Nestled in the picturesque town of Bedford, New York, Jennifer Hunter Design was tasked with designing a country home that blends family-friendly functionality with timeless, traditional style. The 4,100-square-foot home (plus a small stable) serves as a serene country retreat for a young family seeking an escape from the fast pace of city life. The vision came to life through the thoughtful layering of classic furnishings, playful patterns, and pops of color. Natural textures, such as warm woods, washed linens, and woven accents anchor the spaces, adding richness, classic country style, and a sense of ease throughout.
The result is a home that feels elevated yet welcoming, perfectly suited for laid-back weekends, family gatherings, and memory-making for years to come. Let’s take a peek inside with photography by Kirsten Francis and styling by Frances Bailey.
“My team and I worked closely with the client to bring to life a charming, family-friendly retreat that captures the warmth and ease of country living,” said Jennifer. “Infused with pops of color, artful wallpaper, and richly layered textures and patterns, the home strikes a balance between timeless tradition and effortless livability. While the overall aesthetic leans elevated and classic, every detail was thoughtfully chosen to feel approachable, not too precious, always inviting, and perfectly suited for relaxed family life in the country.”
To see more of Jennifer’s work, please visit Jennifer Hunter Design and follow @jenniferbeekhunter on Instagram for ongoing inspiration. You can also learn more about here via our Style Profile Q&A and tour the delightful New York City rental Jennifer customized with English Charm for photographer Jacqueline Clair here.
Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Dorothy Draper x Stubbs & Wootton, Kips Bay Decorator Show House Palm Beach, and Gainsborough: The Fashion of Portraiture. Written by Natalie Aldridge.
Dorothy Draper x Stubbs & Wootton
There are certain names in American design that need little introduction, and Dorothy Draper is undoubtedly one of them. Known for her fearless use of color, theatrical scale, and unapologetic glamour, Draper helped define a distinctly optimistic vision of decorating that continues to influence interiors today. Debuting February 16th, Dorothy Draper & Company unveils an exclusive collaboration with Stubbs & Wootton, the beloved loafer house long associated with polished, personality-driven dressing. The collection feels like a natural meeting of minds, bringing together Draper’s iconic decorative language with Stubbs & Wootton’s classic silhouettes.
The result is a lineup that feels equally suited to Park Avenue as it does to Palm Beach. There is a sense of ease paired with a touch of glamour, the kind that suggests confidence rather than excess. Much like Draper’s interiors, the designs understand that tradition need not be quiet and that elegance is often at its best when it carries a bit of wit.
The collection reads exactly as one might hope. Polished but not rigid, expressive without feeling overdone, and equally at home on Park Avenue or in Palm Beach. It carries that particular kind of American glamour that feels effortless. Much like the interiors of Dorothy Draper & Company, the designs understand that tradition need not be quiet and that elegance is often at its best when it carries a bit of wit and a lot of color.
At a moment when fashion and interiors continue to borrow from one another, this collaboration serves as a reminder that great style transcends category. Whether worn in the city or seaside, these loafers channel a spirit that is unmistakably Dorothy Draper. Make sure to snag a pair here on Monday when they drop!
Kips Bay Decorator Show House Palm Beach
Anticipation is building for the Kips Bay Decorator Show House Palm Beach, opening on February 24. Newly released renderings provide an early look inside, hinting at the layered interiors and distinct perspectives we have come to look forward to each year.
Renderings always carry a particular kind of excitement. They offer just enough to spark curiosity while leaving room for imagination, hinting at material palettes, and the moods each designer hopes to create. If these early previews are any indication, this year’s rooms point to an intriguing blend of classic Palm Beach sensibility and new ideas, balancing tradition with a more current perspective.
At The Glam Pad, we always relish this moment of preview, when ideas begin to take shape and the creative direction of the house starts to reveal itself. Today, we are sharing a sneak peek at a few of the rooms we are especially excited to see come to life once the doors officially open.
Lewis Design GroupColleen Rosar DesignDanielle BalanisEmily EerdmansKate Ives DesignJustin P. Moreland Interiors
Gainsborough: The Fashion of Portraiture
This past Tuesday evening, The Glam Pad had the pleasure of attending the opening of Gainsborough: The Fashion of Portraiture at The Frick Collection, a show that feels both impeccably timed and revelatory. The exhibition, the first in New York devoted entirely to Thomas Gainsborough’s portraiture, brings together more than two dozen paintings from the Frick’s collection alongside important loans from across North America and the United Kingdom.
What makes the presentation particularly compelling is its focus on the relationship between portraiture and fashion in eighteenth-century Britain. Clothing was far more than adornment; it was deeply tied to ideas of identity and status. For Gainsborough, painting a silk gown, lace cuff, or embroidered coat was never merely decorative. It was integral to the narrative each sitter wished to project. His signature, featherlight brushwork give fabrics a remarkable luminosity, while pose and gesture reveal the subtleties of personality. Together, the works trace the shifting social landscape of Georgian Britain.
The intimate setting of the Frick only heightens the experience of these incredible portraits. It was an elegant evening and a fitting debut for an exhibition that reminds us how closely art, fashion, and identity have always been intertwined. Gainsborough understood this instinct intuitively, capturing not only likeness but presence, and in doing so, created paintings that continue to feel remarkably alive. On view on through May 25th, make sure to book a time to see this thought provoking exhibition.
