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Ralph Lauren Home x Cabana, Daylesford Organic and Bamford Come to New York, and Views of America

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Ralph Lauren Home x Cabana, Daylesford Organic and Bamford Come to New York, and Views of America. Written by Natalie Aldridge.

Ralph Lauren Home x Cabana

If there is one thing we will always make a case for, it is a well-dressed table. And the new Ralph Lauren Home x Cabana Magazine Spring Summer 2026 collection makes it very hard to argue otherwise.

RALPH LAUREN HOME X CABANA

Now available through Cabana, the collection brings Ralph Lauren Home’s Meadow Lane fabrics into the world of tabletop, reimagined as table linens and other table top goodies. Tablecloths, napkins, and placemats are layered in florals, madras, and needlepoint, all with that slightly sun-faded, collected-over-time feeling that both brands do so well.

RALPH LAUREN HOME X CABANA

What we love about this collection is the richness of the patterns. Nothing feels too precious and appears as though each item could have been passed down through family. It leans into a kind of effortless hosting that is more about atmosphere than perfection.

RALPH LAUREN HOME X CABANA

It also feels distinctly aligned with how we like to live now. Less rigid, more layered. Pieces that can be mixed, mismatched, and used over and over. These are the kind of table top pieces that do not sit in a cupboard waiting for a special occasion, but become part of the everyday.

RALPH LAUREN HOME X CABANA

For us, it is a reminder that entertaining does not need to be complicated to feel considered. Sometimes it starts with a great tablecloth, a good mix of pattern, and the license to let it all come together naturally. Shop the full collection here!

Daylesford Organic and Bamford Come to New York

From the heart of the Cotswolds to New York, a little bit of English countryside charm is making its way to New York! On May 18th and 19th, Daylesford Organic and Bamford will host a trunk show at Maxime’s on the Upper East Side, marking their debut in the city.

 

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For those familiar, Daylesford is far more than a farm shop. Founded by Carole Bamford, it has become synonymous with living well in a quintessentially British way, where organic food, thoughtful interiors, and a slower pace all come together. Bamford, its sister brand, carries that ethos into clothing and wellness, with collections grounded in natural materials and luxury.

Daylesford Living: Inspired by Nature, courtesy of Vendome
Daylesford Living: Inspired by Nature, courtesy of Vendome

Together, they create a world that feels elevated, charming, and deeply personal. Less about trends and more about how things are made and how they are lived with. It is easy to see why this debut feels so well suited to New York right now.

 

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Set within Maxime’s, the trunk show will be a rare opportunity to experience both brands up close and without traveling to the UK. Expect a curated selection of beautifully made pieces that you will surely want to bring into your life. For us, we love any opportunity to celebrate English design. Understated, intentional, and always rooted in history. For more information, visit Bamford here.

Views of America: The Diplomatic Reception Rooms at the U.S. Department of State

This year marks the 250th anniversary of the United States, and at The Glam Pad, we always love a moment to celebrate our nation through the lens of design. It makes the release of Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, published by Rizzoli Electa, feel particularly well timed.

Reception Rooms, U.S. Dept. of State, Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor
Side Chair,Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Bruce M. White

The book opens the doors to the Diplomatic Reception Rooms within the U.S. Department of State, one of the country’s most extraordinary yet under-the-radar interiors. It is a world defined by craftsmanship and history, where more than 5,000 fine and decorative objects, dating from 1740 to 1840, come together to tell the story of America’s earliest years.

The Treaty Room, Rizzoli,Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor
The Entrance Hall, U.S. Department of State,Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor

This volume focuses on 100 key works, each layered with provenance and meaning. Porcelain from George Washington’s personal collection, silver by Paul Revere, and furniture passed through generations of notable American families all find their place here. Perhaps most remarkable is the tambour writing table used to sign the Treaty of Paris, which remains in use today.

Tambour Writing Table, Rizzoli,Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Bruce M. White
Reception Rooms, U.S. Dept. of State, Rizzoli, Views of America: The Diplomatic Reception Rooms at the U.S. Department of State, Photography by Durston Saylor

What resonates most is the idea of continuity. These are not objects frozen in time, but pieces that continue to live within active interiors, shaping the backdrop of our history today. There is something so powerful in that.

