Home Blog Page 4

Young Huh’s Debut Book, McGee & Co’s Easter Collection, and Jayson Home x Schumacher

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Young Huh’s Debut Book, McGee & Co’s Easter Collection, and Jayson Home x Schumacher. Written by Natalie Aldridge.

A Mood, a Thought, a Feeling: Interiors by Young Huh

There are design books you admire, and then there are the ones you find yourself returning to, not for reference, but for a feeling. A Mood, A Thought, A Feeling: Interiors, the debut book from Young Huh, is very much the latter.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

Organized into three sections, A Mood, A Thought, and A Feeling, the book reads less like a portfolio and more like a way of approaching how we live. Young begins with mood, exploring the idea that a room should first and foremost evoke something. Some spaces feel lively and full of energy, the kind of rooms that naturally pull people in. Others are deeper and more quiet, layered in texture and tone in a way that encourages you to slow down. It all feels intuitive, but also incredibly intentional.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely
A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

From there, the book moves into a series of completed homes that bring Young’s thinking into focus. What stands out is the balance. Pattern and color are used with confidence, but are never overwhelming. There is a sense of ease to the layering, as though each piece has been collected over time rather than placed all at once. It is polished, but never precious.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

The final section, centered on Young’s own country house in upstate New York, is where things become more personal. The rooms shift with the seasons, the palette softens, and there is a sense of nostalgia that runs throughout her entire home. It feels like a house that has been allowed to evolve, rather than one that was ever fully finished.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely
A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

With a foreword by Zooey Deschanel and Jonathan Scott, and published by Rizzoli New York, this is the kind of book that you want to keep out on coffee table for a while… Not because it is new, but because it is the one you keep revisiting.  Click here to purchase.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

McGee & Co’s Easter Collection

Easter is this Sunday, and if you are pulling things together last minute, McGee & Co.’s Easter collection is worth a look, especially since much of it is currently on sale.

McGee & Co.’s Easter collection

The collection takes a softer approach to seasonal decorating. Pale greens, washed blues, and natural textures replace anything overly themed, with just a few subtle nods to Easter woven in. A bunny dish, painted eggs, a woven basket, all done in a way that feels considered rather than overt.

McGee & Co.’s Easter collection

What makes it especially appealing right now is how well these pieces carry beyond the holiday. A floral pitcher, scalloped linens, or a simple wreath can move easily into the rest of spring without feeling out of place. We are especially loving the green Sabre flatware and the Meadowlark hand-painted plates.

McGee & Co.’s Easter collection

It is less about decorating for a single day and more about giving the house a slight shift for the season. It can be such a challenge to find seasonal wares that don’t feel like you are giving into a theme, and that will actually last you from year to year, which is why we are loving this. The full collection can be shopped here.

Jayson Home x Schumacher

Schumacher has an incredible way of bringing together the best of the industry, and their latest collaboration with Jayson Home is no exception.

Photography by Jim Franco
Photography by Jim Franco

The Jayson Home x Schumacher collection pairs Jayson Home’s signature mix of European antiques and vintage finds with Schumacher’s iconic prints and textiles. Incredible upholstered furniture and one-of-a-kind pieces have been reworked in fabrics from names like Miles Redd, Rita Konig, and Porter Teleo, which is about as good as it sounds.

What we especially love about this collaboration is what it represents. A great antique never really fades. It just needs the right moment, or the right fabric, to feel entirely new again. There is something incredibly satisfying about seeing these pieces reupholstered and brought back to life, not in a way that erases their history, but in a way that builds on it.

Photography by Devin Kirk
Photography by Jim Franco

That idea carries through the entire collection. It is not just the larger furniture pieces, but the pillows, objects, and smaller finds that give everything that slightly undone, collected feel. The kind of space that looks like it has evolved over time, layered with intention rather than assembled all at once.

Photography by Jim Franco

Launching April 10th, the collection will be available at Jayson Home’s Chicago flagship, as well as in Schumacher’s Charlotte and Nashville design shops, with a number of events planned to celebrate. We cannot wait to check it out!

Read our favorite articles of the week!

A Century-Old Connecticut Home Gets a Colorful, Globe-Trotting Twist written by Miranda Crowell for Frederic.

A Gilded Age Mansion Built for a Macy’s Heir Is on the Market for $10 Million written by Mary Elizabeth Andriotis for Galerie Magazine.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

 

A Love Story to 90s Interiors

Written by Natalie Aldridge.

Lately, it feels as though we are collectively circling the ’90s with a new level of intensity. What began as a quiet reappraisal has quickly tipped into something closer to a fixation, driven in no small part by the renewed attention around Love Story and the enduring allure of John F. Kennedy Jr. and Carolyn Bessette-Kennedy, alongside shifting attitudes toward technology and a longing for the simplicity we left behind in that decade.

Images of Carolyn, in particular, have been circulating with near-obsessive frequency. A coat that fits perfectly, a slip dress worn with ease, a simple headband, hair left natural. It is not “dressing up,” but rather a return to intention. An ease that feels considered, but never labored.

That same impulse is appearing elsewhere. Film and digital cameras have begun to replace iPhones at dinners. There is a renewed interest in places that feel storied rather than new, especially here in New York, where old haunts of the era are being rediscovered or reinterpreted. Even the language has shifted. People speak, only half in jest, about wanting to live as though it were the ’90s again. My social media feed, in a somewhat ironic twist, has been filled with “day in the life” videos staged as if it were 1998.