Each January, The Glam Pad enjoys exploring “anti-trends” for the coming year… classic timeless design and societal principles that are happily making a comeback. For the past two years, we have been delighted to see a rise in home office decor, analogue journaling of all forms, and Bible sales, and Nanda Anderson’s “Paper Ministry” – The Apple of His Eye – embraces all three of these things!
As a teen facing fear and panic, Nanda struggled to find her purpose. God met her through the words of Psalm 17:8, “Keep me as the apple of Your eye; hide me under the shadow of Your wings.” This verse wrapped around her heart like a warm embrace, and is the inspiration behind her Paper Ministry, which is available to shop on Etsy and via ongoing freebies through her Instagram account. Everything Nanda designs flows from Scripture, prayer, and the quiet moments inspired by God’s peace and inspiration. Her journals, tags, pockets, florals, and vintage papers are more than just supplies, they are reflections of His tenderness, His beauty, and His presence in my story.
Nanda Anderson, Apple of His Eye Paper Ministry
Nanda also shares tours and inspiration from her beautiful home studio, which is currently featured in the Spring 2026 issue of In Her Studio Magazine. Nanda lovingly describes her studio as “a cozy, peaceful refuge, where cottage charm meets Scripture, where floral textures and soft pastels remind you of His goodness, and where creativity becomes worship,” and we couldn’t agree more.
We are delighted to welcome Nanda today for a Q&A and a peek inside her studio and creations! Welcome, Nanda!
Q: HOW DID YOU GET STARTED IN PAPER CRAFTING AND FAITH JOURNALING?
A: For as long as I can remember, I’ve loved crafting—especially anything involving paper. Even when I was very young, I was drawn to creating and collecting. I still have pen-pal letters from friends all the way back to first grade, so the love for paper and handwriting has always been there.
My teenage years were a rough path for me. I drifted away from my Lord, and in the middle of my despair and the desperation of struggling with panic attacks (and of course, there’s so much more to that story of salvation and deliverance), God gently reminded me of this talent He had placed in me long ago. In His mercy, God brought that gift back to my attention. It was as if He reminded me of the talent He placed in me when I was just a little girl.
That’s really when faith journaling began for me. I remember specifically praying and telling the Lord that I wanted to serve Him in some way. In that moment, He reminded me how much joy crafting had always brought me. Since then, I truly believe He’s the one who gives me the ideas. Every layout, every page, every creative thought feels like something He placed there. When it comes alive on paper, I’m reminded that He is the true Creator. I’m simply using the gifts He planted in me to honor Him.
Q: WHAT INSPIRED YOU TO START YOUR ETSY SHOP, THE APPLE OF HIS EYE PAPER MINISTRY? CAN YOU TELL US ABOUT YOUR MOST POPULAR JOURNALING PROJECTS AND HOW YOU CREATE YOUR DESIGNS?
A: What many people don’t know is that I actually had my Etsy shop years ago—long before I ever imagined doing paper ministry work. Back then, I made jewelry and sold it through the same shop. Eventually, I closed it for several years as life shifted and seasons changed.
When the Lord restored my love for paper crafting, He also stirred something new in my heart. I felt led to reopen my shop, not for jewelry this time, but for what I truly love creating: paper designs that can be used for journaling, reflection, and time with the Lord. That desire to share the gift He placed in me and to encourage others in their walk with Him is what inspired me to bring The Apple of His Eye Paper Ministry to life.
Interestingly, my most popular designs aren’t even in my shop. The Lord placed a very specific assignment on my heart: to create SWP (Scripture Writing Plan) pages completely free for anyone who wants to write scripture. It’s a ministry, not a product. I often remind everyone who joins an SWP that we don’t need fancy paper, fancy pens, or a Pinterest-perfect studio. The Word of God is more than enough.
My design process is very prayerful. Every idea, every pattern, color palette, or layout—I genuinely believe He places it in my heart. I simply bring it to life on paper.
Q: WE ARE FINDING THAT PEOPLE ARE INCREASINGLY HUNGRY TO PHYSICALLY CONNECT WITH LIKE-MINDED INDIVIDUALS. CAN YOU TELL US MORE ABOUT THE WOMEN’S RETREAT YOU HOST OUTSIDE OF HOUSTON?
A: I completely agree—people are craving real, face-to-face connection more than ever, especially within faith and creative communities. The women’s retreat I helped host outside Houston is a beautiful example of that.
I was asked by my church to serve in this way, and I couldn’t say no. It became one of the most meaningful experiences I’ve been part of. At the retreat, we gathered together and created a journal that I designed specifically for the event. Watching the women write, reflect, pray, and create was incredibly moving—a reminder of how powerful community can be.
Even before this retreat, I had been hosting craft gatherings in my home. What started as a small group of women coming together to create, talk, and share quickly grew. I’m now transforming our living room into a dedicated space for hosting so we can welcome even more women for fellowship, creativity, and time spent in God’s Word. There is something powerful about women sitting side by side, crafting, encouraging one another, and simply being together.
Q: YOUR HOME STUDIO IS ABSOLUTELY STUNNING! WHERE DID YOU FIND THE INSPIRATION FOR THE SPACE AND THE DESIGN?
A: Thank you so much. This room has gone through countless changes over time. My inspiration shifts and grows almost daily, so the space evolves right along with me. It’s fun, and sometimes a little frustrating, because the vision in my heart is always expanding.