Views of America: The Diplomatic Reception Rooms at the U.S. Department of State

This book is distinctly American and beautifully expresses our values through material, craftsmanship, and a deep connection to history. Views of America is a glimpse into that world and feels like the perfect way to mark our 250th. Click here to purchase.

Read our favorite articles of the week!

Archive Dive: A Private Look Inside Katherine Hepburn’s “Casual” East Coast Homes in 1991 written by Joanna Saltz, Jane Ellis for House Beautiful.

This Mobile Bay Home Is a New Southern Classic Filled with Family Heirlooms written by Stephanie Hunt for Veranda.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Spring Entertaining with Laura Park

Written by Natalie Aldridge

Spring Entertaining with Laura Park

Laura Park entered our orbit not long ago, and it was very much a case of instant admiration. Her world is vibrant, deeply considered, and instantly puts a smile on your face. She handles color with confidence and carries pattern with an effortless elegance across her home décor, textiles, and wallpaper collections. Everything she touches feels joyful, yet never without intention, and that balance is precisely what makes her work so compelling.

It’s no secret at The Glam Pad that we are not shy about color, making Laura’s work a natural fit. What draws us in even more, though, is the sense of family woven throughout it. This is not a brand built in isolation, but one shaped by Laura alongside her daughters, with a shared creative spirit that feels both genuine and deeply personal. You sense it in the way the collections evolve, in the ease and warmth that runs through everything, and in the idea that these pieces are truly meant to be lived with and gathered around. It feels especially resonant this time of year, as we move into spring gatherings and Mother’s Day, moments so often centered around the table and the people closest to us.

Based in Charlotte, North Carolina, Laura is a self-taught artist who began painting as a personal creative outlet, developing a signature style defined by expressive brushwork and a fearless use of color. What started on canvas quickly found a natural extension into textiles, as her compositions translated beautifully into prints. Over time, that evolution grew into a full lifestyle brand, encompassing everything from pillows and bedding to tabletop, each piece carrying that same painterly, collected sensibility.

In this conversation, we sat down with Laura to talk all things spring entertaining, from where to begin with color to the art of layering prints without overthinking it. What unfolds is a refreshingly instinctive approach to the table, one that embraces seasonality, sentiment, and just the right amount of whimsy.

Welcome, Laura!

Q: Your work is synonymous with color in the most joyful way. When setting a spring or Easter table, where do you begin with color, and how do you build from there?

A: I usually begin with a tablecloth, either a solid or a print that sets the palette. From there, I build with flowers, linens, and tabletop pieces that pick up those same tones, so everything feels layered and cohesive.

Q: Your prints have such a distinct point of view. When entertaining, are you designing the table around a hero pattern, or layering more intuitively?

A: I almost always begin with a tablecloth and a hero pattern as the foundation. From there, I layer in other prints or textures that complement it without feeling overly matched. I love bringing in flowers from the garden to echo the colors in the print. It adds a natural, slightly imperfect element that keeps the table feeling fresh.

I’ll also mix in special pieces, like whimsical glasses from Mackenzie-Childs, which I’ve collected over the years. They’ve become a tradition for family gatherings, and I love the sense of history they bring to the table.

Q: Spring brings a full calendar of gatherings, from Easter to Mother’s Day. How do you approach entertaining during this season in a way that feels special but still effortless?

A: Spring does so much of the work for you. It already feels celebratory and full of life, which is one reason it’s always been my favorite season.

I try to bring that sense of renewal to the table with simple, natural elements. I gravitate toward fresh flowers like tulips, peonies, and hydrangeas, and I love clipping branches from the yard for something more organic and unexpected.

Whenever I can, I like to move gatherings outdoors, whether that’s to the patio or a long table set outside. There’s something about being outdoors that makes everything feel instantly more special.

Q: When hosting at home, what pieces from your own collection do you find yourself reaching for again and again?

I always reach for our pillows. They’re one of the easiest ways to refresh a space, and I’m constantly changing the mix in our family room, especially since it opens into the kitchen and main gathering area. They bring personality and warmth in a way that feels effortless.

I also love using our serving pieces, from melamine sets to cocktail plates and napkins for appetizers and quick bites. They’re practical, but they still feel special, which is exactly how I like to entertain.

Q: Your work moves so seamlessly from canvas to tabletop. When designing, are you already imagining the table it will live on?