This moment of renewed fixation brought me back to a feature I wrote three years ago, A Nod to 90s and 2000s Interiors. At the time, it was Princess Diana who seemed to define the mood, largely through the lens of The Crown. There is, in hindsight, an interesting parallel between Diana and Carolyn. Both embodied a kind of restraint that felt deeply personal rather than prescribed. Both were endlessly referenced, yet somehow impossible to replicate.

What makes this current moment distinct is that it is not purely nostalgic, but selective. It pulls forward the elements of the era that feel most enduring: restraint, materiality, and a certain confidence in simplicity, all with an analogue edge. And, inevitably, that sensibility is finding its way into interiors.

Three years ago I wrote about the films of the ’90s and early 2000s that shaped my childhood, and the particular comfort of their interiors. It is a feeling we have not quite been able to recreate since. The high-gloss, hyper-styled spaces that have defined recent years are beginning to soften. In their place, rooms that feel lived in rather than produced. Softer palettes, natural woods, familiar prints, and an ease that allows a space to develop over time.

What defined the best interiors of the ’90s and early 2000s was this kind of unstudied elegance. Traditional without stiffness, layered without excess, and always anchored by comfort. None of it felt performative, which is precisely why it resonates now. And perhaps, finally, we are ready to return to it.

Today we will revisit my original post, first published February 21, 2013…

A Nod to 90s and 2000s Interiors

Early in January The Glam Pad made six design trend predictions for the New Year. While we are fervent defenders of timeless classics, the new year offers an exciting opportunity to dissect design trends we see emerging.

While ’80s-style opulence, bold prints, and maximalist decor currently abounds, we are also starting to notice a subtle shift. Marked by quiet chintzes, natural woods, and softer color tones, the ’90s and early ‘2000s, are making room in shelter magazines and on Instagram. Think casual elegance vs. overt glamour.

From a resurgence of interest in ’90s fashion designers like Vivienne Westwood, Calvin Klein, Versace and the super models that donned their clothing, to television series like The Crown revisiting life during this time in their latest season, these interests transfer into spaces and become design references once again.
The Crown

I must admit, I was merely a thought in the ’90s and only lived through two years of the decade. And the early ‘2000s were the prime of my childhood. Decorating was not at the forefront of my mind just yet. My fondness for ’90s and early ‘2000s interiors comes from a familiarity found within movies I adored growing up. Nancy Meyers films in particular come to mind.

It’s Complicated, 2009
It’s Complicated, 2009
It’s Complicated, 2009

Her cult-classic movies are known not only for their heart-felt stories, but for what has been dubbed “Meyers Interiors.” There is even an Instagram account dedicated to the sumptuous domestic aesthetics she creates in all her films that make you feel perfectly warm inside, as if you could rise with a smile on your face from your Frette linens in your buttery-soft silk pajamas to come downstairs to freshly baked bread.

You’ve Got Mail, 1998 (with Nancy Meyers-esque interiors)

Something’s Gotta Give, a favorite Meyers film of mine staring the dynamic duo Diane Keaton and Jack Nicholson is a perfect example. (This movie has also given rise to the recent “Coastal Grandmother” phenomenon that is celebrated as the more streamlined version of maximalist “Grandmillennial” style.)

Portrayed by Diane Keaton, playwright Erica Barry’s sublimely manicured beach home in the Hamptons becomes a character in and of itself. Creamy linens, dreamy blues, and touches of wicker set a serene and timeless tone.

Something’s Gotta Give, 2003
Something’s Gotta Give, 2003
Something’s Gotta Give, 2003
Something’s Gotta Give, 2003

Father of the Bride also comes to mind. If one did not know the Banks’ home was in the middle of Pasadena, CA, the home could easily pass for a countryside colonial. Each room perfectly balances traditional furniture with modern charm and a hint of English country. The walls are neutral with a peppering of artwork and occasional wallpaper while the furniture boasts elements of rich earth tones and pastels. And don’t forget about the muted chintz prints!

Father of the Bride, 1991
Father of the Bride, 1991
Father of the Bride 2, 1995
Father of the Bride, 1991

Another film that brings me childhood joy is the 1998 remake of The Parent Trap. Aside from the heartfelt plot, the film is a wealth of interior inspiration. Between Elizabeth James’ London townhouse and Nick Parker’s Napa Valley villa, the best of ’90s Nancy Meyers interiors are on full display. Showing restraint, the James residence is filled with traditional pieces of furniture, heirlooms, and reading much like an ancestral English home. Yet, the home has been updated with spritely hues of orange, pastel pinks, and plenty of damask to go around.

The Parent Trap, 1998
The Parent Trap, 1998
The Parent Trap, 1998

Across the pond in the Napa Valley, the Parker residence vineyard villa presents a casual California take on ’90s interiors. Nestled in the mountains, the home boasts natural materials, soft whites, easy upholstery, and an undeniable elegance. While both homes in the film are set two very different environments, they both carry similar design hallmarks of the era.

The Parent Trap, 1998

Let us not forget the charming cottage in The Holiday… It’s hard to believe this movie is almost 20 years old!

The Holiday, 2006
The Holiday, 2006

As ’90s and early ‘2000s influences trickle into Insta interiors, The Glam Pad predicts a continued love of chintz, a return of damask prints, subtle wallpapers with borders, natural tones, and plenty of pretty pastels. While we will aways embrace bold, maximalist interiors, the pared down elegance of the ’90s/’00s is also lovely and classic…. Which do you prefer?

x Natalie

A Moment in Time: Designing a Country Garden, The Fund for Park Avenue x Scully & Scully Tulip Party, and Peter Dunham + Hudson Grace 

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at A Moment in Time: Designing a Country Garden, The Fund for Park Avenue x Scully & Scully Tulip Party, and Peter Dunham x Hudson Grace. Written by Natalie Aldridge.