What inspires me most is paper—different textures, colors, patterns, old pages, and vintage scraps. I also draw so much inspiration from my vintage finds. Thrifting old postcards, handwritten letters, vintage Bibles, and worn books fills my studio with character and meaning. Each piece carries history and contributes to a space that feels deeply personal and endlessly inspiring.
Q: WHAT TIPS DO YOU HAVE FOR OTHER JOURNALERS AND CRAFTERS ON HOW TO BEST ORGANIZE THEIR MATERIALS?
A: Honestly, my studio is not always perfect. There are days when paper and tools are scattered everywhere, and I’ve learned to embrace that as part of the creative process.
One habit that helps tremendously is giving everything a “little home.” Writing supplies stay at my writing desk, and design tools stay at my computer desk. I also try to put things back in their place as soon as I’m done using them. Small bins, trays, and baskets make supplies feel intentional and easy to navigate.
Most importantly, don’t pressure yourself to have a perfect studio. Creativity can be messy, and that’s okay.
Q: WHAT ADVICE WOULD YOU GIVE TO SOMEONE INTERESTED IN BEGINNING FAITH JOURNALING?
A: My biggest piece of advice is simple: just start writing. You don’t need beautiful paper, expensive pens, or a perfectly set-up studio. I began with a basic composition notebook and a desire to draw closer to God.
Start where you are. Write small notes in your Bible, jot down a verse, or keep a simple notebook for conversations with God. This is a heart practice before it is a creative one.
Q: FOR THE SECOND YEAR IN A ROW, WE ARE SEEING RECORD INCREASES IN BIBLE SALES THROUGHOUT THE U.S. HOW CAN THE APPLE OF HIS EYE PAPER MINISTRY BLESS NEWCOMERS AND SEASONED CHRISTIANS ALIKE?
A: It’s beautiful to see so many people turning to God’s Word. One way The Apple of His Eye Paper Ministry hopes to bless both newcomers and seasoned believers is through the free SWP (Scripture Writing Plan) pages the Lord placed on my heart to create.
Writing scripture is a gentle way for newcomers to begin spending time in the Bible and a meaningful way for seasoned believers to slow down and meditate on God’s truth. Being able to offer these pages at no cost allows me to honor Jesus Christ by using the gifts He placed in me to serve others.
Q: FROM JOURNALING AND PAPER CRAFTING TO INTERIOR DESIGN, HOW DO YOU DESCRIBE YOUR AESTHETIC AND WHERE DO YOU GO FOR INSPIRATION?
A: My studio blends many eras and styles. I’m deeply drawn to vintage books, handwritten letters, antique décor, and soft, worn textures. I love mixing those elements with modern finds and a touch of whimsy.
I’m inspired by Little Women, Pride & Prejudice, thrift stores, vintage paper, and ephemera. Sometimes a single postcard or book cover sparks an entirely new idea. My aesthetic evolves naturally, just like my creativity.
Q: WHEN YOU AREN’T BUSY DESIGNING AND JOURNALING, HOW DO YOU ENJOY SPENDING YOUR TIME?
A: When I’m not creating, I’m a stay-at-home wife, and I truly love homemaking. DIY projects, decorating with handmade and thrifted pieces, and giving old items new life bring me so much joy.
My husband and I also love traveling together. Exploring new places gives us time to reconnect and appreciate the world God created.
Q: ANYTHING ELSE YOU WOULD LIKE TO ADD?
A: Thank you for this opportunity. The SWP pages are completely free—no limitations or requirements, just a willing heart. Writing scripture has brought peace, clarity, and transformation into my life, and my hope is that these resources encourage others to begin their own journey with God’s Word.
Thank you, Nanda for joining us today! You are such an inspiration to us in so many ways.
Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Charleston by Design, Thursday Morning at STAIR Auction, and Dôen x Bernard. Written by Natalie Aldridge.
Charleston by Design
Mark your calendars and start planning your spring travel accordingly, because Charleston by Design will return March 12th to the 15th. Hosted by the Historic Charleston Foundation, the event brings together designers, architects, and tastemakers for a thoughtful weekend centered on craftsmanship, preservation, and the enduring influence of place.
Charleston by Design 2024, Stephanie Molster Interiors. Photography by Julia Lynn.
Charleston has long been a magical city where historic architecture and contemporary life coexist. This weekend leans into that idea, inviting guests to consider how tradition continues to shape the way we design now. The festivities begin at the storied Aiken-Rhett House with an opening night celebration set within the preserved interiors of the circa-1820 house museum. Atmospheric, layered, and impossible to replicate elsewhere, it is the sort of setting that is quintessentially Charleston.
A highlight of the weekend is the Design in Mind speaker series, welcoming an impressive roster that includes Douglas Friedman in conversation with Stellene Volandes, alongside Nina Campbell, Nickey Kehoe, and Michael S. Smith. The Home & Design Tour opens the doors to private residences known for exceptional architecture and craftsmanship, while visits to the American College of the Building Arts offer insight into the future of traditional trades. Guided walks through the city’s pastel façades, ironwork, and hidden gardens serve as a reminder that Charleston itself is often the most compelling design lesson.
For those inclined toward a well-planned weekend, Insider events add another layer of charm, from a rooftop luncheon hosted by The Indigo Road Hospitality Group to cocktails at designer Michael Mitchell’s private residence. The program concludes with Art + Mimosas at the Aiken-Rhett House, a cheerful sendoff to what promises to be a memorable few days. Be sure to purchase your tickets here.