A: As a self-described colorist, I’m always thinking about how color will live beyond the canvas and translate into real spaces where people gather. When I’m painting, I’m naturally drawn to combinations that feel dynamic and balanced, and those often evolve into the motifs and patterns that later appear on tabletop pieces. The process is very organic—color leads the way, and everything builds from there.

Q: What are your favorite ways to make a table feel fresh, personal, and a bit unexpected?

A: Fresh flowers are always my starting point, but I love incorporating elements that feel a little unexpected, whether that’s mixing prints, adding texture, or bringing in branches or greenery clipped from outside. Those small details make a table feel more personal and lived-in.

Beyond the table itself, so much comes down to atmosphere. I love a round table where everyone can easily talk, soft candlelight, natural light during the day, and music that helps set the tone. It’s the overall ambience that brings everything together.

Q: What is your approach to layering prints on a table so it feels collected rather than chaotic?

A: I try to keep a common thread, whether that’s a shared color palette or a certain tone, so everything feels connected. Mixing prints works best when there’s balance, and I like to let one or two elements lead while the others support them. We also love layering in pieces from SumnerEdit, like resin serveware or acrylic accents, which add another dimension and help break up the prints in a way that feels complementary.

Q: In your ideal world, what does the perfect spring lunch look like, from setting to menu to mood?

A: It would be outside, with a colorful table set against a natural backdrop, simple seasonal food, and a mix of family and friends. I love when the mood feels relaxed but still thoughtful—the kind of gathering you can linger over.

I’ll usually add a festive drink that ties into the setting, and I’m especially excited to use our new ice buckets alongside SumnerEdit champagne flutes for our next spring gathering.

I’m always drawn to more intimate, family-centered gatherings. When everyone is home and it feels personal, those moments around the table become the most special.

Thank you, Laura!

To learn more and shop, please visit Laura Park here and follow @lauraparkdesign on Instagram for ongoing inspiration.

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Nina Campbell’s Latest Collection, The Decorative Fair, and Kit Kemp: Design Stories

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at The Decorative Fair, Nina Campbell’s Latest Collection, and Kit Kemp: Design Stories. Written by Natalie Aldridge.

Nina Campbell’s Latest Collection

On the note of London, few designers capture the spirit of an English interior quite like Nina Campbell, and her latest fabric collection, Bourton, is no exception. Bourton builds on Nina’s unmistakable language of pattern and color. The collection is filled with fresh florals and whimsical motifs that feel both rooted in tradition and entirely suited to today’s interiors. It is decorative without ever feeling fussy, and polished without losing its sense of charm.

Nina Campbell
Nina Campbell
Nina Campbell

For decades, Nina Campbell has been synonymous wit English decorating. Rooms that feel layered, welcoming, and just a bit playful. Since founding her studio in the 1970s, she has developed a point of view that balances classicism with ease, creating interiors that are as livable as they are beautiful. That same sensibility carries through her textiles, which have long been a go-to for designers.

Nina Campbell
Nina Campbell
Nina Campbell

This collection feels like a natural continuation of Nina’s legacy. Nothing feels overdone, yet every detail is considered. A reminder that the most memorable interiors are often the ones that do not take themselves too seriously. Take a look at the full collection here.

The Decorative Fair

The spring edition of the Decorative Fair 2026 is just around the corner, and it is one we always look forward to.

Set within Evolution London in Battersea Park, the fair gathers over 130 exhibitors spanning antiques and decorative pieces from the 1700s through the 1970s. It is that rare mix of serious collector items and beautiful, livable pieces. Objects with history sit comfortably alongside more relaxed decorative finds, all curated in a way that feels considered rather than overwhelming.

 

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The Decorative Fair has a way of reminding us that a great interior is never about perfection. It is about the right tension between old and new, polished and patinated. A well-worn console next to something crisp, a lamp you did not plan for but suddenly cannot live without. It is exactly the kind of sourcing that gives a space its point of view.

Spring in London always brings a shift. Garden pieces come into focus, from stone urns to outdoor furniture, all with that romantic English sensibility. Even if you are not redesigning a terrace, it is hard not to leave thinking about it.

 

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And, as always, there is a proper pause built in. The mezzanine restaurant by Bone Idyll is the perfect reset before heading back in for one more pass.

For us, it is less about shopping and more about the edit. A reminder that the best rooms are collected over time and often begin with a single, unexpected find. I always enjoy visiting the Decorative Fair, and this spring should be no exception. Tickets can be purchased here!

