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Inside Christopher Spitzmiller’s Apartment Refresh, Hunt Slonem at the Dallas Arboretum and Botanical Garden, and The Lacquer Company Opens in New York

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look Inside Christopher Spitzmiller’s Apartment Refresh, Hunt Slonem at the Dallas Arboretum and Botanical Garden, and The Lacquer Company Opens in New York. Written by Natalie Aldridge.

Inside Christopher Spitzmiller’s Apartment Refresh

Known as the “Potter to the Presidents,” the extraordinary Christopher Spitzmiller has refreshed his longtime Upper East Side apartment with help from Tillett Textiles and the new Matouk x Tillett collaboration, giving the beloved home an even more layered and botanical feel — and we cannot get enough.

Photography by Annie Schlechter

Known for his iconic pottery, lamps, and beloved Clove Brook Farm in the Hudson Valley, Christopher has long mastered the art of collected, cheerful interiors. Like many design lovers, there always comes a time for a refresh, though somehow a home never truly feels complete. The update includes Tillett fabrics on the sofa, chairs, dining table draping, pillows, and lampshades, while pieces from the Matouk collaboration add pattern through bedding, guest towels, and a shower curtain.

Photography by Annie Schlechter
Photography by Annie Schlechter

Founded in the 1940s, Tillett became legendary for its hand-screened fabrics adored by tastemakers from Babe Paley to Jackie Kennedy. Paired with Spitzmiller’s romantic, garden-inflected style, the collaboration feels especially fitting.

Photography by Annie Schlechter
Photography by Annie Schlechter

While many design lovers may recognize the apartment from its previous appearance on Homeworthy, this refreshed iteration has yet to be seen publicly. And honestly, we are always happy to look at anything Christopher Spitzmiller touches. It is the perfect palate cleanser for spring.

Photography by Annie Schlechter
Photography by Annie Schlechter
Photography by Annie Schlechter

Hunt Slonem at the Dallas Arboretum and Botanical Garden

If there is one thing we will never tire of, it whimsical world of Hunt Slonem. This spring, the Dallas Arboretum and Botanical Garden has transformed into a wonderfully eccentric open-air gallery with Hunt Slonem: Bunnies, Birds & Butterflies, a vibrant takeover by the celebrated artist known for his delightfully maximalist menagerie of rabbits, tropical birds, and fluttering butterflies.

 On view through September 30th, the exhibition features 28 monumental installations scattered throughout the Arboretum’s 66 acres, alongside more than 100 additional works displayed inside the historic Camp House. One can expect to see giant bunnies peeking through garden paths, colorful butterflies hovering amongst the blooms, and maybe even a birdie or two. It is the sort of joyful visual feast that feels tailor-made for a spring.

 

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Hunt’s work has always existed somewhere between fantasy and obsession. Each of his works are repetitive, colorful, slightly surreal, and utterly unmistakable. Set against the backdrop of one of America’s most beautiful gardens, the effect feels immersive in the best possible way. Frankly, if Beatrix Potter decamped to Palm Beach and developed a knack for maximalism, this might be the result. Do not forget to pay a visit… Also check out Hunt’s Gilded Age Mansion for sale in the Catskills Mountains!

The Lacquer Company Opens in New York

Lacquer lovers, this one is for you. The Lacquer Company has officially opened a New York showroom at 200 Lexington Avenue, and honestly, it is a candy colored slice of heaven.

The Lacquer Company
The Lacquer Company

Led by designer James Lowther, the London-based brand has built a devoted following for its richly colored lacquer furniture and accessories, all handcrafted by artisans in Saigon using the centuries-old Vietnamese tradition of Son Mai lacquer craftsmanship. The result is a confection of pieces that feel equal parts timeless, glamorous, and unabashedly fun.

The Lacquer Company
The Lacquer Company
The Lacquer Company

The beautiful light-filled showroom features both in-stock and custom pieces, alongside collaborations with design favorites including Rita Konig, Miles Redd, and Veere Grenney. Think glossy jewel tones, sharp silhouettes, and enough chic lacquer pieces to last a life time. to suddenly make every room feel like it could use a little more shine.

Frankly, this may become one of our more dangerous regular stops during New York Design Week. Its utterly fun and dare I say practical.

Read our favorite articles of the week!

48 Elevated Mother’s Day Gifts for the Mom Who Has Everything written by Jaime Milan for Veranda.

Ariel Okin’s Sprawling Cape Cod Project Is a Love Letter to Summer by the Sea written by Alyssa Longobucco for House Beautiful.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Step Inside Designer Ashley Hanley’s Chic Kentucky Derby Party

When it comes to elegant and timeless interiors, Richmond-based designer Ashley Hanley is a favorite at The Glam Pad… and she also knows how to host a fabulous Kentucky Derby party with full Southern charm!