Thursday Morning at STAIR Auction
We love an auction! Beyond the thrill of discovering incredible pieces, there is the rare opportunity to own something with real history, objects that have lived full lives before finding their next home. The upcoming February edition of Thursday Morning at STAIR, hosted by STAIR Galleries, is exactly the kind of sale we’ve been itching for.
This auction includes items from the personal collection of architect Gil Schafer, whose work has come to define a gracious, enduring vision of the classic American home. The pieces are deeply aligned with the sensibility seen throughout his Hudson Valley residence, Middlefield, which Schafer shared with his wife, designer Courtnay Daniels Haden, and sold last year.
Schafer has often said he designs houses to be comfortable, understated, and built to stand the test of time, and that philosophy is unmistakable here. These are not static artifacts, but furnishings meant to be lived with, loved, and layered into evolving interiors.
The sale itself strikes an interesting balance between traditional and modern, pairing contemporary art with English and Continental furniture, Asian works of art, and silver. Provenance only adds to the intrigue, with lots tied to legendary tastemaker Jayne Wrightsman alongside club chairs designed by Markham Roberts and lots from other grand estates.
We have always believed that the most memorable rooms are collected rather than decorated, shaped over time with pieces that carry both character and story. If you admire Gil Schafer’s layered approach to design or the opulence associated with the legendary Jayne Wrightsman, this is the kind of catalog worth settling into. Consider it equal parts inspiration and temptation. The full catalog can be viewed here.
The Romance of DÔEN & BERNARD
We are huge fans of the romantic and timeless collections from DÔEN, a women-run business in California offering clothing and accessories inspired by a nostalgia of decades past. And the new fragrance from DÔEN & BERNARD is grounded in a shared sensibility that has long favored restraint, romance, and the beauty of the everyday.
Indra candle from DÔEN & BERNARDDÔEN’s Albertine blouse features Victorian-era details such as hand-stitched pintuck clustersIndra candle from DÔEN & BERNARDThe Hillock Top finished with Edwardian-inspired details throughout, like clustered pintucks, delicate ladder trim, and scallop eyelets
The limited-edition DÔEN & BERNARD scent, Indra, offered as both a candle and a porcelain diffuser, draws inspiration from Los Angeles in bloom. Meant to evoke warm air drifting through open windows, bare feet on grass, and the kind of quiet domestic moments that are often the most beautiful, jasmine is the fragrance’s central note.
Indra candle from DÔEN & BERNARDDÔEN’s Quince Pouch, crafted from lustrous silk satin in a Bouquet de Chamonix print. Fully lined in silk with tasseled zipperThe Emerence Dress is crafted from buttery silk-viscose twill and adorned with nostalgic burgundy polka dots scattered across cream.
There is a natural ease to this collaboration that feels particularly appealing right now. Nothing is overstated. Nothing is trying too hard. Much like the best interiors, it suggests rather than declares. It is fragrance as atmosphere, subtle enough to live with daily and elegant enough to shape the mood of a room without overtaking it. And the package design truly stole our hearts, too.
In a moment when so much feels over-designed and over-announced, the DÔEN & BERNARD collaboration is a study in restraint. It is the kind of object that slips effortlessly into a home and a we always love a great candle moment. Click here to purchase the Indra candle and shop the rest of the exquisite DÔEN collection.
The DÔEN Sebastiane Skirt, inspired by an Edwardian-era trousseau
If you spend any time on social media, you inevitably noticed the “2026 is the new 2016” movement, a nostalgic embrace of people sharing photos, videos, and other posts that showcase the fashion, music, and online trends of that year. According to Wikipedia, “the phrase reflects nostalgia for a time predating the COVID-19 pandemic, widespread online misinformation, and the increasing ubiquity of artificial intelligence (AI)–generated content.”
The beauty of embracing traditional interior design is that no matter the year or the decade, your home will remain timeless and elegant, a respite from the whim of changing trends. Today we revisit a favorite home featured by The Glam Pad in 2016… It remains as fresh and beautiful as the day it was originally published.
Paneling by Woolems with trim by Child Brothers channels Regency-style architecture. The loveseats are upholstered in Brunschwig & Fils fabric. The brass cocktail table is vintage Maison Jansen. The sisal rug is Stark.
Although it was newly constructed, the interior designer, Suzy Moran, worked diligently with the architects and builder to create a home that would blend seamlessly with the surrounding “old Palm Beach” homes in the neighborhood. Honoring aspects of British Colonial and Regency architecture, the 7,000 square foot home looks as though it has been among the old estates for years. It also provides the perfect backdrop to antiques, collectibles, art, and family treasures.
“The interior is meant to be comfortable, elegantly sophisticated, not trendy and, most importantly, a home where family and friends can truly relax…” said Suzy.
A Vaughan chandelier lights the entry, and the walls are hand-painted by Maria Gugliuzza in a leafy design. The doors were custom-fabricated by Child Brothers.
The living room sofa is upholstered in Scalamandré and is flanked by chairs in Brunschwig & Fils… the pattern matches the fabric of the nearby love seats. Green garden seats from Mecox, a black lacquered Chinoiserie coffee, and an antique French landscape painting complete the elegant look.
The accent pillows on the Scalamandré sofa were custom made using Braquenié fabrics.
Corian countertops provide durability in the classic white kitchen.
Built-in benches serve as storage and feature cushions in a Brunschwig & Fils fabric. The custom-painted green lanterns are by Coleen & Company.