Kit Kemp: Design Stories

There are design books you admire, and then there are the ones you actually return to when you are in the middle of a project and in need of true inspiration. Kit Kemp: Design Stories is very much the latter. From Kit Kemp, with text by Giles Kime and photography by Simon Brown, this Rizzoli volume offers a closer look at a designer whose work has always felt entirely her own and has evolved into a style unto itself.

Sitting Room from “The Power of Pattern”, Kit Kemp: Design Stories, Pg 152-153, Rizzoli, Photography by Quentin Bacon
Author’s Lounge Bloomsbury Offices, Kit Kemp: Design Stories, Pg 160, Rizzoli, Photography by Simon Brown

Kemp’s interiors are instantly recognizable. Her spaces, seen throughout the Firmdale Hotels and private residences, are layered, expressive, and full of personality. Nothing feels overly matched or prescribed. Instead, rooms unfold through a series of moments. A textile here, a piece of art there, something unexpected tucked into a corner that shifts the entire composition. In many ways, she has redefined what we expect from hospitality interiors.

Dining Room in Kips Bay Showhouse NYC, Kit Kemp: Design Stories, Pg 64-65, Rizzoli, Photography by Quentin Bacon

What makes Design Stories so compelling is that sense of balance. There is bold color and pattern, but it is never chaotic and always tied to a story. It is controlled in a way that feels intuitive rather than rigid. An embroidered headboard sits comfortably against a hand-painted wall. Ikat, antiques, and contemporary pieces all find their place. It is a kind of decorating that feels collected over time, even slightly scrappy, despite being carefully orchestrated.

Living Room from Kit Kemp’s New Forest Home, Kit Kemp: Design Stories, Pg 200-201, Rizzoli, Photography by Simon Brown
Drawing Room from “Away from It All”, Kit Kemp: Design Stories, Pg 12-13, Rizzoli, Photography by Simon Brown

There is also a real emphasis on craft, which is where the work resonates most. The textiles, the ceramics, the bespoke details all carry weight. They give the rooms a sense of depth and permanence, something that goes beyond surface decoration. The photography in this book captures this beautifully.

Room Detail from “Life of a Collector”, Kit Kemp: Design Stories, Pg 50, Rizzoli, Photography by Simon Brown
Kit Kemp: Design Stories , Cover, Rizzoli

Kit makes a strong case for trusting your instincts and layering more, not less. For creating interiors that feel personal, rather than perfectly resolved and polished. Kit Kemp: Design Stories is truly a joyful book to add to your collection.

Read our favorite articles of the week!

These Remarkable Decorative Painters Conjure Artful New Worlds written by Emma Bazilian for Frederic.

Designer Amber Lewis Turned a Former Ship Captain’s Home Into the Ultimate “Summer House” written by Carisha Swanson for House Beautiful.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

 

The Happy Home by Ariel Okin

Since opening her eponymous firm a decade ago, The Glam Pad has been enamored with the delightful interiors of Ariel Okin. This spring, she released her first book, The Happy Home: Layered Interiors for Joyful Living, an ode to her colorful, pretty, and fresh take on traditional rooms that are collected, warm, and elegant.

Ariel quickly established herself as a powerhouse in the design industry. Her interiors are both approachable and sophisticated and have helped her garner an ever-growing social media following, as well as a place on House Beautiful’s Next Wave list and Luxe and House & Garden’s Gold Lists.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

Her first book is an exploration of her belief that the best homes reflect the stories of their inhabitants. The houses featured include projects from across the country—from Southampton to New Canaan, Palm Beach to Park Slope—as well as Okin’s own house in New York. As a design journalist in addition to her interiors work, Okin has written the book herself, and it’s rich with advice and inspiration for creating spaces that are as welcoming and personal as they are functional.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

Whether it’s a young family who just purchased their first home or a design connoisseur with an extensive library, The Happy Home: Layered Interiors for Joyful Living will appeal to everyone seeking to transform their house into a warm and inviting home.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli
The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli
The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli
The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

Click here to read our Style Profile interview with Ariel, and here to purchase her beautiful book.

