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Zenke with a “Z”

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Madcap Cottage week continues at The Glam Pad, and today I am thrilled to present a special guest post by Jason Oliver Nixon. On Monday, I featured the stunning 1930s Regency style home Jason and his partner John recently renovated in High Point, North Carolina. You may have noticed their fabulous Greek key embellished doors, salvaged from an estate designed by the late Otto Zenke. Since moving from New York to North Carolina, Jason and John have become enthralled by Zenke. Never heard of him? Neither had I…

Jason and I recently corresponded when I posted the following image on Instagram… He recognized Zenke’s work, and I was intrigued to learn more. The Madcap gents have become avid collectors and historians of Zenke. Fascinated by this relatively unknown legend, Jason graciously agreed to share his knowledge through a guest post… and provide a tour of the Madcap collection. Enjoy!

Suspended umbrella by Otto Zenke from the 1970 Garden Decoration book, House and Garden. 

By Jason Oliver Nixon:

The Madcap Cottage gents love nothing more than poring through the vintage design books that we collect by the dozen and scatter about our 1930s-era House of Bedlam home in High Point, North Carolina. Early on in our careers, we fell in love with Dorothy Draper and soon became enamored of Billy Haines, Sister Parish, Nancy Lancedszaaster, Syrie Maugham, and a slew of gone-but-not-forgotten design world luminaries.

But it wasn’t until we started trawling Greensboro, North Carolina’s amazing consignment shops that we learned of the incomparable Otto Zenke. Chances are that you have never heard of this NYC native who hightailed it down south in 1937 and created bold-faced interior design projects such as legendary financier Richard Jenrette’s NYC maisonette (profiled in Jenrette’s coffee table book, Adventures with Old Houses), and neither had we.

As John and I scoped vintage finds in Greensboro after hoofing it about at Market—years before we, too, eventually decamped from Brooklyn “a la Zenke” to High Point—we would occasionally unearth a fabulous, deliciously theatrical gilt shell sconce that bore the name “Otto Zenke” emblazoned upon the back. We felt simpatico to his vibe, a mix of tradition and theater, the historic and highflying. And so we jumped online and read all that we could find about this mysterious Mr. Zenke. And there isn’t a lot penned about Zenke, it seems, and that’s possibly because his works were not widely captured in photography like the vast cache of imagery that exists for his very marketing savvy peer Dorothy Draper.

Otto Zenke-designed home in County Clare, Ireland. The fabric is Paule Marrot’s Guermantes, which is still available today through Brunschwig & Fils. Image via The Peak of Chic.

Image via The Peak of Chic

There are occasional Zenke homes that go on the real estate market, and it is well worth attending an open-house afternoon to poke about. The delicious miniature rooms that Zenke lovingly tended can be scoped at the Greensboro Historical Museum. But, sadly, of the dozen vest pocket-sized rooms that are still extant, only three are on display.

From the Greensboro Historical Museum website:

“Born in Brooklyn, New York in 1904, Otto Zenke studied interior design and started his career at B. Altman & Co. in New York before moving to Greensboro, North Carolina, where he worked as chief decorator at Morrison-Neese Furniture Company during the late 1930s and 1940s. Zenke opened his own design studio and showroom in 1950 called Otto Zenke, Inc. He designed and decorated primarily residential properties for another three decades and eventually opened offices in Palm Beach, Florida, and London.”

Otto Zenke’s work on the cover of House Beautiful, November 1965.

Happily, the Madcaps have discovered several Zenke finds upon our hunts, and these treasures pepper our High Point pad. We situated the aforementioned gilt-glazed shell sconces in our master bathroom, a wonderful rolled-arm bench in our bedroom, sconces in the foyer, a painting in the basement, and a mirror in the living room—and have scattered various Zenke-licious accessories throughout. We have spoken to friends whose families knew—and hired—Zenke and have read the occasional local article about the guru and literally shriek when we uncover further treasures.

image via O. Henry magazine

We hope that Zenke has a resurgence, a splash that will introduce him to new generations. We hear that his library and papers reside with a Zenke family member, and we would love to see these documents eventually make their way to the Bienenstock Furniture Library, the world’s largest design library that happens to sit on Main Street smack in downtown High Point. And then maybe Zenke will receive the contemporary accolades that he so deserves.

Until then, the Madcaps are having a serious case of Otto-mania! And you’re invited to join the party.