A Moment in Time: Designing a Country Garden

There are few pursuits more luxurious than cultivating a truly great garden, and A Moment in Time: Designing a Country Garden by Kathryn Herman is a beautiful reminder of why. Set on her own Pepperidge Farm estate in Connecticut, the book reads less like a traditional design guide and more like an invitation into a life shaped by the land. It takes readers through, season by season, revealing a garden that has been thoughtfully developed over three decades with a clear sense of patience, restraint, and atmosphere.

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino
Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino
Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

Kathryn’s approach feels especially in tune with where design is heading now. There is structure, but it is softened. There is rigor, but it never feels rigid. Drawing from the traditions of the English landscape, her work feels both timeless and entirely livable, with an emphasis on how a garden is experienced rather than simply how it looks. It is layered, nuanced, and timeless in a way that feels very TGP.

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino
Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

What makes the book particularly appealing is how open she is about her process. She moves through the garden in chapters that explore everything from meadows and orchards to perennial borders and winter structure, providing insights that feel elevated yet approachable. Even the more practical elements are treated with intention, reinforcing the idea that every corner of a garden can and should feel considered.

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

At its core, this is a book about living with beauty over time. Kathryn encourages the creation of garden that engages all the senses, from the rustle of leaves to the scent of flowering shrubs, creating something that feels immersive rather than decorative. It is a refreshing shift away from instant gratification and a compelling case for taking the long view, allowing a garden to evolve into something far richer than the sum of its parts. Make sure to order a copy here!

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

The Fund for Park Avenue x Scully & Scully Tulip Party

If you needed an excuse to linger on Park Avenue this spring, consider it handled. The median will soon be awash in red, white, and purple tulips, setting the stage for the annual celebration hosted by The Fund for Park Avenue. This year feels especially festive, with tables inspired by the original thirteen colonies in honor of the 250th birthday of the United States.

Hosted by Michael E. Scully of Scully & Scully, the evening brings together a strong mix of designers and tastemakers, including interior designer and TGP editor Natalie Aldridge, along with Barba-Hill Design, Phoebe Beachner, Eerdmans, Garrett Carter Designs, Christopher Sale and Benjamin Abbett of Gramercy Design, In Situ Garden Design, Jennifer Cohler Mason Design, Molly Moorkamp, Nicole Moriarty Interiors, Rudy Saunders, Scot Meacham Wood. Each will design a beautiful tablescape with a take on Americana with the best that Scully & Scully has to offer creating an extravaganza of style and celebration.

Natalie’s table from The Fund for Park Avenue 2024

Set against the tulips, it is a reminder of Park Avenue at its best, where design, community, and public green space come together in a way that feels both elevated and entirely New York. If you find yourself in New York, April 16th, 6:00pm – 8:00pm, rsvp to [email protected] to attend. Hope to see you there!

Peter Dunham + Hudson Grace

Spring tables are getting a refresh, and this one feels particularly chic. Hudson Grace has partnered with Peter Dunham on a new tabletop collection that leans into color, pattern, and that effortless, layered look we’re all after right now. The collection spans 53 pieces across dinnerware, linens, and tabletop accents, all rooted in color and pattern but with a sense of ease that keeps it from feeling overdone.

Peter Dunham + Hudson Grace
Peter Dunham + Hudson Grace

Peter Dunham’s hand is evident throughout the entire collection. There is a familiar mix of worldly influence and relaxed California polish, where bold patterns are softened by thoughtful scale and a certain lightness. It feels lived-in rather than styled.

Peter Dunham + Hudson Grace
Peter Dunham + Hudson Grace

What makes it particularly appealing is the way it encourages layering without trying too hard. Stripes alongside florals, a bit of texture woven in, nothing too matched. The overall effect is collected, personal, and just a touch unexpected, which is often where the most interesting tables land.

Peter Dunham + Hudson Grace
Peter Dunham + Hudson Grace

Available through Hudson Grace and Hollywood at Home, the collection arrives right as we start thinking about reasons to gather again!

Read our favorite articles of the week!

A 1920s Southern Cottage Brings Grand English Style Indoors and Out written by Mimi Read for Veranda.

A Fresh Take on Country in the City in a Designer’s Thameside Flat written by Elizabeth Metcalfe for House & Garden.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Style Profile: Lisa Erdmann Interiors

Growing up in Palm Beach, Florida designer Lisa Erdmann was surrounded by a world of color, whimsy, design, and a greater need to give back to the surrounding community. Lisa and her team of designers incorporate a variety of style, intricate details, and personal flare into each and every one of their projects in order to make it truly feel like home.

Lisa studied at Parsons School of Design and FIT in New York City and Middlebury College in Vermont. She founded her eponymous firm in 1994 and has developed a repertoire of loyal clientele ever since. Lisa is also involved in philanthropic organizations including the Board of Directors for The Nicklaus Children’s Health Care Foundation. She and her firm have lent their time, talent, and resources to a number of Red Cross Show Houses and the Kips Bay Palm Beach Show House.