The Happy Home: Layered Interiors for Joyful Living by Ariel Okin; Photograph courtesy of Rizzoli

About Ariel Okin:
Ariel Okin is an internationally recognized interior designer, whose work has been named to prestigious industry lists such as House Beautiful Next Wave, Better Homes & Gardens Color Star, Architectural Digest’s Pro List and House & Garden UK’s Gold List. Ariel has launched successful collaborative product lines in the home and fashion spaces, including Chasing Paper, The Mural Source, Mitzi, One Kings Lane, Neely & Chloe and more. Ariel is a contributing writer to Vogue, Architectural Digest, and Domino, and is the founder and Editor-in-Chief of Fenimore Lane, an editorial destination which covers all aspects of the living vertical. Ariel also hosts the popular design podcast “Talk Shop”, which currently ranks among the top 10% of all US podcasts. She also helms the annual Fenimore Lane Design Summit at The Mayflower Inn & Spa, part of the Auberge Resorts Collection. Ariel is a mom of two daughters, and lives in the suburbs of New York with her husband, girls, and dog, Charlie.

Young Huh’s Debut Book, McGee & Co’s Easter Collection, and Jayson Home x Schumacher

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Young Huh’s Debut Book, McGee & Co’s Easter Collection, and Jayson Home x Schumacher. Written by Natalie Aldridge.

A Mood, a Thought, a Feeling: Interiors by Young Huh

There are design books you admire, and then there are the ones you find yourself returning to, not for reference, but for a feeling. A Mood, A Thought, A Feeling: Interiors, the debut book from Young Huh, is very much the latter.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

Organized into three sections, A Mood, A Thought, and A Feeling, the book reads less like a portfolio and more like a way of approaching how we live. Young begins with mood, exploring the idea that a room should first and foremost evoke something. Some spaces feel lively and full of energy, the kind of rooms that naturally pull people in. Others are deeper and more quiet, layered in texture and tone in a way that encourages you to slow down. It all feels intuitive, but also incredibly intentional.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely
A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

From there, the book moves into a series of completed homes that bring Young’s thinking into focus. What stands out is the balance. Pattern and color are used with confidence, but are never overwhelming. There is a sense of ease to the layering, as though each piece has been collected over time rather than placed all at once. It is polished, but never precious.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

The final section, centered on Young’s own country house in upstate New York, is where things become more personal. The rooms shift with the seasons, the palette softens, and there is a sense of nostalgia that runs throughout her entire home. It feels like a house that has been allowed to evolve, rather than one that was ever fully finished.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely
A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

With a foreword by Zooey Deschanel and Jonathan Scott, and published by Rizzoli New York, this is the kind of book that you want to keep out on coffee table for a while… Not because it is new, but because it is the one you keep revisiting.  Click here to purchase.

A Mood, a Thought, a Feeling: Interiors by Young Huh, Rizzoli, Photograph by Jacob Snavely

McGee & Co’s Easter Collection

Easter is this Sunday, and if you are pulling things together last minute, McGee & Co.’s Easter collection is worth a look, especially since much of it is currently on sale.

McGee & Co.’s Easter collection

The collection takes a softer approach to seasonal decorating. Pale greens, washed blues, and natural textures replace anything overly themed, with just a few subtle nods to Easter woven in. A bunny dish, painted eggs, a woven basket, all done in a way that feels considered rather than overt.

McGee & Co.’s Easter collection

What makes it especially appealing right now is how well these pieces carry beyond the holiday. A floral pitcher, scalloped linens, or a simple wreath can move easily into the rest of spring without feeling out of place. We are especially loving the green Sabre flatware and the Meadowlark hand-painted plates.

McGee & Co.’s Easter collection

It is less about decorating for a single day and more about giving the house a slight shift for the season. It can be such a challenge to find seasonal wares that don’t feel like you are giving into a theme, and that will actually last you from year to year, which is why we are loving this. The full collection can be shopped here.

Jayson Home x Schumacher

Schumacher has an incredible way of bringing together the best of the industry, and their latest collaboration with Jayson Home is no exception.

Photography by Jim Franco
Photography by Jim Franco

The Jayson Home x Schumacher collection pairs Jayson Home’s signature mix of European antiques and vintage finds with Schumacher’s iconic prints and textiles. Incredible upholstered furniture and one-of-a-kind pieces have been reworked in fabrics from names like Miles Redd, Rita Konig, and Porter Teleo, which is about as good as it sounds.

What we especially love about this collaboration is what it represents. A great antique never really fades. It just needs the right moment, or the right fabric, to feel entirely new again. There is something incredibly satisfying about seeing these pieces reupholstered and brought back to life, not in a way that erases their history, but in a way that builds on it.