We have a pair of vintage, ribbon-decorated Otto Zenke sconces that takes place of honor in the House of Bedlam foyer, aka the Grand Hall. The hand-painted walls in the space are a nod to famed British muralist Rex Whistler and also channel our style muse, the late American heiress Bunny Mellon.

In the House of Bedlam basement, a painting that Zenke commissioned for clients in the 1960s covers a cozy wall. Note the trompe l’oeil envelope with Zenke’s address painted upon it. The bench beneath the painting came from the C.Z. Guest auction in upstate New York last fall.

A pair of gilt shell Otto Zenke sconces in the House of Bedlam master bathroom. Chic, no? The curtain panels are crafted of Mill Reef, a Madcap Cottage for Robert Allen Design fabric pattern from our debut collection. The wallpaper is from Bob Collins and Sons in Palm Beach.
The Greek-key embellished doors were salvaged from an estate designed by Zenke. 

In the House of Bedlam master bedroom, we recovered a vintage Otto Zenke roll-arm bench in our Madcap Cottage for Robert Allen Design fabrics. When we purchased the bench, it was wrapped in a dun yellow Naugahyde. We kept the original Zenke tag when we had the bench refurbished.

Thank you, Jason, for sharing your knowledge surrounding this impressive and influential designer. I have now developed a serious case of Otto-mania and will be on a mad hunt for additional information and treasures! Further images and details on the life of Otto Zenke can be found in the October 2013 issue of O.Henry magazine (beginning on page 60). And make sure to check back on Friday, as I will feature two Zenke designed homes from the MLS! 

Mad for Madcap Cottage!

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Chic Caftans by Carla Christoph

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Old School Dallas Chic

Located on Armstrong Parkway in Highland Park, Texas, this French estate designed by Anton Korn is one of the most significant architectural properties in Dallas. It was the final interior design project of John Astin Perkins, the decorator credited with creating the classic “Dallas look” – bright color and patterns, traditional (but not staid) furniture, and highly accessorized rooms filled with antiques – according to a fascinating article by D Magazine. Let’s take a look inside this intriguing piece of Dallas history, available for sale

4248 Armstrong Parkway 

“John was able to capitalize on the knowledge that Southern women love color,” designer Cathy Kincaid said. “He gave the decorators permission to use bold color.” 

Perkins boldly blended English and French styles.  He is credited for bringing the French Country influence to Texas homes. His choice of bright colors including parrot and apple greens, pink, lavender, and mustard was considered avant-garde.

Known as “Mr. Dallas,” Perkins’ client list read like a who’s who of the Dallas-Fort Worth Metroplex, including Ross Perot, James Ling, Perry Bass, and Clint Murchison. His signature parrot-green-and-white wallpaper and Asian lamps became known and recognized everywhere, including the Dallas Country Club, Brook Hollow Golf Club, and River Crest in Fort Worth.

The .9 acre lot is shaded by approximately 50 large trees and features a pool, terraced gardens with fountains, blue stone pathways and wrought-iron gates.

Built in 1924, this magnificent home features over 8,000 square feet, five bedrooms, and five and a half baths. The listing may be viewed here and here. To learn more about the colorful life of John Astin Perkins, please visit D Magazine and Texoma Living! I find it interesting that such an influential designer is virtually unknown today… Texoma Living! claims his work appeared in Architectural Digest more times than that of any other designer, and yet examples of his work are almost impossible to find now.  If you have any additional information on John Astin Perkins, I would love to hear from you. I am intrigued to learn more!

A Classic Palm Beach Home for Sale

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Lyford Cay Living by Amanda Lindroth

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Design Crush: Andrew Skurman Architects

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Southern Dream Home

My ongoing series of Instagram home tours continues, and today I am thrilled to introduce Meredith Lewis. The moment I “met” Meredith on Instagram, I knew we were kindred spirits… and I also fell madly in love with her home, located in North Carolina. So I was thrilled when she agreed to a home tour! With no formal design training, Meredith has created a home worthy of House Beautiful. She loves all things monogrammed, blue and white, and Chinoiserie. She collects silver, china, Herend, and Staffordshire… and she is a skilled needlepointer! Meredith is also an expert hostess, whether it is a pizza party for her children and their friends or a Christmas party for more than 400…. her motto is “have house, will happily host!” I will be right over! Let’s take a look inside and learn more about Meredith…

Q: Your home is so beautiful! What year was it built?