While it may be the “Fastest Two Minutes in Sports,” the Kentucky Derby, now in its 152nd year, is a delightful opportunity to celebrate with friends, revel in the pageantry, and – of course – don a whimsical hat. Today we join the Hanleys as they Run for the Roses with a chic and fun Derby dinner party at their beautiful 1930s Virginia home.

Ashley and Brendan Hanley

Catering by George T. Carroll Jr. and photography by Nancy Brown.

Custom invitations and vintage stamps set the tone and garner excitement for the soirée!
Personalized race horse trophies make perfect place cards!

A bouquet of red roses makes a simple yet elegant centerpiece, beautifully complementing Ashley’s vintage Rosalie china.

Equestrian awards ribbons add a festive touch throughout the house.

Thank you, Ashley, for including us today! For additional inspiration, please enjoy past articles by The Glam Pad featuring the work of Ashley Hanley:

And you will want to follow @ashleybhanley on Instagram!

The Fund for Park Avenue’s Annual Tulip Party, The Castine Historical Society House & Garden Tour, and A Darling Safari Nursery

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at The Fund for Park Avenue’s Annual Tulip Party, The Castine Historical Society House & Garden Tour, and A Darling Nursery with a Safari Spirit. Written by Natalie Aldridge.

The Fund for Park Avenue’s Annual Tulip Party

Each spring, Park Avenue bursts into bloom, its iconic tulips transforming the avenue into one of the city’s most beloved seasonal rituals. The annual Tulip Party, held in celebration of these very plantings, brings that energy indoors, gathering the design community in honor of the flowers that have come to define the avenue. This year’s fête took place on April 16th at Scully & Scully, with an added layer of meaning as the country approaches its 250th anniversary.

Barba Hill Design
Sebastian Trujillo In Situ Garden Design
Phoebe Beachner
Christopher Sale
Emily Evans Eerdmans

Inside, thirteen designers were invited to create tables inspired by the original colonies, resulting in a series of vignettes that felt as thoughtful as they were decorative. There was a sense of storytelling throughout, with each table offering its own interpretation of American life, history, and beauty, filtered through a distinctly modern lens. Participants including Natalie Aldridge, Joshua Barba-Hill, Phoebe Beachner, Emily Evans Eerdmans, Garrett Carter, Christopher Sale, Sebastian Trujillo, Jennifer Cohler Mason, Sam Moorkamp, Nicole Moriarty, Scot Meacham Wood, and Rudy Saunders each brought a mix of polish, personality, and imagination to the evening.

Rudy Saunders
Nicole Moriarty
Sam Moorkamp, Molly Aksel
Jennifer Cohler Mason

Naturally, we took a closer look at The Glam Pad’s own Natalie Aldridge, whose table was a refreshing departure from the more literal interpretations of the theme. Rather than leaning into overt Americana, she turned to the natural beauty of American flora, creating a setting that felt vibrant, layered, and joyful. Herend Royal Garden china layered over Tuckernuck’s Spring Collection Blue and Lavender Blossom tablecloth set the tone for something refined but certainly not serious. There was a lightness to it, a sense of ease that made the table feel genuinely fun. The floral arrangements, designed by Natalie herself, only added to that spirit, loose, abundant, and full of life, bringing a fresh, celebratory energy to the entire setting.

Natalie Aldridge
Natalie Aldridge
Natalie Aldridge
Natalie Aldridge

There is something enduring about the Tulip Party. Rooted in the simple act of celebrating flowers, design, and the importance of the Fund for Park Avenue, it continues to evolve year after year, proving that even the most classic traditions can feel entirely alive.

Make sure to shop Scully & Scully for all of your tabletop and gifting needs.

The Castine Historical Society House & Garden Tour

If a quintessential New England moment is calling your name, make sure to mark your calendar! The Castine Historical Society will host its House & Garden Tour on July 24th, a special event held just once every four years, and one that offers a rare look inside one of coastal Maine’s most charming villages.

Set along the Penobscot River, Castine is a New England gem with elm-lined streets, harbor views, and beautifully preserved homes spanning Federal, Georgian, Greek Revival, and Victorian styles. The tour includes twelve houses and three gardens, each providing its own glimpse into the town’s layered history.

 

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One highlight we are especially excited about: Emily Eerdmans’ historic “Pink Palace” will be on the tour. A long-time Glam Pad favorite, we cannot wait to see the historic home Emily has been bring back to life. Altogether, it is the kind of outing that feels equal parts escapist and inspiring, and very much worth the trip. More information and tickets can be found here.

A Darling Nursery with a Safari Spirit

This week, we are taking a look inside a darling little boy’s nursery by Connecticut-based interior designer Nicole Moriarty, and it is exactly the kind of space that reminds you how chic a nursery can be.

Nicole Moriarty Interiors, Photographed by Niles Weiss

The inspiration began with a safari to South Africa with her husband just before her son Henry’s arrival, but rather than leaning into anything too literal, Moriarty translated that experience into something far more subtle and lasting. A photograph taken by her husband on that trip hangs above the crib, anchoring the room with a sense of memory and meaning.

