dahlia chandelier by Max Ingrand from Donzella, contributes to a space that feels both effortless and exclusive—a perfect haven for those seeking a sophisticated hideaway.
Samantha Fisher Studio “Moonlight Passages”
Created by Samantha Fisher, these “Moonlight Passages” are instantly transporting, enveloping visitors in Schumacher’s Brindille mural wallpaper with its midnight forest and moody hues. Inspired by New Orleans after dark, when the sun goes down under a canopy of lush, green trees, this arcade offers a compelling transition to the rest of the house. Sculptural pieces by Made Goods, including the Archer Buffet and seagrass Charlotte console, provide a dynamic contrast against this organic backdrop and earthy color palette, accented by works of art including Karen Hawkins Studio’s meditative Mandala and Marla Ziegler’s glazed clay. A custom designed elongated bench by Fisher upholstered in a warm apricot Romo fabric anchors the space providing a moment of respite in the passage. The combination of organic textures and motifs layered with moments of modernism provide an engaging visual dialogue, accented by a splash of preppy in the form of Romo’s newly released Engawa Vellum by Mark Alexander. Befitting the theme, Paper Moon hanging shades by Barbara Barry and Ochre’s Moon Tables from David Sutherland lend celestial touches. Lighting by Culp Associates, Gregorius Pineo, John Cullen, and Visual Comfort serve to light the night with a warm glow. All the while, everything is grounded by the wallpaper. Artist Colette Cosentino created this fantastical dreamscape forest that is equal parts mystical and natural which informs the space. Old elevator banks are hidden with The Shade Store’s Tailored Pleat Drapery, fabricated in an in-stock Nate Berkus fabric to add softness and enhance the architecture of the space.
Sees Design “Made to Measure”
Inspired by Bill Blass’s legendary Sutton Place apartment, Made to Measure reinterprets his refined sensibility for today. The room channels Blass’s innate balance of classical proportion and modern restraint, an urbane sophistication grounded not in trends but in enduring taste. It is a tailored retreat, layered with textures and details chosen as carefully as the cut of a bespoke suit. The furnishings tell the story: authentic antiques paired with the finest artisan manufacturers who understand patina and finish as an art form. Rose Tarlow anchors the space, along with Dennis & Leen, each carrying the quiet authority of time-honored craftsmanship. Lighting from Vaughan serves as a centerpiece, its alabaster glow set against a Benjamin Moore ceiling—an understated but commanding gesture that sets the tone for the room. Softness and polish arrive through layered elements such as an antique rug from Arsin Rug Gallery grounding the space and adding further depth. Corona Finishes contributes artisan-painted surfaces, while selections from Frog and Camel and Nick Brock introduce character-rich antiques that connect past and present. A Navajo saddle blanket sourced from Shiprock Santa Fe hangs on the wall above the console as a singular artwork—its handwoven purity and cultural depth echoing the understated American elegance of Bill Blass. Handcrafted artisan candlesticks by Mexican artist Mike Diaz, from his acclaimed “Patria” series, bring a playful, folkloric detail to the room. Additional details, such as Samuel & Sons tape trim on The Shade Store lambrequins from the Mark D. Sikes Collection, the pair of Greenwich alabaster Globe lights from Vaughan, a desk lamp with reeded bell shade mounted on a square gimbal from Jamb London and a marble tabletop provided by Artistic Tile, further underscore the team’s layered approach and refined sensibility. The room is not about replication but interpretation—an homage to Blass’s singular vision, updated with today’s point of view. Classical detailing mingles with restraint, eclecticism with clarity. It reflects a larger shift in design: a return to the timeless, refined eclecticism, where antiques and classical gestures are layered with modern notes, rather than the reverse. At once elegant and approachable, Made to Measure invites the viewer to sense refinement in every gesture while leaving room for instinct and individuality. It is, in essence, a study in timeless sophistication—crafted, considered, and quietly confident.
The 26 designers and architects participating in this year’s Show House include:
bureau interior architecture | design
Christopher Architecture & Interiors
J.D. Ireland Interior Architecture & Design
Mrs. Paranjape Design + Interiors
Jean Liu and Chad Dorsey return as Show House co-chairs, with vice-chairs Shelby Wagner and Trish Sheats also repeating their roles, and Javier Burkle, Bryan Yates and Mike Yates serving as alumni chairs. Jan Showers and Jamie Drake serve as honorary chairs.
The sponsors for this year’s Show House include Allan Knight & Associates, Arsin Rug Gallery, Arteriors, Artistic Tile, Benjamin Moore, Briggs Freeman Sotheby’s International Realty, Casci Plaster, D Magazine, il granito, JAMES Showroom, JennAir/Ferguson, John Cullen Lighting, Kohler, Luxury Living Group Dallas, Made Goods, Morris & Co., New York Design Center, Perennials and Sutherland, Pooky Lighting, , Susan’s Jewelry Collection, The Shade Store, TileBar, and Vaughan Designs.
Galerie is the national media partner, and PaperCity returns as the regional media partner.
“Every designer, partner, sponsor, and guest contributes to our mission of empowering young people to reach their full potential,” said Daniel Quintero, Executive Director of the Kips Bay Boys & Girls Club. “The talent showcased here is nothing short of extraordinary. This event is both a celebration of design excellence and a reflection of the incredible generosity that fuels our work year after year.”
To see how this year’s Show House compares to last, please click here for a tour of the 5th Annual Kips Bay Decorator Show House Dallas.
Very unusual for me, but there was not room I saw that I would want in my home!
Shocking!