Lisa Erdmann, Photograph by Julia Duresky/CAPEHART

Lisa’s “Royal Retreat” is currently on view at the The 9th Annual Kips Bay Decorator Show House Palm Beach. It is a Caribbean haven inspired by the timeless glamour of Mustique and one of its most celebrated patrons, Princess Margaret. The exquisite Show House is closing today, so swing by if you can!

“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley

We are delighted to welcome Lisa to The Glam Pad today for a Style Profile Q&A! Welcome, Lisa!

Conducted by Micah Hanvey

Q: When and how did you first become interested in interior design?

A: My path to design was filled with twists and turns. My mom was a designer in Florida; however, I was very independent and interested in forging my own path. We never worked together until my firm collaborated with her on her new house just a few years ago.

I graduated from Middlebury College with a liberal arts degree and moved to New York City. I was interested in fashion design but took an office job at Donghia that I found through a friend’s older sister. Within two weeks, I was promoted and within a year or so, I managed customer service. I loved the textiles and furniture and met with Donghia’s management to voice that I was interested in moving into other areas. They were a firm that liked to promote good people from within, so I eventually went to school at night and worked in product development during the day. Within a few years, I became a director of the company in Product Development under Sherri Donghia. I worked with designers and traveled to our European and UK mills several times a year and had a dream job.  After 7 years, I wanted a change and went to work for a design firm in New York City that had a retail store. Then in my early 30s, my husband and I moved to Florida, and I opened my own interior design firm.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photo by Carmel Brantley
Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY

Q: How do you define your style?

A: Classic, not trendy. My firm is also unique in that we meet with clients to determine what they want in their home. How do they want to live in the spaces? – Is it for a lot of entertaining or a private family retreat? Given this, we don’t stamp our projects with a style but create a “look” and design for each that is a unique combination of my firm’s creativity and the client’s wishes and desires.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photograph by Daniel Newcomb
Photo by Carmel Brantley

Q: What designers inspire you?

A: Bunny Williams blends a wonderful mix of antiques and new furniture, which I find inspiring.

Q: What do you enjoy doing in your free time?

A: Reading, entertaining, and traveling. My father is a sailor, so we always sailed to exotic places like the South Pacific, Canada, Caribbean, New England, the Mediterranean, etc. on the family sailboat. I was one of four children, and we were a good crew. I have continued this tradition with my family, and we have been to some wonderful places: Europe, Africa, South America, and more (but not on a boat).

Photo by Carmel Brantley
Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY

Q: How did growing up in North Palm Beach, Florida influence your design style?

A: My mother was my influence. She would involve me in design selections and paint colors for my bedroom. One of my favorite drapery treatments was made in a Robert Indiana “Love” pattern drapery fabric in pink. She would let me move my bedroom furniture into different configurations and talk about the projects she worked on.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photo by Ron Rosenzweig
Photo by Jessica Bordner

Q: What enthused you to become involved in different organizations, such as Nicklaus Children’s Health Care and Red Cross, and how do you utilize your design firm to assist these organizations with their needs?

A: My mother was always involved in charity organizations and fostered the obligation that we must give back to our community. Florida was a small community in the 1960s. I have always done this in a variety of ways, including serving on boards, community activities and participating in Red Cross and Kips Bay Show Houses after my firm was founded.

Photo by Carmel Brantley
Photo by Jessica Bordner
Photo by Carmel Brantley

Q: As your design firm was founded in 1994, how do you think that your design style has changed over time from when you first began until now?  

A: That’s a good question to ponder. I have a lot more sources and capabilities due to a great team. We have more range in style and options to solve design requests as well as to search for pieces. The internet has also changed everything because we can access antiques, furniture, and lighting from all over the world in an afternoon, which was not possible when we began.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photo by Carmel Brantley

Thank you, Lisa, for participating in our Style Profile series!

To learn more, please visit Lisa Erdmann Interiors and follow @lisaerdmanninteriors on Instagram for ongoing inspiration.

Tuckernuck’s Redesigned Georgetown Flagship, Hill House Home x Pottery Barn, and Schumacher Revives Tillett Textiles

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Tuckernuck’s Redesigned Georgetown Flagship, Hill House Home x Pottery Barn, and Schumacher Revives Tillett Textiles. Written by Natalie Aldridge.

Tuckernuck’s Redesigned Georgetown Flagship

There are few things we love more than a beautiful shop reopening, especially when it’s one that already feels like a classic. Tuckernuck, the brand known for its polished, all-American sensibility, has officially reopened its Georgetown flagship on Wisconsin Avenue in a space nearly four times the size of its original 2016 location. The new store brings the brand’s signature charm to one of DC’s most iconic shopping streets, and does so with ease.

Tuckernuck

Photographs courtesy of Lesley Unruh. 

Tuckernuck
Tuckernuck

Designed by one of our favorites, CeCe Barfield Thompson, the space reads more like a thoughtfully layered Georgetown townhouse than a traditional retail store. From the de Gournay-lined foyer to a series of rooms, including a front parlor, living room, conservatory, and sunlit scullery, the layout invites a slower, more considered way of shopping. Each space has its own perspective on Tuckernuck’s world, blending ready-to-wear, accessories, and home into a cohesive, highly livable vision.

Tuckernuck
Tuckernuck
Tuckernuck

Beyond its beauty, the store is rooted in experience. Tuckernuck’s “old school” approach to retail comes to life through thoughtful details like private styling appointments, on-site monogramming, and concierge gifting. Even the dressing rooms are reimagined, with a hidden stylist closet designed to create an uninterrupted, personalized try-on experience.