A: Thank you so much! We’re enjoying it! It was built in 1953, even though I think it feels much older. It was built like a fortress and has so many interesting things about it that just aren’t done in new houses, like a large curved staircase down to the full basement, and the attic that has several rooms including a huge cedar closet. (That’s actually one of my favorite parts!) We are only the third owners. It’s informally called the Williams house after the wonderful family who built it. The son of the original owners has come over several times and shared its history with us. He showed us where Ronald Reagan stood when he was here for the Azalea Festival, and the house was on the Garden Tour. He even told us that since he used to be the only surgeon in town, way back before pagers and cell phones, when there was an emergency at the hospital, the police would just ring the doorbell to the side entrance that went right to his bedroom and tell him that he was needed at the hospital.

The chandelier in the front foyer is original to the house.  Every room except the living room has a chandelier, even every bathroom.

Q: How and when did you become interested in interior design? Do you practice professionally?

A: I have loved “playing house” since I was a little girl and made curtains for my playhouse and hung plastic plates on the walls. I hosted my first party in the third grade when I had a surprise birthday party for my Mother. I called all her friends and politely informed them what they were to bring. Those sweet women went along with my scheme, showed up as instructed, and we had a great party! I am not a professional decorator by any means, but I do enjoy it, and have loved helping my friends over the years when asked. Sometimes we all need an extra set of eyes to help us see what needs to be done or an extra set of strong arms to help rearrange furniture. I adore doing that!

The living room used to be a very formal room, which we almost never used. It’s where we put the Christmas tree, and the children practice piano, but that’s it. It’s the largest room downstairs and we never used it. After years of my husband saying we should turn it into a family room, I finally conceded. I don’t know why I waited so long! We use this room all the time now. The children’s friends love watching movies and playing XBox in there, and we are finally, for the first time, using our living room. 

The butterflies above the fireplace are from a calendar that I purchased in Venice, Italy a while back.  It’s always a conversation starter and my children’s friends have named that room “the butterfly room.”

Q: How would you describe your decorating style?

A: I love traditional, classic, colorful, preppy, happy, with an English bent but all Southern. I love the layered look… pretty on top of more pretty! Although, when I visit a friend in their beautifully and minimally decorated home, I think, “How perfect! I love it! I’m going to start all over!” The reality is I could never. I collect, rearrange, and am constantly feathering my nest.

Q: Do you have any favorite furniture and accessories? Do you like hunting for vintage pieces, or do you prefer new?

A: I adore the thrill of the hunt and almost always buy things that are old. I love things that have age and patina, and a few scratches and cracks don’t scare me. They’ll certainly have a few more once we’re done with them! I enjoy collecting Staffordshire, silver (trays, dresser jars, and frames), Herend, old leather books, china, and all the blue and white. I am very sentimental so my favorite things have been handed down, given to me as gifts, or have my children’s finger prints or handwriting on them. The things I would grab in a fire are my children, their portraits and our dogs.

Q: Who are your favorite designers?

A: I love the elegantly layered look of Charles Faudre, the spectacular blue and white and flowers by Caroline Roehm, the wonderfully fun and beautiful use of color by Parker Kennedy, and anything by Ralph Lauren makes me swoon.

We renovated our kitchen three years ago and made it work so much better for our family. We especially love our brick floors. Before, there was an old linoleum floor with no hardwoods underneath. I knew I could never match new wood floors to the rest of the old wood floors in the house, so we chose brick in this herringbone pattern… they’re indestructible.

Q: What is your greatest source of inspiration?

A: I am usually inspired by color or fabric first and then work from there. I can type the name of a fabric I want to use or “green bedroom” into Pinterest or Instagram and find all the inspiration I can handle. I still have my old binder with tons of pictures cut out of magazines that I used for inspiration long before the Internet. I can look back at it and still see pictures that inspired some of my ideas. It could be a paint color that I have used or an arrangement of paintings on a wall that I particularly loved, but many of my tried and true decorating tricks came from those magazines from years ago.

Q: What are your favorite hobbies outside of decorating?

A: Does sitting in the bleachers at my children’s games count as hobbies? No? Well then, let me think… I actually love to needlepoint and have made several belts for my husband and son, and things for our daughters. I love to read, garden, bake, play tennis and walk with girlfriends, and travel as much as possible. If there’s time for those things, that’s great, but what I really want to do is play with my family. We have fun together and spending time with them is time well spent.