Nicole Moriarty Interiors, Photographed by Niles Weiss

The foundation is refreshingly grown up. A mid-century style crib and dresser from West Elm for Pottery Barn set the tone, giving the space a structure that feels considered rather than overly sweet. A beautifully tailored chair by Monte Design, finished with a pillow by Beata Heuman, adds just the right note of whimsy and charm.

Nicole Moriarty Interiors, Photographed by Niles Weiss

Because the home is a rental, paint was used in place of wallpaper, a decision that keeps the room feeling soft and unfussy. From there, it is all about the layering. Curtain fabric by Kerry Joyce and a daybed upholstered in Jane Shelton bring warmth and depth, while crisp shams by Porthault add that touch of polish. Underfoot, an Annie Selke rug grounds the space, while lighting details, a sconce shade from Pooky Lighting and a dresser lamp shade from Fermoie, give it a collected finish.

Nicole Moriarty Interiors, Photographed by Niles Weiss

Antique accessories are woven throughout, giving the room a sense of history and personality that keeps it from feeling too pristine. The result is joyful, layered, and effortlessly refined. It feels personal, a little unexpected, and above all, like a space designed to grow beautifully over time. Its a timeless safari for the sweetest baby boy. To learn more, please visit Nicole Moriarty Interiors.

Read our favorite articles of the week!

This Manor House Apartment Will Make You Fall for the French Countryside written by Diane Dorrans Saeks for Veranda.

The Expert’s Guide to Reupholstering Flea Market Finds written by Jill Simpson for Frederic.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Hunt Slonem’s Gilded Age Mansion for Sale

Famed artist Hunt Slonem lives in an enchanted wonderland full of whimsey and delight. Recognized for his distinct neo-expressionist style, Slonem’s bunnies have reached iconic status, along with his paintings of butterflies, tropical birds, Presidents and Royalty. His works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.

Slonem is also a man who enjoys collecting fine things from antiques to art to historic homes.

Belle Terre

“I bought my first house right before 9/11, and it led to my love for old homes that needed tender loving care,” he told The Glam Pad in a 2021 interview. “I have wound up with seven of them at this point, loving every one of them. Filling them with antiques and my work thrills me. Picasso’s collection of chateaus mesmerized me as a child… seeing him fill up these chateaus and then locking the door and getting another one.”

Today we take a peek inside Belle Terre, a sprawling, forty acre Gilded Age estate in the quiet wilderness of New York’s Catskill Mountains that happens to be for sale. The c1906 Georgian manse was first built as a summer home by copper baron James McLean. The stunning 30,000 square foot home is complete with a private lake and bucolic, rolling hills, originally designed by McLean for fox hunting and sport.

Slonem transformed the estate into a private residence and backdrop to his own artwork and extensive collection of fine antiques. The sprawling Georgian home retains many original details including elaborately carved moldings and floor boards, an elaborate stairwell, and even the original elevator, which remains operable. The level of craftmanship of this age represents a period of extraordinary construction that could never be replicated today.

The exquisite estate is a rare opportunity to own a piece of history with a storied past as impressive as the architecture. Eleanor Roosevelt, a frequent guest and friend of McLean’s daughter, once hosted a party on this site for 6,000 guests. An architecture aficionados delight, Belle Terre is under three hours from New York City and a world away from the hustle and bustle.

Let’s take a peek inside with photography by John Nitzel.




   


  




   

Please contact Sotheby’s to learn more about this incredible home, and visit Hunt Slonem to learn more about the artist. You can also shop some of our favorite Hunt Slonem merchandise here and paintings via 1stDibs.

Astier de Villatte x John Derian, I Love Decorating by Nathan Turner, and La Veste Comes to New York

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Astier de Villatte x John Derian, I Love Decorating by Nathan Turner, and La Veste Comes to New York. Written by Natalie Aldridge.

Astier de Villatte x John Derian

From a delightful cabinet of curiosities emerges the latest presentation from Astier de Villatte and John Derian, arriving just in time for Milan Design Week. It may well be one of the most charming moments of the season.

To celebrate fifteen years of collaboration, the duo has unveiled a collection of nearly one hundred entirely unique ceramic works at Astier de Villatte’s gallery on Via dell’Orso. While the setting is undeniably refined, what unfolds inside is anything but restrained. Plates, dishes, and vases become miniature worlds, hung on the walls like paintings or placed on pedestals like small sculptures, each one drawing you in.

The story begins, as so many good ones do, by accident. A kiln test in Astier’s Paris atelier sparked the spontaneous creation of the collection. During the test, Audrey, the head of ceramic decoration, scattered unrelated images across a single plate, simply to see what might happen. What emerged was something unexpected, a layered and slightly surreal composition that felt like a perfect accident. That initial moment quickly evolved into a full collection, with Derian joining the team in Paris for an intense two day creative sprint.