Photography by Devin Kirk
Photography by Jim Franco

That idea carries through the entire collection. It is not just the larger furniture pieces, but the pillows, objects, and smaller finds that give everything that slightly undone, collected feel. The kind of space that looks like it has evolved over time, layered with intention rather than assembled all at once.

Photography by Jim Franco

Launching April 10th, the collection will be available at Jayson Home’s Chicago flagship, as well as in Schumacher’s Charlotte and Nashville design shops, with a number of events planned to celebrate. We cannot wait to check it out!

Read our favorite articles of the week!

A Century-Old Connecticut Home Gets a Colorful, Globe-Trotting Twist written by Miranda Crowell for Frederic.

A Gilded Age Mansion Built for a Macy’s Heir Is on the Market for $10 Million written by Mary Elizabeth Andriotis for Galerie Magazine.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

 

A Love Story to 90s Interiors

Written by Natalie Aldridge.

Lately, it feels as though we are collectively circling the ’90s with a new level of intensity. What began as a quiet reappraisal has quickly tipped into something closer to a fixation, driven in no small part by the renewed attention around Love Story and the enduring allure of John F. Kennedy Jr. and Carolyn Bessette-Kennedy, alongside shifting attitudes toward technology and a longing for the simplicity we left behind in that decade.

Images of Carolyn, in particular, have been circulating with near-obsessive frequency. A coat that fits perfectly, a slip dress worn with ease, a simple headband, hair left natural. It is not “dressing up,” but rather a return to intention. An ease that feels considered, but never labored.

That same impulse is appearing elsewhere. Film and digital cameras have begun to replace iPhones at dinners. There is a renewed interest in places that feel storied rather than new, especially here in New York, where old haunts of the era are being rediscovered or reinterpreted. Even the language has shifted. People speak, only half in jest, about wanting to live as though it were the ’90s again. My social media feed, in a somewhat ironic twist, has been filled with “day in the life” videos staged as if it were 1998.

This moment of renewed fixation brought me back to a feature I wrote three years ago, A Nod to 90s and 2000s Interiors. At the time, it was Princess Diana who seemed to define the mood, largely through the lens of The Crown. There is, in hindsight, an interesting parallel between Diana and Carolyn. Both embodied a kind of restraint that felt deeply personal rather than prescribed. Both were endlessly referenced, yet somehow impossible to replicate.

What makes this current moment distinct is that it is not purely nostalgic, but selective. It pulls forward the elements of the era that feel most enduring: restraint, materiality, and a certain confidence in simplicity, all with an analogue edge. And, inevitably, that sensibility is finding its way into interiors.

Three years ago I wrote about the films of the ’90s and early 2000s that shaped my childhood, and the particular comfort of their interiors. It is a feeling we have not quite been able to recreate since. The high-gloss, hyper-styled spaces that have defined recent years are beginning to soften. In their place, rooms that feel lived in rather than produced. Softer palettes, natural woods, familiar prints, and an ease that allows a space to develop over time.

What defined the best interiors of the ’90s and early 2000s was this kind of unstudied elegance. Traditional without stiffness, layered without excess, and always anchored by comfort. None of it felt performative, which is precisely why it resonates now. And perhaps, finally, we are ready to return to it.

Today we will revisit my original post, first published February 21, 2013…

A Nod to 90s and 2000s Interiors

Early in January The Glam Pad made six design trend predictions for the New Year. While we are fervent defenders of timeless classics, the new year offers an exciting opportunity to dissect design trends we see emerging.

While ’80s-style opulence, bold prints, and maximalist decor currently abounds, we are also starting to notice a subtle shift. Marked by quiet chintzes, natural woods, and softer color tones, the ’90s and early ‘2000s, are making room in shelter magazines and on Instagram. Think casual elegance vs. overt glamour.

From a resurgence of interest in ’90s fashion designers like Vivienne Westwood, Calvin Klein, Versace and the super models that donned their clothing, to television series like The Crown revisiting life during this time in their latest season, these interests transfer into spaces and become design references once again.
The Crown

I must admit, I was merely a thought in the ’90s and only lived through two years of the decade. And the early ‘2000s were the prime of my childhood. Decorating was not at the forefront of my mind just yet. My fondness for ’90s and early ‘2000s interiors comes from a familiarity found within movies I adored growing up. Nancy Meyers films in particular come to mind.