Tuckernuck
Tuckernuck
Tuckernuck

The result is a space that feels both timeless and refreshingly current, grounded in Georgetown’s historic character while embracing the ease and energy of modern retail. It’s the kind of place you stop in for a quick browse and inevitably linger, whether for a spring wardrobe refresh or simply the pleasure of being in a beautiful space.

And if you cannot shop in person, check out Tuckernuck online… It’s one of our favorite shops!

Hill House Home x Pottery Barn

Pottery Barn has just partnered with Hill House Home, the brand beloved for its ultra-feminine sensibility! The collection feels like a natural extension of Hill House’s world, translating its signature charm into interiors that are equal parts nostalgic and fresh.

Hill House Home x Pottery Barn
Hill House Home x Pottery Barn
Hill House Home x Pottery Barn

Founded by Nell Diamond, Hill House Home has always been rooted in the idea of creating beauty in everyday rituals, and that ethos carries through here. Think delicate florals, scalloped edges, and classic patterns reinterpreted in a way that feels light and current rather than overly precious. There is a sense of ease to it all, as though these pieces were meant to be lived with, layered over time, and enjoyed daily.

Hill House Home x Pottery Barn

 

Spanning bedding, furniture, and decorative accents for PB Teen and Pottery Barn Kids, the collection feels just as at home in a child’s room as it does in any space throughout the house. Upholstered pieces, soft textiles, and small details like painted finishes and trim work give everything a collected, chic quality.

Hill House Home x Pottery Barn
Hill House Home x Pottery Barn

The collection leans into romance without becoming saccharine, and nods to tradition while still feeling relevant now. And while the collection was intended for kids and teen, we cannot wait to get our hands on it. For those drawn to interiors that feel personal, gentle, and a bit transportive, Hill House Home x Pottery Barn is perfect. Shop the full Hill House Home x Pottery Barn collection here!

Schumacher Revives Tillett Textiles

Some fabric houses never really fade, they simply wait for the right moment to return. Tillett Textiles, founded in 1946 by D.D. and Leslie Tillett, is stepping back into view following its acquisition by Schumacher, with a selection of its iconic prints now available on the Schumacher website.

Long favored by tastemakers like Jacqueline Kennedy, Sister Parish, and Albert Hadley, Tillett became known for its vivid, hand-screened patterns and distinctly American sense of charm. Designs like Jackie’s Daisy and Geranium feel just as fresh today.

Schumacher’s approach has been to preserve what made Tillett special rather than absorb it. The brand will continue its tradition of customization and hand-printing, while also expanding into new categories like wallpaper. At the same time, the rediscovery of hundreds of original screens, many unseen since the 1960s, adds a layer of excitement to what comes next.

It’s a thoughtful revival, one that honors the artistry and individuality at the heart of Tillett while introducing it to a new generation. For those who love color, pattern, and a bit of design history, it’s a welcome return. We are so excited to see what is to come of this heritage textile house as it enters a new era.

Shop this week’s inspired finds!

Read our favorite articles of the week!

A Historic Arkansas Farmhouse Comes Alive with Youthful Spirit and Daring Pattern written by Stephanie Hunt for Veranda.

Tour Bill Brockschmidt and Richard Dragisic’s Colorful French Quarter Cottage written by Mario López Cordero for Frederic.

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Spring Dresses to Complement Your Interiors

With the arrival of spring comes one of our favorite customs: the return of spring dresses. Below, we’ve gathered a selection of beautiful options for the season ahead, each paired with imagery from home and garden that reflects their colors, textures, and charm. Perfect for Easter, Mother’s Day, and everything in between, these are the dresses we’re currently admiring. Written by Natalie Aldridge.

Pink

River Spencer for Kips Bay Dallas. Photo by Paul Costello

Blue

Angela Geyer

Green

Shelley Johnstone’s Naples pied-à-terre, Photograph by Kevin Kerr

Yellow

Jenny Holladay, Photograph by Francesco Lagnese, courtesy of FREDERIC 

White

Hillary Taylor Interiors

Purple

Nina Liddle Design, Photograph by Jane Beiles

Welcome Spring!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

A Day in the Eighteenth Century at the Musée des Arts Décoratifs, GreenRow Opens Its First Store, and Atlanta Homes & Lifestyles’ 2026 Southeastern Designer Showhouse

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at A Day in the Eighteenth Century at the Musée des Arts Décoratifs, GreenRow’s first store opening, and Atlanta Homes & Lifestyles’ 2026 Southeastern Designer Showhouse. Written by Natalie Aldridge.

A Day in the Eighteenth Century at the Musée des Arts Décoratifs

The Musée des Arts Décoratifs in Paris is inviting visitors to step inside the world of an eighteenth-century hôtel particulier with its new exhibition, A Day in the Eighteenth Century: Chronicle of a Parisian Townhouse. Rather than presenting decorative arts as isolated objects, the show recreates the rhythm of daily life inside an aristocratic Parisian residence in the years leading up to the French Revolution.

Robe à l’anglaise — France, 1780–1785 White-ground silk Pékin with pink stripes and fine green zigzag stripes, embroidered with floral bouquets in silk threads © Les Arts Décoratifs / Christophe Dellière

Moving room to room, visitors follow the flow of the household from morning to evening, passing through spaces such as the dining room, gaming salon, and the boudoir. The exhibition shows how these interiors were not only beautifully decorated but designed for the rituals of social life, from leisurely mornings to lively evenings spent entertaining.