Woodwork by Artistry Masters of Woodcraft and trim by Child Brothers. The curtains, shades, and chairs feature Old World Weavers fabric.
A Brunschwig & Fils chintz graces the master bedroom.
Whitecraft by Woodard chaises covered in Sunbrella surround the pool.
We simply could not love this house more! It is such a timeless classic, designed to last a lifetime. Click here to read more in Luxe.
Interior design: Suzy Moran, Greenfield Grange, Inc.
Architecture: Mark Finlay and Jay Valade, Mark P. Finlay Architects, AIA.
Home Builder: Jim Woolems, Woolems Inc.
Landscape Architecture: John E. Lang, Lang Design Group
Photography: Brantley Photography (follow on Instagram)
Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Schiaparelli at the V&A, Ruggable x Scalamandré Rugs, and the James Showroom Palm Beach Pop-Up. Written by Natalie Aldridge.
Schiaparelli at the V&A
London is gearing up for a fashion exhibition that will be a must see. In spring 2026, the Victoria and Albert Museum will open Schiaparelli: Fashion Becomes Art, the UK’s first major exhibition dedicated to the great Elsa Schiaparelli, one of the 20th century’s most visionary designers. Running from March 28th through November 1st, the show will follow the extraordinary legacy of Elsa Schiaparelli, from her Surrealist beginnings in the 1920s to the house’s present-day direction.
V&A exhibitions are always a favorite, consistently immersive and impeccably executed, and this promises to be no exception. Schiaparelli’s world lends itself naturally to spectacle and storytelling, where fashion, art, theater, and fantasy all come together. Long before “fashion as art” became a familiar phrase, she was blurring those boundaries through outlandish silhouettes, unexpected materials, and collaborations with artists including Salvador Dalí and Jean Cocteau.
The exhibition will present more than 200 objects, from couture garments and jewelry to paintings, photographs, perfumes, and archival material, positioning Schiaparelli not simply as a couturier but as a creative force whose influence extended far beyond the runway. Rather than a traditional retrospective, the show will be a richly layered exploration of how imagination, craftsmanship, and cultural converge.
Victoria and Albert Museum
For anyone drawn to the intersection of fashion, art, and design history, Schiaparelli: Fashion Becomes Art feels destined to become one of the standout exhibitions on the 2026 cultural calendar. Tickets go on sale here February 3rd. We cannot wait to visit! Schiaparelli at the V&A!
Ruggable x Scalamandré Rugs
There are few names in American decoration that carry as much visual memory as Scalamandré, which is why its new collaboration with Ruggable feels genuinely interesting and timely. Not because it’s loud, but because it’s clever and perfectly bold.
Scalamandré patterns have long lived in the margins of our cultural imagination. They show up in rooms you remember long after you’ve left them. Translating those storied motifs into rugs feels like a natural evolution, especially when done in a way that doesn’t ask you to treat them like museum pieces. The iconic Zebras, cheetahs, and a tigers feel familiar here, but softened, grounded, and meant to be lived with.
What’s appealing is the lack of fuss. These rugs don’t demand a room be designed around them. They simply take their place and do the work. They’re an instant character builder. It’s heritage design that understands modern life. At The Glam Pad, we’re always drawn to moments where classic pieces adapt without losing their point of view. This collection manages exactly that. It’s not about reinvention but a modern take on a classic . Shop the full collection here!
JAMES Showroom Palm Beach Pop-Up
The JAMES Showroom is heading to Palm Beach! Beginning February 18th, the beloved multi-line showroom will pop up in the Casa Branca Atelier & Showroom, bringing more than 20 artisanal lines to the Palm Beach design community.
Known for its thoughtfully curated roster of textiles, lighting, furniture, rugs, and decorative objects, JAMES Showroom has become a trusted source for designers who value craftsmanship, character, and pieces with a point of view. The Palm Beach pop-up will be a rare opportunity to see a wide range of makers in one place within the inspiring environment of Casa Branca.
The pairing feels particularly fitting as the Casa Branca Atelier has quickly become a creative hub, celebrated for its bold patterns and spirited approach to interiors. With JAMES joining the mix, it will be a lively exchange of ideas, materials, and inspiration. If you find yourself in Palm Beach this February, plan a visit and stop in. It is the kind of pop-up that that will be especially worth the trip.
Before the turn of the new year, Pantone crowns a Color of the Year, offering a glimpse into possible trends for the coming year and what we are meant to want right now. The ritual implies novelty, urgency, and a collective pivot toward something new. Each year, the color leans punchy, saturated, and somehow expected. This year, however, came with renewed surprise, as for the first time Pantone chose a white shade as its Color of the Year. Meant to represent calm, serenity, and a fresh start in a noisy world, Cloud Dancer is a soft, floaty white.
As an interior designer, I often think of white as a non-color. A given, and an accidental afterthought. Therefore, I initially rejected the notion of white being the Color of the Year. White exists entirely outside this system. It is not new, not reactive, and not especially interested in being noticed. White does not mark a moment. It ignores it. Yet, upon further thought, it brings to light the true role of white in interiors.
The recent framing of white as a “return to simplicity” misunderstands its role altogether. It is not a reaction to visual noise or a corrective to maximalism. It is not a detox. It is a constant. Long before trend cycles accelerated and color became content, white existed as an architectural and decorative baseline, ever-present and grounding. It has always been there, waiting for everything else to fall away.