It’s Complicated, 2009
It’s Complicated, 2009
It’s Complicated, 2009

Her cult-classic movies are known not only for their heart-felt stories, but for what has been dubbed “Meyers Interiors.” There is even an Instagram account dedicated to the sumptuous domestic aesthetics she creates in all her films that make you feel perfectly warm inside, as if you could rise with a smile on your face from your Frette linens in your buttery-soft silk pajamas to come downstairs to freshly baked bread.

You’ve Got Mail, 1998 (with Nancy Meyers-esque interiors)

Something’s Gotta Give, a favorite Meyers film of mine staring the dynamic duo Diane Keaton and Jack Nicholson is a perfect example. (This movie has also given rise to the recent “Coastal Grandmother” phenomenon that is celebrated as the more streamlined version of maximalist “Grandmillennial” style.)

Portrayed by Diane Keaton, playwright Erica Barry’s sublimely manicured beach home in the Hamptons becomes a character in and of itself. Creamy linens, dreamy blues, and touches of wicker set a serene and timeless tone.

Something’s Gotta Give, 2003
Something’s Gotta Give, 2003
Something’s Gotta Give, 2003
Something’s Gotta Give, 2003

Father of the Bride also comes to mind. If one did not know the Banks’ home was in the middle of Pasadena, CA, the home could easily pass for a countryside colonial. Each room perfectly balances traditional furniture with modern charm and a hint of English country. The walls are neutral with a peppering of artwork and occasional wallpaper while the furniture boasts elements of rich earth tones and pastels. And don’t forget about the muted chintz prints!

Father of the Bride, 1991
Father of the Bride, 1991
Father of the Bride 2, 1995
Father of the Bride, 1991

Another film that brings me childhood joy is the 1998 remake of The Parent Trap. Aside from the heartfelt plot, the film is a wealth of interior inspiration. Between Elizabeth James’ London townhouse and Nick Parker’s Napa Valley villa, the best of ’90s Nancy Meyers interiors are on full display. Showing restraint, the James residence is filled with traditional pieces of furniture, heirlooms, and reading much like an ancestral English home. Yet, the home has been updated with spritely hues of orange, pastel pinks, and plenty of damask to go around.

The Parent Trap, 1998
The Parent Trap, 1998
The Parent Trap, 1998

Across the pond in the Napa Valley, the Parker residence vineyard villa presents a casual California take on ’90s interiors. Nestled in the mountains, the home boasts natural materials, soft whites, easy upholstery, and an undeniable elegance. While both homes in the film are set two very different environments, they both carry similar design hallmarks of the era.

The Parent Trap, 1998

Let us not forget the charming cottage in The Holiday… It’s hard to believe this movie is almost 20 years old!

The Holiday, 2006
The Holiday, 2006

As ’90s and early ‘2000s influences trickle into Insta interiors, The Glam Pad predicts a continued love of chintz, a return of damask prints, subtle wallpapers with borders, natural tones, and plenty of pretty pastels. While we will aways embrace bold, maximalist interiors, the pared down elegance of the ’90s/’00s is also lovely and classic…. Which do you prefer?

x Natalie

A Moment in Time: Designing a Country Garden, The Fund for Park Avenue x Scully & Scully Tulip Party, and Peter Dunham + Hudson Grace 

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at A Moment in Time: Designing a Country Garden, The Fund for Park Avenue x Scully & Scully Tulip Party, and Peter Dunham x Hudson Grace. Written by Natalie Aldridge.

A Moment in Time: Designing a Country Garden

There are few pursuits more luxurious than cultivating a truly great garden, and A Moment in Time: Designing a Country Garden by Kathryn Herman is a beautiful reminder of why. Set on her own Pepperidge Farm estate in Connecticut, the book reads less like a traditional design guide and more like an invitation into a life shaped by the land. It takes readers through, season by season, revealing a garden that has been thoughtfully developed over three decades with a clear sense of patience, restraint, and atmosphere.

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino
Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino
Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

Kathryn’s approach feels especially in tune with where design is heading now. There is structure, but it is softened. There is rigor, but it never feels rigid. Drawing from the traditions of the English landscape, her work feels both timeless and entirely livable, with an emphasis on how a garden is experienced rather than simply how it looks. It is layered, nuanced, and timeless in a way that feels very TGP.