Design for a “Polonaise” Bed — Jean-Démosthène Dugourc (1749–1825) Paris, circa 1784–1790 Pen, black ink, watercolor on paper Inscription at lower left: J.D. Dugourc, inv. Del (date erased) Collection mark at lower right: Lugt 103b [Richard Wallace] © Les Arts Décoratifs / Christophe Dellière
Pug on a Cushion — Berlin Manufactory, Germany, circa 1760 Hard-paste porcelain, polychrome, gilding Mark under the base: blue sceptre © Les Arts Décoratifs / Christophe Dellière

More than 550 objects are included throughout the townhouse setting, from furniture and silver to ceramics, textiles, dress, and jewelry. Seen together, they give a fuller picture of the craftsmanship and refinement that made Paris the epicenter of luxury in the eighteenth century.

The Glam Pad adores opportunities to learn about interiors in this way, not just as beautiful rooms, but as history where daily life unfolded. Exhibitions like this offer a fascinating glimpse into how people lived, entertained, and moved through their homes centuries ago. A Day in the Eighteenth Century: Chronicle of a Parisian Townhouse is on view now through July 5, 2026.

GreenRow Opens Its First Store

There is a cheerful new arrival in New York City! GreenRow, the colorful home brand from Williams-Sonoma has opened its first brick-and-mortar shop, bringing the brand’s fresh and optimistic approach to interiors into a real-life setting.

GreenRow
GreenRow
GreenRow

The new space has been designed to feel more like a home than a traditional showroom, inviting visitors to slow down and wander through rooms that truly show GreenRow’s signature mix of joyful color, traditional forms, and thoughtfully crafted pieces. The full assortment is on display, including furniture, lighting, bedding, rugs, and tabletop, alongside original artwork and a small selection of vintage and found pieces.

GreenRow
GreenRow
GreenRow

What we particularly appreciate is the brand’s focus on responsible design. From FSC-certified wood furniture to upholstery made from natural materials, the collection centers on pieces designed to last and age beautifully over time. We love a good patina! It is a thoughtful approach that balances craftsmanship, timeless style, and comfort. To celebrate the opening, GreenRow hosted a grand opening weekend, with a portion of proceeds benefiting the New York Botanical Garden. If you happen to be strolling through SoHo, it is certainly worth popping in for a look, or shop online here.

GreenRow

Atlanta Homes & Lifestyles’ 2026 Southeastern Designer Showhouse

Spring showhouse season is upon us, and one event we always enjoy following is the Southeastern Designer Showhouse presented by Atlanta Homes & Lifestyles. Now in its eleventh year, the annual event returns April 16th through May 10th in Atlanta’s Chastain Park area, bringing together top designers from across the Southeast while supporting an important cause.

The newly built residence, designed by Hask Custom Homes in collaboration with architect Linda MacArthur and interior specification designer Claudia Stimmell, embraces a refined European transitional style which we love. Spanning roughly 8,000 square feet, the home pairs classic architectural details such as a brick façade, limestone accents, and a charcoal slate roof with interiors that feature curved plaster walls, herringbone wood floors, and richly layered  materials.

Nineteen designers have each taken on a space within the home, including rooms by Suzanne Kasler and Matthew Quinn, creating a incredible mix of interiors to explore. Visitors can tour the home throughout the run of the showhouse and enjoy a lively schedule of events, including designer panels, gardening classes, and floral arranging workshops. This year’s showhouse benefits Solidarity Sandy Springs, a local food pantry for families and individuals in the community. Tickets can be purchased here!

Read our favorite articles of the week!

How to Make Your Linen Closet Feel Like a Chic Boutique written by Sarah DiMarco for Veranda.

Visit Ellie Peugeot’s Home on a 500-Year-Old French Country Estate written by Eugenia Santiesteban Soto for Frederic.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Style Profile: Nina Liddle Design

Last fall, House Beautiful named designer Nina Liddle‘s Nantucket shop, Birdie, one of the 25 Best Home Stores in America for 2025, noting her darling accents “meant to bring beachday vibes into every home”. After nearly two decades of running her namesake firm, Nina brought her eclectic eye to the island’s historic downtown, creating a boutique that feels as layered and welcoming as one of her interiors.

Nina Liddle Design launched in 2007. Building off her sixteen-year career in real estate, she decided to make the change from selling homes to creating them. Her expertise extends from custom homes tailored to her clients’ preferences, to rental properties, to homes that her clients want to remodel and sell. Each project blends practicality and aesthetics, infusing Nantucket’s unique character into every design space.

Birdie, Photograph by Jane Beiles

Today, we are delighted to welcome Nina to The Glam Pad for a Style Profile Q&A as we pursue her charming portfolio and get to know more about her work. Welcome, Nina!

Written by Micah Hanvey.

Q: How has Nantucket impacted your design style? 

A: I grew up summering on Nantucket, where my family has roots, surrounded by antiques and artists who were deeply connected to the island. That early exposure instilled in me a love for both the history of its architecture and the beauty of its natural setting. After more than three decades living here year-round, the island continues to shape my work. Nantucket’s mix of history, natural beauty, and fresh modern perspective inspires me to design with balance—honoring authenticity while embracing individuality and color—creating spaces that feel timeless yet deeply personal.

Photograph by Matt Kisiday
Photograph by Matt Kisiday
Photograph by Jane Beiles
Photograph by Jane Beiles

Q:  Do you incorporate any inspiration from your home state of New Jersey into your designs?