The den is actually my favorite room. It is full of things that I love- both my husband’s family and my family’s tartans on either side of the sofa, both our families’ crests, a hide on the floor that I purchased in Montana where we vacation, and many collections. It’s the best room for curling up by the fire and making smores. 

Q: What is your process for decorating your home, and what tips would you give to others?

A: I want our home to be beautiful and comfortable and a soft place for my family to land after they’ve been gone all day. It’s filled with things that are so “us”… things brought home from our trips, or handed down from our parents (or “neo- parental” as we call it), or are just beautiful to me. I was helping a girlfriend spruce up her living room the other day and while we were out shopping, we found something she loved. Instead of grabbing it, she lamented, “But I just don’t know where I’d put it.” I almost fell over! You can put something you love anywhere and everywhere! It can start out in one spot and over the years, move to several others. If you love it, buy it! I know husbands everywhere are cringing when I say that, but it’s the truth. If you buy what you like, everything will look good together. If you are not sure what your style is, boil it down to a few words… classic, modern, neutral, colorful… if you see something that fits what you believe your style is, or what you want it to be, get it!

The back porch is my favorite spot to have coffee in the mornings or drinks in the evening. From the porch swing, I can hear the fountain and watch the children play in the backyard.


Q: Anything else you would like to add?

A: We feel so blessed to live in this home and enjoy opening to others and sharing it. This house was made for that! I enjoy having friends over for dinner or having dinner in their homes much more than in a restaurant. I think you get to know people better that way. Our life is focused around family and friends and having people over is a large part of that. We are very social and love entertaining, whether it’s friends and their children for dinner, a church function, cocktails for 100, a Christmas Tea for 400, or being on the Garden Tour and hosting several thousand. I love the planning, the decorating, flower arranging, cooking, (let’s be honest, sometimes it’s pizzas), and then finally enjoying the results! The more you have people over and practice hospitality, the easier it becomes. I joke that I’m party ready at a moment’s notice, and that’s the truth. Have house, will happily host.

Thank you, Meredith, for inviting us inside your beautiful home! I am so inspired by your amazing style…. and your hostessing skills! For a further glimpse into Meredith’s charmed life, please follow her on Instagram.

Leta Austin Foster Revitalizes Virginia’s Historic Milburne

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If I had to list on one hand my favorite designers, Palm Beach-based Leta Austin Foster would definitely be included. Her traditional approach to decor is simultaneously fresh and timeless, and her attention to detail is second to none. I love every single project in her portfolio, but historic Milburne in Richmond, Virginia is one of my favorites. And today we are in for a treat, because Leta is going to give us a personally guided tour!


Completed in 1935, Milburne is considered to be architect William Lawrence Bottomley‘s finest work. Commissioned by Walter Robertson, head of the China Lobby, it was frequently used to entertain government leaders and heads of state including Queen Elizabeth and Prince Philip, who stayed there on an American visit. Many original pieces of furnishings remain in the Georgian Revival mansion, original paint colors, specified by Bottomley, were closely replicated, and original architectural details were carefully preserved. Leta and her daughter Sallie Giordano painstakingly preserved the past while expertly refreshing the classic grace of Milburne for the 21st century.


All photography below, unless otherwise noted, is by Edward Addeo from the book Farrow & Ball: The Art of Colour by Brian Coleman, published by Gibbs-Smith.  All designs are by Leta Austin Foster and Sallie Giordano of Leta Austin Foster & Associates.  Notes in all caps below are directly from Leta… Such a treasure!! Now let’s begin our tour! 

Image via The Richmond Times Dispatch
Milburne by William Lawrence Bottomley. Bottomley is considered to be one of the greatest architects of the 20th century. 

AN INTERESTING DETAIL IN THIS ROOM IS THE FASCIA ON THE STAIRCASE–NOT ONLY DID BOTTOMLEY DESIGN THAT, BUT HE DESIGNED THE HANGING LAMP TO MATCH THIS FASCIA. THE WALLPAPER IS FROM WATERHOUSE WALLHANGINGS AND THE CURTAINS ARE MADE FROM A FABRIC BY BRUNSCHWIG AND FILS. 