Playful and poetic, Astier de Villatte’s reverence for craft, its softly imperfect white ceramics rooted in eighteenth century tradition, grounds the collection. Derian’s imagery, layered, nostalgic, and just a touch surreal, lifts it into something more imaginative. Together, it is a perfect pairing and a truly one of a kind collection.

I Love Decorating by Nathan Turner

There is something deeply inspiring about a designer who reminds us that a home should feel lived in, not just looked at. With I Love Decorating, designer Nathan Turner does exactly that, offering a refreshingly personal take on what makes a space truly beautiful.

I Love Decorating by Nathan Turner, Abrams, Photographed by Mikkel Vang
I Love Decorating by Nathan Turner, Abrams, Photographed by Mikkel Vang

At The Glam Pad, we have long admired Nathan’s work for its sense of ease, its distinctly Americana spirit, and, perhaps most importantly, its relatability. His interiors never feel overworked or out of reach. They invite you in. There is a warmth to them, a lived-in quality that feels both aspirational and entirely attainable, a balance that is not so easy to strike.

I Love Decorating by Nathan Turner, Abrams, Photographed by Roger Davies
I Love Decorating by Nathan Turner, Abrams, Photographed by Victoria-Pearson

Spanning projects from beachside bungalows to penthouse apartments and relaxed country houses, Nathan’s work is defined by individuality and comfort. In this book, he pulls back the curtain on that process, tracing the evolution of a project from the earliest spark of an idea through to the realities of execution. This book, though, is not a manual but a conversation, one grounded in instinct, experience, and a genuine love of home.

I Love Decorating by Nathan Turner, Abrams, Photographed by Mikkel Vang
I Love Decorating by Nathan Turner, Abrams, Photographed by Roger Davies

What sets I Love Decorating apart is its embrace of the imperfect. These are not rigidly composed interiors, but spaces layered with memory, travel, and personality. The effect is collected yet relaxed, polished but never precious.

I Love Decorating by Nathan Turner, Abrams

With personal anecdotes, practical guidance, and a wealth of never-before-seen projects, the book invites readers to approach decorating with more freedom and confidence. Shop the book here!

La Veste Comes to New York

The fun and colorful La Veste, a brand we have long loved, is bringing its joyful world to New York with a pop-up at 262 Mott Street from May 20th to 24th.

 

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Founded by Blanca Miró and María de la Orden, La Veste has become a favorite for its exuberant prints, spirited sense of humor, and wonderfully unfussy approach to style. At The Glam Pad, we have always admired the way the brand embraces color and character with such confidence. It feels playful, deeply considered, and, of course, chic, something rarely found in fashion brands today.

 

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Part fashion fantasy, part treasure hunt, La Veste’s world is filled with striped knits, folkloric embroideries, charming tailoring, and the sort of pieces that instantly make getting dressed feel more fun. There is a touch of old-world charm to it all that we find irresistible.

 

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A New York pop-up feels like the perfect excuse to step inside that world, even if only for an afternoon. If you’re anything like me, just stepping into their pop-up will surely bring a smile to your face. Don’t forget to stop by come May, or shop La Veste online today.

Read our favorite articles of the week!

Fashion Designer Wiggy Hindmarch’s London Home Blends Stateside Style With British Charm written by Claire Brayford for Veranda.

Designers Say “Broken Floor Plans” Are Replacing Open Concept in 2026—Here’s Why written by Jessica Cherner for House Beautiful.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

STAIR Presents The Collection of Charlotte Moss, New York

STAIR has announced the single-owner sale of The Collection of Charlotte Moss, New York to be held Wednesday, April 29. The Collection features nearly 200 lots drawn from her legendary Upper East Side townhouse. Highlights include a pair of Unusual Regency Black Lacquer and Parcel-Gilt Tester Beds, a selection of George III mirrors, Chinese export black lacquer furniture, beautifully upholstered seating in rich textures and prints like chintz and ikat, American and Chinese Export silver, jardinières and urns, European works of art, photographs of icons in the world of fashion and design.

As one of the most celebrated voices and visionaries in American interior design, the collection is the epitome of her timeless aesthetic: historically referential, design informed and inspired by natural beauty and how we live today.

Photo Credit: Pieter Estersohn, courtesy of STAIR

For over four decades, the name Charlotte Moss has been synonymous with richly layered interiors rooted in history and balanced by warmth, grace, and hospitality. The author of twelve books, her forthcoming title, Charlotte Moss at Home in Virginia, will be released this fall. Throughout her career, Moss has cultivated a distinctive point of view shaped by nature, entertaining, travel, and her lifelong passion for collecting.