A: I wouldn’t say my inspiration comes directly from New Jersey but rather from the homes I grew up in. Both of my parents had a strong love for art and antiques, and those pieces were always part of our surroundings. My mother had a passion for color. As a child, I didn’t always appreciate it, but as an adult, I can clearly see how much her boldness and eye for color has influenced me.

Photograph by Jane Beiles
Photograph by Matt Kisiday
Photograph by Matt Kisiday

Q: What kind of insight did your background in real estate provide to you in order for you to create your designs?

A: Real estate gave me a strong foundation for understanding how people live in their houses and what truly adds value, not just financially but emotionally. It trained me to see space differently, how rooms flow together, how light shifts and how a home can evolve with its owners. That perspective translates into designing spaces that aren’t just beautiful but also deeply livable and long lasting. 

Photograph by Jane Beiles
Photograph by Jane Beiles
Photograph by Jane Beiles

Q: What projects are you working on next that we can look forward to?

A: We are working on several exciting projects – redesigning and decorating a classic Sconset cottage, new construction projects in Brant Point, Pocomo and in the Town of Nantucket. 

Photograph by Jane Beiles
Photograph by Jane Beiles
Photograph by Matt Kisiday

Q: Are there any designers who inspire you?

A: I’m endlessly inspired by the artistry of Kit Kemp. She is an absolute genius layering colors and patterns. I also turn to Jeffrey Bilhuber, Gil Schafer as well as Steven Gambrel when looking for inspiration.

Photograph by Jane Beiles

Q: What project have you done that has been your favorite?

A: It’s impossible to choose just one. Each project is tied to the people behind it, and that’s what makes them special. We have developed long standing relationships with so many of our clients. That said, I always love the homes where the client trusts the process, allows color, pattern and individuality to shine through. Those projects tend to capture the essence of what I do.

Photograph by Jane Beiles
Photograph by Jeffrey Allen
Photograph by Jane Beiles

Q: What room is typically your favorite to design?

A: Living rooms and kitchens because they’re the heart of the home. They bring people together, and they’re where design has the power to enhance not only beauty but also daily rituals. I love layering textiles, color and furniture in a way that makes those rooms both inviting and full of personality.

Photograph by Matt Kisiday
Photograph by Jane Beiles
Photograph by Jane Beiles
Photograph by Matt Kisiday

Q: How do you define your style?

A: My style resists being pinned down to one formula, I would describe it as curated, colorful and deeply personal. I don’t believe in imposing a singular look – instead, I work to uncover each client’s unique design language and translate that into spaces that are as functional as they are beautiful. For me, style is about individuality elevated with artistry.

Nina Liddle

Thank you, Nina, for joining us today, your interiors are certain to put a smile on everyone’s face!

For more information, please visit Nina Liddle Design, and follow @ninaliddledesign on Instagram for ongoing inspiration. Also be sure to visit Birdie the next time you are on Nantucket, or click here to shop online!

Biltmore House, the Design Emporium Collective on Fifth, and Dôen Opens on Madison Avenue

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Dôen’s new Madison Avenue store, Rizzoli’s Biltmore House, and the Design Emporium Collective on Fifth. Written by Natalie Aldridge.

Biltmore House: The Interiors and Collections of George W. Vanderbilt

There are few homes in America as storied as Biltmore Estate, the monumental Gilded Age château built by George Washington Vanderbilt II in the mountains of North Carolina. Now a new book, Biltmore House: The Interiors and Collections of George W. Vanderbilt, offers a fresh look inside the legendary residence and the extraordinary collections that have defined it for more than a century.

The east facade of Biltmore House from the Vista. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt
The walls of the Breakfast Room are covered with tooled leather above a marble wainscoting and are decorated with modern paintings from George Vanderbilt’s collection. A concealed door to the right of the fireplace leads to the Butler’s Pantry, where tableware was stored. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt

Designed by Richard Morris Hunt and surrounded by landscapes created by Frederick Law Olmsted, Biltmore remains the largest privately owned house in the United States and one of the most remarkable expressions of Gilded Age ambition. At the center of it all is a 250-room French Renaissance–inspired château filled with art, tapestries, rare books, and decorative objects Vanderbilt collected during his travels through Europe.

Edith Vanderbilt (far left) and George Vanderbilt (far right) enjoying tea on the Loggia with family and friends, 1903. The art collector Isabella Stewart Gardner is pictured third from right. Copyright: The Biltmore Company Archives courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt
George Vanderbilt’s bedroom, looking southwest. Light fixtures for the room were sketched by the Hunt firm, their details approved by Vanderbilt. Copyright: William Abranowicz (Art + Commerce) Page 176: Louis XV Bedroom courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt

This new book, written by Darren Poupore and Laura C. Jenkins with photography by William Abranowicz, invites readers beyond the grand spaces we all recognize and into the more intimate corners of the house. The Banquet Hall, Winter Garden, Tapestry Gallery, and Library all make an appearance, alongside rooms that reveal how the house actually functioned as a home.

A Régence giltwood mirror installed above a marble chimneypiece in the Louis XV Room, one of the grandest guest bedrooms at Biltmore House. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt
he Loggia overlooking the Deer Park. The highest peak, Mount Pisgah, can be seen in the distance. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt

What makes the book especially exciting is that it is the first major publication on Biltmore in more than three decades. With new photography and stories, it gives a closer look at the vision that made the estate one of the most fascinating houses in America.

Biltmore House: The Interiors and Collections of George W. Vanderbilt

For anyone who loves historic interiors, remarkable collections, or simply the romance of a truly grand home, this is the kind of book that invites you to settle in and linger for a while.