THESE ARE THE RATHER GRAND CURTAINS IN THE DRAWING ROOM–THEY DIVIDE THE ROOM INTO TWO, AND THEY ARE THE FIRST THINGS YOU SEE AS YOU ENTER THE ROOM FROM A MATCHING DOORWAY ON THE OPPOSITE SIDE OF THE ROOM.  ALL OF THE ANTIQUES ARE QUITE FINE AND THEY WERE EITHER IN THE FAMILY OR I FOUND THEM.  THE RUG WAS DESIGNED BY BEAUVAIS CARPETS TO MATCH THE ANTIQUE CHANDELIER VISIBLE IN THE NEXT PICTURE… 

HERE IS ONE HALF OF THE DRAWING ROOM, THE HALF CENTERED ON THE FIREPLACE.  ALL OF THE COLOURS WERE IN THE “BOTTOMLEY PAINT BOOK,” A NOTEBOOK KEPT BY BOTTOMLEY, AND OUR GREAT LUCK WAS THAT FARROW AND BALL HAD A MATCHING COLOUR FOR EACH OF THEM.  YOU CAN SEE THE RUG AND A BIT OF THE CHANDELIER MENTIONED ABOVE.  THE BLUE DAMASK ON THE WING CHAIR WAS A NEW WEAVE OF THE SAME FABRIC WHICH WAS ORIGINAL, AND WAS MADE BY LE MENACH IN TOURS.  THE PRINT FABRIC IS A BENNISON SILK TUSSAH CALLED “CHINESE FLOWERS.” THE SPORTING DOGS PAINTING IS AN ARMFIELD, AN ANCESTOR OF THE HOUSE’S NEW OWNER.  THE SECRETARY WAS IN THE FAMILY.

THIS IS A DETAIL OF THE DRAWING ROOM FIREPLACE.  BOTTOMLEY CARED SO VERY MUCH ABOUT THE DETAILS AND THEY JUST MELT THROUGH THE HOUSE–NEVER JARRING, ALWAYS PERFECT.  

THIS IS A VIEW FROM THE DRAWING ROOM, THROUGH THE DINING ROOM, INTO THE BREAKFAST ROOM.  ONE OF THE BEAUTIFUL THINGS ABOUT THIS HOUSE IS THE USE OF WONDERFUL MAUNY WALLPAPERS.  WHEN WE FIRST SAW THE HOUSE, I LOVED THE WALLPAPER IN THE BREAKFAST ROOM–I KNEW IT WAS BY MAUNY. BUT IT WAS BEYOND REPAIR, SO WE HAD MAUNY, NOW PART OF ZUBER, REPRINT THE PAPER.  THEN WE CHOSE ANOTHER MAUNY WALLPAPER FOR THE DINING ROOM (AND FOR OTHER ROOMS UPSTAIRS).  WE HAD GREAT FUN DOING THIS. 

THE INCREDIBLE OVERDOORS (A MATCHING PAIR FACING EACH OTHER) ARE JUST ONE DETAIL IN THE BEAUTIFUL WOODWORK OF THIS ROOM.  
THIS IS THE DINING ROOM; NOTICE THE INCREDIBLE  FIREPLACE EXTRUSION–EVERYTHING IS ORINAL EXCEPT THE WALL SCONCES WHICH REPLACE CANDLE SCONCES–THERE WAS NO ELECTRICITY IN THIS PART OF THE HOUSE, AND ALTHOUGH SHE WAS FILLED WITH GUILT OVER DOING SO, I PERSUADED THE OWNER’S WIFE TO HAVE THE CANDLE SCONCES REPLACED BY THESE BEAUTIES BY ISABEL GLOVER.  THE BEAUTIFUL, BEAUTIFUL CHANDELIER I FOUND AT MR. ALEXANDER’S IN THE BOTTOM OF THE MANHATTAN ANTIQUE BUILDING ON SECOND AVENUE.  HE ALWAYS HAS SUCH BEAUTIFUL THINGS.