What makes white compelling is not its neutrality, but both its difficulty and necessity. A white room leaves nowhere to hide. Proportion, material, light, and craft are all exposed. Bad detailing becomes obvious. Cheap materials feel cheaper. There is no color to distract from imbalance or excess. White demands restraint, editing, and a clear understanding of when to stop. It is less forgiving than almost any color precisely because it appears so simple.
Contemporary designers like Rose Tarlow, Axel Vervoordt, and Rose Uniacke have long understood this. In their work, white is not a backdrop but a discipline. It is layered, weighted, and deeply intentional. Plaster against linen, aged wood against stone, with light doing as much work as any object in the room. Suddenly, the textures of fabric, the finishes of surfaces, the shadows of moldings, and the curves of furniture take center stage. These are interiors that absorb history rather than erase it, where time is an asset, not something to be disguised.
Historically, Elsie de Wolfe, arguably the original modernist in interiors, used white to reject Victorian heaviness. Her whites were about light, air, and clarity, a radical move in the early 20th century. White was used as liberation, not minimalism. The great Billy Baldwin quite often used white with equal elegance and ease. His rooms balanced comfort and refinement, using white to unify disparate furnishings and collections, making it livable rather than precious.
In our world, we champion color, often leaving us to believe white is a cop-out. Yet white asks more of a space than almost any hue. If it requires greater confidence, restraint, and understanding to get right, shouldn’t white be considered the boldest choice of all?
Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Lelièvre at the Pagoda Paris, the Tuckernuck Sample Sale, and In the Garden with Little Greene. Written by Natalie Aldridge.
Lelièvre at the Pagoda Paris
During Paris Déco Off, TGP executive editor and designer Natalie Aldridge had the rare opportunity to step inside one of Paris’s most storied and secretive buildings, Pagoda Paris. Thanks to historic French fabric house Lelièvre and Galerie Vauclair, the maison opened its doors to designers, offering an intimate opportunity to experience fabrics, furnishings, and works of art in the context of the Pagoda’s extraordinary interiors.
Founded in 1914, Lelièvre has long been a cornerstone of the French decorative arts, celebrated for its technical mastery, artistic collaborations, and unmistakable designs. Throughout its history, the house has furnished private residences and institutional interiors alike, always with a reverence for craft and longevity. Presenting Lelièvre’s newest collections during Déco Off felt especially fitting within a setting so steeped in history. The collections were further elevated by Edgar Jayet’s thoughtful scenography, which brought the textiles to life without competing with the drama of the architecture.
Situated beside Parc Monceau in Paris’s 8th arrondissement, Pagoda Paris began as a Louis Philippe–style hôtel particulier before being acquired in 1925 by Ching Tsai Loo, the renowned collector and dealer of Chinese and Asian art. With architect Fernand Bloch, and under Loo’s careful supervision, the building was transformed into the Pagoda and became home to Galerie C.T. Loo & Cie. Even today, it remains one of the most fascinating buildings in Paris, its vivid red exterior and traditional pagoda style hinting at the layered world within.
Inside, the Pagoda is filled with richly detailed rooms that feel almost cinematic. Elaborate Shanxi lacquer panels, the Salle Indienne, the Salle Cavaliers, and the Petit Salon Porcelaine all pay tribute to Loo’s heritage. Rather than simply hosting a presentation, the building itself became part of the story. In a week defined by open doors and endless discovery, Lelièvre’s evening at Pagoda Paris stood apart as a moment of true immersion. Thoughtful, atmospheric, and deeply rooted in history, it was a night not to be forgotten.
The Tuckernuck Sample Sale
The Tuckernuck sample sale is here! Tuckernuck has long been a The Glam Pad favorite, so we can’t help but feel a little extra excitement when it rolls around. It’s the perfect moment to finally get our hands on pieces we’ve admired and bookmarked more times than we care to admit. Tuckernuck is polished but easy, classic without being stiff, and just playful enough to keep things interesting.
What we love most about this sample sale is the chance to revisit well-loved silhouettes, pick up something we meant to buy the first time around, or add a few wardrobe anchors that will travel nicely into spring and beyond. No reinvention required, just good, dependable design doing what it does best.
There’s also something satisfying about seeing familiar favorites resurface. A reminder that style, much like interiors, never go out of fashion. Shop the sale here!
In the Garden with Little Greene
British paint and wallpaper house Little Greene is bringing the garden indoors with its sixth collaboration with the National Trust, and it is exactly the sort of partnership we love at The Glam Pad. Rooted in heritage, stewardship, and a shared love of beauty, the new In the Garden wallpaper collection celebrates the spaces, plants, and personalities behind some of Britain’s most beloved gardens.
Drawing inspiration from Arts and Crafts florals connected to May Morris, daughter of William Morris, the storied garden rooms of Sissinghurst Castle, and even a cactus-filled greenhouse in Nottinghamshire, the collection has eight designs that feel both joyful and deeply grounded in history. Each wallpaper has been colored to coordinate seamlessly with Little Greene’s paint palette and produced using a thoughtful mix of traditional and modern printing techniques.
A portion of every roll sold supports the National Trust’s ongoing work caring for historic houses, gardens, and landscapes across the United Kingdom, making this a collaboration that feels as meaningful as it is beautiful. The In the Garden collection includes Magnolia Blossom, Castle Garden, Lily Pads, Mr. Straw’s Greenhouse, Rose Garden, and Moon Daisies. Discover the full collection here!