Dôen Opens on Madison Avenue

A new boutique has arrived on Madison Avenue just in time for spring! Dôen, the beloved California label known for its romantic and vintage-inspired silhouettes, has opened its newest storefront uptown, bringing a touch of breezy West Coast ease to one of New York’s most storied streets.

 

View this post on Instagram

 

A post shared by Nickey Kehoe (@nickeykehoe)

Founded by sisters Margaret and Katherine Kleveland, Dôen has built a devoted following around pieces that feel nostalgic and effortless. Floaty dresses, delicate florals, and softly structured separates have become signatures of the brand, making for pieces that feel almost like you could have inherited in them.

 

View this post on Instagram

 

A post shared by D Ô E N (@shopdoen)

The Madison Avenue boutique reflects that same sensibility. Designed by Nickey Kehoe, the space feels warm and inviting rather than overly polished, encouraging visitors wander and discover slowly. With its layered textures, thoughtful details, and relaxed atmosphere, the shop feels more like a beautifully considered home than a traditional retail space.

The DÔEN Sebastiane Skirt, inspired by an Edwardian-era trousseau

The opening also feels particularly well timed for the season ahead. As New York begins to shake off winter and welcome longer, brighter days, I am pining of a an airy Dôen dress. Be certain to check out the new shop, either in person or online!

The Design Emporium Collective on Fifth

London’s Design Centre, Chelsea Harbour has unveiled an exciting new destination for design discovery: the Design Emporium Collective on Fifth. Located on the fifth floor of Design Centre East, the space brings together a curated mix of international makers and brands under one roof, creating a vibrant hub for designers, architects, and collectors alike.

Nineteen design brands each occupy their own dedicated space within the emporium, creating an environment that feels part showroom, part treasure trove. From beautifully crafted furniture and lighting to textiles and decorative objects, the collective celebrates craftsmanship and originality while creating a dynamic place to discover pieces you simply won’t find anywhere else.

Among the names featured are Boura & White, Gaze Burvill, Kathryn M. Ireland, The Soho Lighting Co., and Unnatural Flooring, alongside the Design Centre’s Source service showcasing an impressive selection of china and glass. For those who love wandering through beautifully curated interiors and discovering new design treasures along the way, it promises exactly the sort of inspiring experience we adore. And as an interior designer, I cannot wait to explore these new resources! If you find yourself in London, be certain to check it out.

Read our favorite articles of the week!

How to Shop Etsy Exactly Like an Interior Designer written by Lauren Wicks and Sarah DiMarco for Veranda.

How “Love Story” Recreates the Iconic ’90s Style of Carolyn Bessette, JFK Jr., and Jackie O written by Cathy Whitlock for Frederic.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Flowering Outdoors: Gardens & Parties

Spring is in the air, and Flower magazine, the authority on all things floral, has just released a breathtaking new coffee table book brimming with inspirational ideas to enliven outdoor home spaces. So many of The Glam Pad’s favorite designers and floral experts are featured in Flowering Outdoors: Gardens & Parties, including Meg Braff, Kate Rheinstein Brodsky, James Farmer, Mary Celeste Beall, Bettie Bearden Pardee, India Hicks, Michael Devine, Courtnay Tartt Elias, Frances Schultz and more. There’s even a peek around the tennis court and garden of Liz Lange’s exquisite restored and legendary Grey Gardens in East Hampton. These tastemakers share their joy of flowers and entertaining alfresco in outdoor spaces such as terraces, dining pavilions, and loggias in a variety of locations, from city balconies and country patios to mountain and seaside settings

Mary Hollis Huddleston and Katie Jacobs, Mah-Jongg in the Garden

This beautifully photographed book concludes with a primer on garden elements including architecture, statuary, furniture, and live sculpture, as well as advice on assembling simple arrangements for parties. Inspirational and instructive, it is a must-have for flower enthusiasts, home decorators, gardeners, and haute hosting.

Mary Hollis Huddleston and Katie Jacobs, Mah-Jongg in the Garden

Let’s take a peek inside Flowering Outdoors: Gardens & Parties, written by Margot Shaw, founder and editor in chief of Flower magazine, with foreword by Bunny Williams. Images provided by Rizzoli.

Mary Celeste Beall, Blackberry Farm
Bettie Beardon Pardee, Private Newport
Liz Lange, Grey Gardens
Sharon Santoni, Normandy, France
Flowering Outdoors: Gardens & Parties

“Although I have many, many books, this is one I am adding to my collection since I never tire of looking at inspirational images of gardens and tablescapes, which encourage me to be more creative,” Bunny Williams.

Click here to order your copy of Flowering Outdoors: Gardens & Parties!

ABOUT THE AUTHOR
Based in Birmingham, Alabama, Flower magazine was founded by Margot Shaw, who has also been the editor in chief since 2007. It has a readership of over 475,000 and is the leading authority on all things floral—from flower arrangements to gardens and inspired botanical decorating. Lydia Somerville is a contributing editor for Flower magazine. Bunny Williams, considered one of the most talented names in design, is an accomplished businesswoman and philanthropist. She is the author of Rizzoli’s Bunny Williams: Life in the Garden.

For more floral goodness from our friends at Flower magazine, be sure to check out a newly released video tour of the exquisite 2025 FLOWER Nashville Showhouse! FLOWER enlisted 23 design firms from across the country to take the freshly updated rooms of this Belle Meade house and transform them into spaces bursting with ideas and inspiration. Watch the video tour, see designer profiles, and check out their sources below…