THE TABLE AND THE SIDEBOARD AND THE OVERMIRROR WERE FAMILY PIECES;  THE PAINTING OF JANE ALSTON HANGING OVER THE FIREPLACE IS AN ANCESTOR OF THE OWNER’S WIFE, AND ALL OF THESE ARE SET OFF BY THE MAUNY PAPER, “LE FAISON ET LE BLE.”  ALL MAUNY PAPERS ARE OLD BLOCK PRINTS SO THEY ARE PERFECT IN HOUSES LIKE THIS ONE.
MORE OF THE LOVELIEST WOODWORK IMAGINABLE–USED TO SHOWCASE THE CLIENT’S MOTHER’S COLLECTION OF ENGLISH PORCELAIN.  THE HORESEHAIR ON ALL THE DINING CHAIRS WAS A GREEN AND CREAM ONE FROM CLARENCE HOUSE.

THE PLASTERWORK IN THE HOUSE, USED IN CONJUNCTION WITH THE WOODWORK, WAS EXTARORDINARY.  BOTTOMLEY HAD PLANNED THAT THE CORNICE RAIL AT THE VERY TOP WOULD BE IN GOLDLEAF ON THE WHITE, BUT MR. ROBERTSON WAS GETTING QUITE TIRED OF ALL THE EXTRAS ON THE HOUSE, SO HE VETOED IT.  BOTTOMLEY USED GOLD RADIATOR PAINT INSTEAD, WHICH WAS QUITE CHEAP, BUT IT ATE AWAY AT THE PLASTER, THUS THE DENTILS ARE MISSING.  WE SUGGESTED HAVING THE PLASTERWORK RECAST, BUT THE CLIENT SAID SHE WANTED TO KEEP IT THAT WAY AS A LITTLE “HISTORICAL MOMENT.”  NOTICE THE INCREDIBLE WORK DONE BY THE PAPER HANGER.
THIS IS THE BREAKFAST ROOM WHICH IS ALMOST A MINIATURE OF THE DINING ROOM.  THIS IS THE WALLPAPER WHICH WAS REPRINTED FOR US BY MAUNY, A REPLICA OF THE ORIGINAL.  THE CHANDELIER WAS ANOTHER OF ISABEL GLOVER’S WONDERFUL PIECES.
AS IN THE MAIN DINING ROOM, BOTTOMLEY USED BUILT IN CHINA CUPBOARDS. THE YELLOW CHINA IN THE CUPBOARDS WAS THE CLIENT’S MOTHER’S BREAKFAST CHINA.
THIS IS THE BUTLER’S PANTRY WHICH LEADS TO BOTH THE DINING ROOM AND THE BREAKFAST ROOM–HERE WE KEPT THE ORIGINAL CABINETRY AND REPAINTED IN THE SAME BRIGHT CHEERY RED THE FLOOR.  THE LIGHTS ARE FROM ANN-MORRIS ANTIQUES IN NEW YORK CITY AND THE HOOKED RUGS IN THE HOUSE ARE ALL ANTIQUES FOUND BY ME.
OFF THE TERRACE LEADING TO THE OFFICE IS A MEN’S LOUNGE AND POWDER ROOM.  THE WONDERFUL STANDING LAMP INSIDE IS FROM ANN-MORRIS ANTIQUES, AND THE SCONCE IS FROM PAUL FERRANTE.

THE WROUGHT IRON PLANTERS AND THE FURNITURE ARE ORIGINAL TO THE HOUSE, JUST REPAINTED.  AS YOU CAN SEE BY THE LEAVES ON THE FLOOR, IT IS FALL, SO NOT FERNS ARE IN THE PLANTERS.
A CLOSEUP OF THE SCONCE IN THE MEN’S LOUNGE.  THE BEAUTIFUL WALLPAPER IS A “TILE” DESIGN IN AN INDIAN TREE PATTERN IN TONES OF RED FROM ZUBER.  THEY HAVE BEAUTIFUL NON-MURAL WALLPAPERS.
THIS IS THE ANTEROOM OF THE CLIENT’S OFFICE.  IT HAS A LIGHT AND AIRY WALLPAPER FROM FARROW AND BALL TO TONE DOWN THE DEEP BLUES AND BROWNS OF THE RUG. THE PAIR OF ANTIQUE CHINESE CHAIRS WERE BOUGHT AT MRS MC DOUGAL WHICH WAS PART OF HINSON, NOW SADLY DISCONTINUED.
THIS IS A WALL IN THE MASTER BEDROOM DONE IN A WIDE AND INVITING BED WHICH WE BOUGHT AT LOUIS SOLOMON AND HAD REPAINTED.  THE HALF CANOPY AND THE PANELS WERE PLAIN DOTTED SWISS BUT WITH GREAT HEMS AND HAND-SMOCKING AT THE TOP.  THE BED UPHOLSTERY IS PIERRE FREY, AND THE LOVELY LITTLE BERGERE HAS A LE MENACH FABRIC.