Photo Credit: Pieter Estersohn, courtesy of STAIR
Chintz Upholstered Three Seat Sofa, in Braquenie Fabric
Photo Credit: Pieter Estersohn, courtesy of STAIR
Group of Books Relating to Art, Architecture, and Decorative Arts
Photo Credit: Pieter Estersohn, courtesy of STAIR
Pair of Unusual George III Style Black Lacquer and Parcel-Gilt Tester Beds
Photo Credit: Pieter Estersohn, courtesy of STAIR
Photo Credit: Pieter Estersohn, courtesy of STAIR
George III Style White Painted Oval Mirror with Brackets
Photo Credit: Pieter Estersohn, courtesy of STAIR
Louis XVI Brass-Mounted Mahogany Commode
Photo Credit: Pieter Estersohn, courtesy of STAIR
Unusual Set of Four Chinese Black Lacquer and Parcel-Gilt Chinoiserie Decorated Doors with Gilt-Bronze and Jade Handles
Photo Credit: Pieter Estersohn, courtesy of STAIR
Photo Credit: Pieter Estersohn, courtesy of STAIR
Swedish Neoclassical Giltwood Cartel Clock
Photo Credit: Pieter Estersohn, courtesy of STAIR
French School: Views of Versailles and Chateau de Marly: Eight Plates
Photo Credit: Pieter Estersohn, courtesy of STAIR
Cesare Dell’ Acqua (1821-1905): Moresque
Photo Credit: Pieter Estersohn, courtesy of STAIR
George III Style Painted Armchair with Chintz Upholstered Seat
Photo Credit: Pieter Estersohn, courtesy of STAIR
Vladimir Kanevsky Porcelain Model of Lilacs and a Tole Model of Violets

The Collection of Charlotte Moss sale will be held April 29th at 10:00 AM ET at Stair Galleries in Hudson, New York, with both live and online bidding available. Please visit STAIR for additional information including viewing times.

 

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Ralph Lauren Home x Cabana, Daylesford Organic and Bamford Come to New York, and Views of America

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Ralph Lauren Home x Cabana, Daylesford Organic and Bamford Come to New York, and Views of America. Written by Natalie Aldridge.

Ralph Lauren Home x Cabana

If there is one thing we will always make a case for, it is a well-dressed table. And the new Ralph Lauren Home x Cabana Magazine Spring Summer 2026 collection makes it very hard to argue otherwise.

RALPH LAUREN HOME X CABANA

Now available through Cabana, the collection brings Ralph Lauren Home’s Meadow Lane fabrics into the world of tabletop, reimagined as table linens and other table top goodies. Tablecloths, napkins, and placemats are layered in florals, madras, and needlepoint, all with that slightly sun-faded, collected-over-time feeling that both brands do so well.

RALPH LAUREN HOME X CABANA

What we love about this collection is the richness of the patterns. Nothing feels too precious and appears as though each item could have been passed down through family. It leans into a kind of effortless hosting that is more about atmosphere than perfection.

RALPH LAUREN HOME X CABANA

It also feels distinctly aligned with how we like to live now. Less rigid, more layered. Pieces that can be mixed, mismatched, and used over and over. These are the kind of table top pieces that do not sit in a cupboard waiting for a special occasion, but become part of the everyday.

RALPH LAUREN HOME X CABANA

For us, it is a reminder that entertaining does not need to be complicated to feel considered. Sometimes it starts with a great tablecloth, a good mix of pattern, and the license to let it all come together naturally. Shop the full collection here!

Daylesford Organic and Bamford Come to New York

From the heart of the Cotswolds to New York, a little bit of English countryside charm is making its way to New York! On May 18th and 19th, Daylesford Organic and Bamford will host a trunk show at Maxime’s on the Upper East Side, marking their debut in the city.

 

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For those familiar, Daylesford is far more than a farm shop. Founded by Carole Bamford, it has become synonymous with living well in a quintessentially British way, where organic food, thoughtful interiors, and a slower pace all come together. Bamford, its sister brand, carries that ethos into clothing and wellness, with collections grounded in natural materials and luxury.

Daylesford Living: Inspired by Nature, courtesy of Vendome
Daylesford Living: Inspired by Nature, courtesy of Vendome

Together, they create a world that feels elevated, charming, and deeply personal. Less about trends and more about how things are made and how they are lived with. It is easy to see why this debut feels so well suited to New York right now.

 

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Set within Maxime’s, the trunk show will be a rare opportunity to experience both brands up close and without traveling to the UK. Expect a curated selection of beautifully made pieces that you will surely want to bring into your life. For us, we love any opportunity to celebrate English design. Understated, intentional, and always rooted in history. For more information, visit Bamford here.

Views of America: The Diplomatic Reception Rooms at the U.S. Department of State

This year marks the 250th anniversary of the United States, and at The Glam Pad, we always love a moment to celebrate our nation through the lens of design. It makes the release of Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, published by Rizzoli Electa, feel particularly well timed.