When Dallas-based clients of Jan Showers & Associates moved to Palm Beach, they immediately called upon the team for a glamorous renovation of their new townhouse. It needed to be completely redecorated with no small amount of construction. “Like many townhouses, this one needed a lot of character and layering. We knew we would have to do everything we could to make it feel complex and interesting,” said Alex Near Halbrooks who worked with Zara Taitt on the project.
The clients were fans of the classic Palm Beach look. The entry was, as always, an important place to make a statement, and they loved the look of scenic wall coverings. Alex and Zara discovered an incredible tropical scene by Iksel, playfully lush and the perfect embodiment of Palm Beach whimsy. It draws you into the space as if you’re entering an entirely new scene.
Photography by Stephen Karlisch.
“The client was insistent that we make sure the image of the monkey climbing the palm tree remained unobstructed by furniture or the mirror. That’s when we knew we’d found the perfect fit,” said Alex and Zara.
The vintage chandelier is so lovely and eye catching in that rare green that evokes the color of beach glass. And despite missing one piece, it proves there can be perfection in imperfection.
Adorned with trellised walls, a sparkling Venetian mirror and leaf sconces, the pink powder room off the entrance, evokes 1960s style at the height of Palm Beach Chic.
In the sitting room, the team added the bamboo applique appliqué and painted the walls in a very high gloss green, which turned the room from a simple box into a space that is quite rich and inviting. As in every room, the focus was on layering and creating an impression of a world of items that had been collected over a lifetime.
“The clients have a strong preference for light colors, so the chocolate chandelier was a bit outside their comfort zone, but when they saw it in the space, they fell in love with it. The siting room is also noteworthy for one very special find from a buying trip: the bar cabinet. It’s so rare and unusual. Made of coral mirror, a style particular to French 1940s furniture, I’ve never seen another like it.”
For the sitting room, Alex masterfully selected the fabrics using complementary patterns and colors on the sofa, the chairs, the bench, and the drapery, that are each different but all combine seamlessly.
“It doesn’t merely ‘match.’ It all feels organic and exactly right,” said Alex. “Those are the kinds of decorative instincts I sometimes doubt can be taught at all.”
Bold choices are what steal the show in this townhouse, like the bar that was added in the dining room by removing a closet. Furthermore, the ceiling was arched to give it softness and creating a special hard-to-define visual that entices the eye. “The effect is so powerful,” she said. “The audaciousness of that curve and the high gloss blue sets it apart as something quite glamorous and attractive in a house with such a soft palette.”
But our favorite room in the home may be the beautiful and serene primary bedroom, complete with His and Hers closets. The suite is ensconced in exquisite shades and textures of blush pink, resembling the inside of a conch shell, and perfectly suited for Palm Beach.
This project proves that even a generic white box of a home can be turned into a jewel box with the right team in place.
“In retrospect, that’s what this whole project felt like: always seeking and finding ways to create—in what might have been a rather conventional setting—touches of the unexpected that give the eye a place to travel and then travel again,” said Alex and Zara.
To learn more, please visit Jan Showers and follow @janshowers on Instagram. You can also see this home, and many more, featured in Jan’s latest book, The Glamorous House.
For additional articles on Jan Showers by The Glam Pad, you may enjoy the links below…
Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Design Destination London, the first annual Young Antique Dealers Association Show, and Coco Shop x Lycette. Written by Natalie Aldridge.
Design Destination London
Following the excitement of Paris Déco Off, the design world now turns its attention to London. From January 19th to the 21st, Design Destination London gives American interior designers and architects an immersive look at the city’s design scene, with access to some of its most sought after makers, studios, and showrooms.
Photograph courtesy @tessnewallstudio and @alfrednewall. Volga Linen, Alfred Newall and Tess Newall are delighted to present ‘Weave, Grain & the Painted Line’ – a collaborative exhibition that celebrates the traditional crafts integral to each brand at Volga Linen’s Pimlico Road showroom as part of @designdestinationlondon
Across three days, the program includes presentations, talks, behind-the-scenes visits, showroom open houses, and more, giving an up-close look at what really makes the London design world hum. British craftsmanship and heritage are on full display throughout the city as something living and evolving. It is a chance to see how tradition and innovation continue to coexist, particularly within the context of London.
What sets Design Destination London apart is its sense of access without overwhelm. Rather than racing from showroom to showroom, attendees are invited to slow down, engage more deeply with the trades that keep the interiors world moving, and make time for real conversation.
Photograph courtesy @tessnewallstudio and @alfrednewall. Volga Linen, Alfred Newall and Tess Newall are delighted to present ‘Weave, Grain & the Painted Line’ – a collaborative exhibition that celebrates the traditional crafts integral to each brand at Volga Linen’s Pimlico Road showroom as part of @designdestinationlondon
“It’s wonderful to see our furniture paired with Volga Linen’s fabrics and Tess’s papers and homewares. We hope visitors are inspired by the rooms we’ve co-curated. They are a perfect example of how our furniture compliments decorative schemes so well, providing a thoughtful handcrafted base for a variety of spaces,” said Alfred Newall, Furniture Maker & Founder.
This collaborative showroom presents a dialogue between three British brands whose work celebrates surface, texture and pattern using time-honoured techniques and natural materials. Weave, Grain and the Painted Line offers inspiration for layered rooms that evoke an atmosphere and tell a story.