A CLOSE-UP OF ONE OF THE PAIR OF CHAIRS SHOWS THE LE MENACH FABRIC AND THE TINY WELTING CORD AND TAPE TRIM FROM PASSEMENTERIE IN NEW YORK. THE DETAILS OF THE DOTTED SWISS-TYPE SHEER UNDERCURTAINS SHOW HOW WE DO A DEEP HEM WITH A TINY RUCHE EMPHASIZING IT. THE OUTER CURTAINS WERE MADE FROM ANOTHER PIERRE FREY FABRIC WITH ANOTHER TRIM FROM PASSEMENTERIE. THE LOVELY ANTIQUE HOOKED RUG WE FOUND FOR THE ROOM, AND YOU CAN ALSO SEE THE WONDERFUL SHEPHERD AND SHEPHERDESS WALLPAPER FROM MAUNY, OF COURSE.

THIS GUEST ROOM, WHICH USED THE ORIGINAL CANOPY BEDS FROM THE HOUSE, IS ANOTHER MIXTURE OF MAUNY IN BOTH THE WALLPAPER (WITH A WHITE GROUND) AND THE CURTAIN AND UPHOLSTERY FABRIC (ON A LIGHT BLUE GROUND).  BECAUSE THESE WERE DONE ON THE OLD LOOM AND BLOCKS, THE FABRIC IS ONLY 22″ WIDE–FORTUNATELY THE WINDOWS WERE TALL AND NARROW.

THE BED CURTAINS WERE DOTTED SWISS AS WERE THE DUST RUFFLES.  ALL OF THE LINENS AND ACCESSORIES SUCH AS WASTE PAPER BASKETS CAME FROM MY BOUTIQUE IN PALM BEACH.  THE SILHOUETTE IS THE OWNER AS A LITTLE GIRL IN RICHMOND.

HERE IS A CLOSE-UP OF THE MAUNY FABRIC.  NOTICE HOW SIMPLE IT IS–THESE WERE FABRICS MADE FOR BEDROOMS AND THE LIKE.  NOTICE THE NATURAL COLOURED MATCHSTICK BLINDS IN THE WINDOWS–I USE THESE EVERYWHERE AS SUNLIGHT IS A TRUE ENEMY OF FABRICS, WALLPAPERS, FURNITURE AND FLOOR FINISHES, AND RUGS.  BUT WITH THEM, ONE CAN STILL LOOK OUT THE WINDOWS.

ONE OF THE BEAUTIFUL PIECES OF HARDWARE USED IN THE HOUSE.  ALL OF THE DOORS HAD THEM, AND LIKE THIS ONE, MOST OF THE DOORS WERE PAINTED IN “POINTING” by FARROW & BALL.

A VIEW IN THE CHILDREN’S NURSERY WHICH HAS AMAZING APPLIQUÉD CURTAINS (ALL THE FABRICS ARE LE MENACH) AND THE APPLIQUÉD LITTLE CHAIR FROM A. SCHNELLER IN NEW YORK (GENIUS UPHOLSTERERS!)  THESE FABRICS WERE APPLIQUÉD TOGETHER TOO, A TRICK WE USE A LOT AS IT MAKES AN ENTIRELY DIFFERENT FABRIC.  ALL OF THESE WERE MADE FOR A ROOM AT THE KIPS BAY SHOWHOUSE, AND WE SOLD THEM TO THE CLIENT AT COST RATHER THAN THROW THEM AWAY.  THE WALLPAPER WAS FROM BRUNSCHWIG AND THE RUG WAS FROM STARK. THE ROCKING HORSE WAS THE CLIENTS’ WHEN SHE WAS A CHILD.

Thank you so much, Leta for this incredible tour! What a masterpiece!! You can read more about Milburne in the book Farrow & Ball: The Art of Color. It is also featured in Leta’s book, Traditional Interiors, which I reviewed here and can be purchased here. To learn more about Leta Austin Foster & Associates, please visit her website and make sure to visit the Leta Austin Foster Boutique the next time you are in Palm Beach!

Madeleine Castaing Captivates a New Generation

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