Reception Rooms, U.S. Dept. of State, Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor
Side Chair,Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Bruce M. White

The book opens the doors to the Diplomatic Reception Rooms within the U.S. Department of State, one of the country’s most extraordinary yet under-the-radar interiors. It is a world defined by craftsmanship and history, where more than 5,000 fine and decorative objects, dating from 1740 to 1840, come together to tell the story of America’s earliest years.

The Treaty Room, Rizzoli,Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor
The Entrance Hall, U.S. Department of State,Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor

This volume focuses on 100 key works, each layered with provenance and meaning. Porcelain from George Washington’s personal collection, silver by Paul Revere, and furniture passed through generations of notable American families all find their place here. Perhaps most remarkable is the tambour writing table used to sign the Treaty of Paris, which remains in use today.

Tambour Writing Table, Rizzoli,Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Bruce M. White
Reception Rooms, U.S. Dept. of State, Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor

What resonates most is the idea of continuity. These are not objects frozen in time, but pieces that continue to live within active interiors, shaping the backdrop of our history today. There is something so powerful in that.

Views of America: The Diplomatic Reception Rooms at the U.S. Department of State

This book is distinctly American and beautifully expresses our values through material, craftsmanship, and a deep connection to history. Views of America is a glimpse into that world and feels like the perfect way to mark our 250th. Click here to purchase.

Read our favorite articles of the week!

Archive Dive: A Private Look Inside Katherine Hepburn’s “Casual” East Coast Homes in 1991 written by Joanna Saltz, Jane Ellis for House Beautiful.

This Mobile Bay Home Is a New Southern Classic Filled with Family Heirlooms written by Stephanie Hunt for Veranda.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Spring Entertaining with Laura Park

Written by Natalie Aldridge

Spring Entertaining with Laura Park

Laura Park entered our orbit not long ago, and it was very much a case of instant admiration. Her world is vibrant, deeply considered, and instantly puts a smile on your face. She handles color with confidence and carries pattern with an effortless elegance across her home décor, textiles, and wallpaper collections. Everything she touches feels joyful, yet never without intention, and that balance is precisely what makes her work so compelling.

It’s no secret at The Glam Pad that we are not shy about color, making Laura’s work a natural fit. What draws us in even more, though, is the sense of family woven throughout it. This is not a brand built in isolation, but one shaped by Laura alongside her daughters, with a shared creative spirit that feels both genuine and deeply personal. You sense it in the way the collections evolve, in the ease and warmth that runs through everything, and in the idea that these pieces are truly meant to be lived with and gathered around. It feels especially resonant this time of year, as we move into spring gatherings and Mother’s Day, moments so often centered around the table and the people closest to us.

Based in Charlotte, North Carolina, Laura is a self-taught artist who began painting as a personal creative outlet, developing a signature style defined by expressive brushwork and a fearless use of color. What started on canvas quickly found a natural extension into textiles, as her compositions translated beautifully into prints. Over time, that evolution grew into a full lifestyle brand, encompassing everything from pillows and bedding to tabletop, each piece carrying that same painterly, collected sensibility.

In this conversation, we sat down with Laura to talk all things spring entertaining, from where to begin with color to the art of layering prints without overthinking it. What unfolds is a refreshingly instinctive approach to the table, one that embraces seasonality, sentiment, and just the right amount of whimsy.

Welcome, Laura!

Q: Your work is synonymous with color in the most joyful way. When setting a spring or Easter table, where do you begin with color, and how do you build from there?

A: I usually begin with a tablecloth, either a solid or a print that sets the palette. From there, I build with flowers, linens, and tabletop pieces that pick up those same tones, so everything feels layered and cohesive.

Q: Your prints have such a distinct point of view. When entertaining, are you designing the table around a hero pattern, or layering more intuitively?

A: I almost always begin with a tablecloth and a hero pattern as the foundation. From there, I layer in other prints or textures that complement it without feeling overly matched. I love bringing in flowers from the garden to echo the colors in the print. It adds a natural, slightly imperfect element that keeps the table feeling fresh.

I’ll also mix in special pieces, like whimsical glasses from Mackenzie-Childs, which I’ve collected over the years. They’ve become a tradition for family gatherings, and I love the sense of history they bring to the table.

Q: Spring brings a full calendar of gatherings, from Easter to Mother’s Day. How do you approach entertaining during this season in a way that feels special but still effortless?

A: Spring does so much of the work for you. It already feels celebratory and full of life, which is one reason it’s always been my favorite season.

I try to bring that sense of renewal to the table with simple, natural elements. I gravitate toward fresh flowers like tulips, peonies, and hydrangeas, and I love clipping branches from the yard for something more organic and unexpected.

Whenever I can, I like to move gatherings outdoors, whether that’s to the patio or a long table set outside. There’s something about being outdoors that makes everything feel instantly more special.

Q: When hosting at home, what pieces from your own collection do you find yourself reaching for again and again?

I always reach for our pillows. They’re one of the easiest ways to refresh a space, and I’m constantly changing the mix in our family room, especially since it opens into the kitchen and main gathering area. They bring personality and warmth in a way that feels effortless.