Photograph courtesy @tessnewallstudio and@alfrednewall. Volga Linen, Alfred Newall and Tess Newall are delighted to present ‘Weave, Grain & the Painted Line’ – a collaborative exhibition that celebrates the traditional crafts integral to each brand at Volga Linen’s Pimlico Road showroom as part of @designdestinationlondonPhotograph courtesy @tessnewallstudio and@alfrednewall. Volga Linen, Alfred Newall and Tess Newall are delighted to present ‘Weave, Grain & the Painted Line’ – a collaborative exhibition that celebrates the traditional crafts integral to each brand at Volga Linen’s Pimlico Road showroom as part of @designdestinationlondonPhotograph courtesy @tessnewallstudio and@alfrednewall. Volga Linen, Alfred Newall and Tess Newall are delighted to present ‘Weave, Grain & the Painted Line’ – a collaborative exhibition that celebrates the traditional crafts integral to each brand at Volga Linen’s Pimlico Road showroom as part of @designdestinationlondonPhotograph courtesy @tessnewallstudio and@alfrednewall. Volga Linen, Alfred Newall and Tess Newall are delighted to present ‘Weave, Grain & the Painted Line’ – a collaborative exhibition that celebrates the traditional crafts integral to each brand at Volga Linen’s Pimlico Road showroom as part of @designdestinationlondon
If Paris sets the tone for the year ahead, London adds nuance to the conversation. Consider this a reminder of why the British design world continues to hold such lasting influence, and why January feels incomplete without a proper stop in London. More information on Design Destination London here and don’t forget to have a smashing time!
The First Annual Young Antique Dealers Association Show
During New York’s January antiques week, a new and exciting voice will make its debut. The first annual Young Antique Dealers Association Show (YADA), presented by the Young Antique Dealers Association, will bring together a tightly curated group of emerging dealers for an intimate fair that feels thoughtful, fresh, and distinctly of the moment.
Held at the storied George F. Baker Mansion on East 93rd Street, the inaugural show will take place within one of the Upper East Side’s most beautiful historic homes. The setting is not incidental. Ornate rooms, grand staircases, and richly layered architectural details will provide a fitting backdrop for a fair rooted in connoisseurship, history, and the stewardship of historic homes.
Unlike larger, more sprawling fairs, the YADA Show will be intentionally concise. Eight emerging dealers will be invited to present, each bringing a distinct point of view across fine art, decorative objects, and design. The result will be a show that encourages discovery rather than spectacle and honors the importance of heritage.
Among the participating dealers will be Christopher Cawley, Maxim Dimitry, Peter K. Carlisle, Margot Mayer of Curio Shop, Nickolas Roudane of Teremok Antiques, Alriz Gallery, Jarrett McCusker, and Oliver Garland. Together, they will represent a generation of antique dealers deeply fluent in history yet unafraid to follow instinct, personal taste, and curiosity.
The fair will open with a VIP preview and reception before welcoming the public for the remainder of the weekend. In keeping with YADA’s mission, a portion of ticket proceeds will benefit the American Friends of the Georgian Group and support the ongoing care and restoration of the George F. Baker Mansion itself. It is a gesture that underscores the show’s larger ethos. The past is not static, but something to be actively protected, studied, and carried forward.
The First Annual YADA Show promises to feel less like a debut and more like the confident arrival of a new guard within the antiques world. It will offer a glimpse into the future of the field, shaped by younger dealers who value scholarship and beauty. If this first edition is any indication, YADA is poised to become an essential stop on the January calendar.
Tickets to the first annual show can be purchased here.
Coco Shop x Lycette
If you have been craving a little sunshine in stitched form, this one is for you. Lycette has teamed up with the endlessly chic Antiguan brand Coco Shop on a canvas collaboration that feels tailor made for winter daydreaming and resort season alike.
Launched this week, the collection is a celebration of color, craft, and tropical escapism. Think needlepoint pillows that feel right at home on a rattan sofa, playful brick covers, coasters that surely belong at a beachside cocktail hour, and more, all bringing a bit of island spirit wherever they land. There are even needlepoint canvases for Stubbs & Wootton slippers, because truly, why stop at decor when you can stitch your way into footwear too.
What makes this collaboration especially charming is its sense of ease. Coco Shop’s breezy, sun drenched aesthetic pairs beautifully with Lycette’s fun and approachable take on needlepoint, resulting in pieces that feel cheerful rather than precious. This is not needlepoint destined for a drawer or saved for special occasions. These are pieces truly meant to be stitched with a smile.
And arriving at just the right moment in the new year, as we make an effort to return to the analogue, what better way than with the centuries old pastime of needlepoint. Consider this your official invitation to lean into craft, spend an afternoon making something by hand simply because it delights you, channel a little island energy, and stitch your way somewhere warmer. Check out the full collection here!
Q: WE ARE FINDING THAT PEOPLE ARE INCREASINGLY HUNGRY TO PHYSICALLY CONNECT WITH LIKE-MINDED INDIVIDUALS. CAN YOU TELL US MORE ABOUT THE WOMEN’S RETREAT YOU HOST OUTSIDE OF HOUSTON?
We have always believed that the most memorable rooms are collected rather than decorated, shaped over time with pieces that carry both character and story. If you admire Gil Schafer’s layered approach to design or the opulence associated with the legendary Jayne Wrightsman, this is the kind of catalog worth settling into. Consider it equal parts inspiration and temptation. The full catalog can be viewed 