I also love using our serving pieces, from melamine sets to cocktail plates and napkins for appetizers and quick bites. They’re practical, but they still feel special, which is exactly how I like to entertain.

Q: Your work moves so seamlessly from canvas to tabletop. When designing, are you already imagining the table it will live on?

A: As a self-described colorist, I’m always thinking about how color will live beyond the canvas and translate into real spaces where people gather. When I’m painting, I’m naturally drawn to combinations that feel dynamic and balanced, and those often evolve into the motifs and patterns that later appear on tabletop pieces. The process is very organic—color leads the way, and everything builds from there.

Q: What are your favorite ways to make a table feel fresh, personal, and a bit unexpected?

A: Fresh flowers are always my starting point, but I love incorporating elements that feel a little unexpected, whether that’s mixing prints, adding texture, or bringing in branches or greenery clipped from outside. Those small details make a table feel more personal and lived-in.

Beyond the table itself, so much comes down to atmosphere. I love a round table where everyone can easily talk, soft candlelight, natural light during the day, and music that helps set the tone. It’s the overall ambience that brings everything together.

Q: What is your approach to layering prints on a table so it feels collected rather than chaotic?

A: I try to keep a common thread, whether that’s a shared color palette or a certain tone, so everything feels connected. Mixing prints works best when there’s balance, and I like to let one or two elements lead while the others support them. We also love layering in pieces from SumnerEdit, like resin serveware or acrylic accents, which add another dimension and help break up the prints in a way that feels complementary.

Q: In your ideal world, what does the perfect spring lunch look like, from setting to menu to mood?

A: It would be outside, with a colorful table set against a natural backdrop, simple seasonal food, and a mix of family and friends. I love when the mood feels relaxed but still thoughtful—the kind of gathering you can linger over.

I’ll usually add a festive drink that ties into the setting, and I’m especially excited to use our new ice buckets alongside SumnerEdit champagne flutes for our next spring gathering.

I’m always drawn to more intimate, family-centered gatherings. When everyone is home and it feels personal, those moments around the table become the most special.

Thank you, Laura!

To learn more and shop, please visit Laura Park here and follow @lauraparkdesign on Instagram for ongoing inspiration.

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Nina Campbell’s Latest Collection, The Decorative Fair, and Kit Kemp: Design Stories

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at The Decorative Fair, Nina Campbell’s Latest Collection, and Kit Kemp: Design Stories. Written by Natalie Aldridge.

Nina Campbell’s Latest Collection

On the note of London, few designers capture the spirit of an English interior quite like Nina Campbell, and her latest fabric collection, Bourton, is no exception. Bourton builds on Nina’s unmistakable language of pattern and color. The collection is filled with fresh florals and whimsical motifs that feel both rooted in tradition and entirely suited to today’s interiors. It is decorative without ever feeling fussy, and polished without losing its sense of charm.

Nina Campbell
Nina Campbell
Nina Campbell

For decades, Nina Campbell has been synonymous wit English decorating. Rooms that feel layered, welcoming, and just a bit playful. Since founding her studio in the 1970s, she has developed a point of view that balances classicism with ease, creating interiors that are as livable as they are beautiful. That same sensibility carries through her textiles, which have long been a go-to for designers.

Nina Campbell
Nina Campbell
Nina Campbell

This collection feels like a natural continuation of Nina’s legacy. Nothing feels overdone, yet every detail is considered. A reminder that the most memorable interiors are often the ones that do not take themselves too seriously. Take a look at the full collection here.

The Decorative Fair

The spring edition of the Decorative Fair 2026 is just around the corner, and it is one we always look forward to.

Set within Evolution London in Battersea Park, the fair gathers over 130 exhibitors spanning antiques and decorative pieces from the 1700s through the 1970s. It is that rare mix of serious collector items and beautiful, livable pieces. Objects with history sit comfortably alongside more relaxed decorative finds, all curated in a way that feels considered rather than overwhelming.

 

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The Decorative Fair has a way of reminding us that a great interior is never about perfection. It is about the right tension between old and new, polished and patinated. A well-worn console next to something crisp, a lamp you did not plan for but suddenly cannot live without. It is exactly the kind of sourcing that gives a space its point of view.

Spring in London always brings a shift. Garden pieces come into focus, from stone urns to outdoor furniture, all with that romantic English sensibility. Even if you are not redesigning a terrace, it is hard not to leave thinking about it.

 

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And, as always, there is a proper pause built in. The mezzanine restaurant by Bone Idyll is the perfect reset before heading back in for one more pass.

For us, it is less about shopping and more about the edit. A reminder that the best rooms are collected over time and often begin with a single, unexpected find. I always enjoy visiting the Decorative Fair, and this spring should be no exception. Tickets can be purchased here!

Kit Kemp: Design Stories

There are design books you admire, and then there are the ones you actually return to when you are in the middle of a project and in need of true inspiration. Kit Kemp: Design Stories is very much the latter. From Kit Kemp, with text by Giles Kime and photography by Simon Brown, this Rizzoli volume offers a closer look at a designer whose work has always felt entirely her own and has evolved into a style unto itself.

Sitting Room from “The Power of Pattern”, Kit Kemp: Design Stories, Pg 152-153, Rizzoli, Photography by Quentin Bacon
Author’s Lounge Bloomsbury Offices, Kit Kemp: Design Stories, Pg 160, Rizzoli, Photography by Simon Brown

Kemp’s interiors are instantly recognizable. Her spaces, seen throughout the Firmdale Hotels and private residences, are layered, expressive, and full of personality. Nothing feels overly matched or prescribed. Instead, rooms unfold through a series of moments. A textile here, a piece of art there, something unexpected tucked into a corner that shifts the entire composition. In many ways, she has redefined what we expect from hospitality interiors.

Dining Room in Kips Bay Showhouse NYC, Kit Kemp: Design Stories, Pg 64-65, Rizzoli, Photography by Quentin Bacon

What makes Design Stories so compelling is that sense of balance. There is bold color and pattern, but it is never chaotic and always tied to a story. It is controlled in a way that feels intuitive rather than rigid. An embroidered headboard sits comfortably against a hand-painted wall. Ikat, antiques, and contemporary pieces all find their place. It is a kind of decorating that feels collected over time, even slightly scrappy, despite being carefully orchestrated.

Living Room from Kit Kemp’s New Forest Home, Kit Kemp: Design Stories, Pg 200-201, Rizzoli, Photography by Simon Brown
Drawing Room from “Away from It All”, Kit Kemp: Design Stories, Pg 12-13, Rizzoli, Photography by Simon Brown

There is also a real emphasis on craft, which is where the work resonates most. The textiles, the ceramics, the bespoke details all carry weight. They give the rooms a sense of depth and permanence, something that goes beyond surface decoration. The photography in this book captures this beautifully.

Room Detail from “Life of a Collector”, Kit Kemp: Design Stories, Pg 50, Rizzoli, Photography by Simon Brown
Kit Kemp: Design Stories , Cover, Rizzoli

Kit makes a strong case for trusting your instincts and layering more, not less. For creating interiors that feel personal, rather than perfectly resolved and polished. Kit Kemp: Design Stories is truly a joyful book to add to your collection.

Read our favorite articles of the week!

These Remarkable Decorative Painters Conjure Artful New Worlds written by Emma Bazilian for Frederic.

Designer Amber Lewis Turned a Former Ship Captain’s Home Into the Ultimate “Summer House” written by Carisha Swanson for House Beautiful.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

 

The Happy Home by Ariel Okin

Since opening her eponymous firm a decade ago, The Glam Pad has been enamored with the delightful interiors of Ariel Okin. This spring, she released her first book, The Happy Home: Layered Interiors for Joyful Living, an ode to her colorful, pretty, and fresh take on traditional rooms that are collected, warm, and elegant.

Ariel quickly established herself as a powerhouse in the design industry. Her interiors are both approachable and sophisticated and have helped her garner an ever-growing social media following, as well as a place on House Beautiful’s Next Wave list and Luxe and House & Garden’s Gold Lists.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

Her first book is an exploration of her belief that the best homes reflect the stories of their inhabitants. The houses featured include projects from across the country—from Southampton to New Canaan, Palm Beach to Park Slope—as well as Okin’s own house in New York. As a design journalist in addition to her interiors work, Okin has written the book herself, and it’s rich with advice and inspiration for creating spaces that are as welcoming and personal as they are functional.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

Whether it’s a young family who just purchased their first home or a design connoisseur with an extensive library, The Happy Home: Layered Interiors for Joyful Living will appeal to everyone seeking to transform their house into a warm and inviting home.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli
The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli
The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli
The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

Click here to read our Style Profile interview with Ariel, and here to purchase her beautiful book.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

About Ariel Okin:
Ariel Okin is an internationally recognized interior designer, whose work has been named to prestigious industry lists such as House Beautiful Next Wave, Better Homes & Gardens Color Star, Architectural Digest’s Pro List and House & Garden UK’s Gold List. Ariel has launched successful collaborative product lines in the home and fashion spaces, including Chasing Paper, The Mural Source, Mitzi, One Kings Lane, Neely & Chloe and more. Ariel is a contributing writer to Vogue, Architectural Digest, and Domino, and is the founder and Editor-in-Chief of Fenimore Lane, an editorial destination which covers all aspects of the living vertical. Ariel also hosts the popular design podcast “Talk Shop”, which currently ranks among the top 10% of all US podcasts. She also helms the annual Fenimore Lane Design Summit at The Mayflower Inn & Spa, part of the Auberge Resorts Collection. Ariel is a mom of two daughters, and lives in the suburbs of New York with her husband, girls, and dog, Charlie.