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino
Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

What makes the book particularly appealing is how open she is about her process. She moves through the garden in chapters that explore everything from meadows and orchards to perennial borders and winter structure, providing insights that feel elevated yet approachable. Even the more practical elements are treated with intention, reinforcing the idea that every corner of a garden can and should feel considered.

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

At its core, this is a book about living with beauty over time. Kathryn encourages the creation of garden that engages all the senses, from the rustle of leaves to the scent of flowering shrubs, creating something that feels immersive rather than decorative. It is a refreshing shift away from instant gratification and a compelling case for taking the long view, allowing a garden to evolve into something far richer than the sum of its parts. Make sure to order a copy here!

Rizzoli, A Moment in Time: Designing a Country Garden, Photograph by Neil Landino

The Fund for Park Avenue x Scully & Scully Tulip Party

If you needed an excuse to linger on Park Avenue this spring, consider it handled. The median will soon be awash in red, white, and purple tulips, setting the stage for the annual celebration hosted by The Fund for Park Avenue. This year feels especially festive, with tables inspired by the original thirteen colonies in honor of the 250th birthday of the United States.

Hosted by Michael E. Scully of Scully & Scully, the evening brings together a strong mix of designers and tastemakers, including interior designer and TGP editor Natalie Aldridge, along with Barba-Hill Design, Phoebe Beachner, Eerdmans, Garrett Carter Designs, Christopher Sale and Benjamin Abbett of Gramercy Design, In Situ Garden Design, Jennifer Cohler Mason Design, Molly Moorkamp, Nicole Moriarty Interiors, Rudy Saunders, Scot Meacham Wood. Each will design a beautiful tablescape with a take on Americana with the best that Scully & Scully has to offer creating an extravaganza of style and celebration.

Natalie’s table from The Fund for Park Avenue 2024

Set against the tulips, it is a reminder of Park Avenue at its best, where design, community, and public green space come together in a way that feels both elevated and entirely New York. If you find yourself in New York, April 16th, 6:00pm – 8:00pm, rsvp to [email protected] to attend. Hope to see you there!

Peter Dunham + Hudson Grace

Spring tables are getting a refresh, and this one feels particularly chic. Hudson Grace has partnered with Peter Dunham on a new tabletop collection that leans into color, pattern, and that effortless, layered look we’re all after right now. The collection spans 53 pieces across dinnerware, linens, and tabletop accents, all rooted in color and pattern but with a sense of ease that keeps it from feeling overdone.

Peter Dunham + Hudson Grace
Peter Dunham + Hudson Grace

Peter Dunham’s hand is evident throughout the entire collection. There is a familiar mix of worldly influence and relaxed California polish, where bold patterns are softened by thoughtful scale and a certain lightness. It feels lived-in rather than styled.

Peter Dunham + Hudson Grace
Peter Dunham + Hudson Grace

What makes it particularly appealing is the way it encourages layering without trying too hard. Stripes alongside florals, a bit of texture woven in, nothing too matched. The overall effect is collected, personal, and just a touch unexpected, which is often where the most interesting tables land.

Peter Dunham + Hudson Grace
Peter Dunham + Hudson Grace

Available through Hudson Grace and Hollywood at Home, the collection arrives right as we start thinking about reasons to gather again!

Read our favorite articles of the week!

A 1920s Southern Cottage Brings Grand English Style Indoors and Out written by Mimi Read for Veranda.

A Fresh Take on Country in the City in a Designer’s Thameside Flat written by Elizabeth Metcalfe for House & Garden.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Style Profile: Lisa Erdmann Interiors

Growing up in Palm Beach, Florida designer Lisa Erdmann was surrounded by a world of color, whimsy, design, and a greater need to give back to the surrounding community. Lisa and her team of designers incorporate a variety of style, intricate details, and personal flare into each and every one of their projects in order to make it truly feel like home.

Lisa studied at Parsons School of Design and FIT in New York City and Middlebury College in Vermont. She founded her eponymous firm in 1994 and has developed a repertoire of loyal clientele ever since. Lisa is also involved in philanthropic organizations including the Board of Directors for The Nicklaus Children’s Health Care Foundation. She and her firm have lent their time, talent, and resources to a number of Red Cross Show Houses and the Kips Bay Palm Beach Show House.

Lisa Erdmann, Photograph by Julia Duresky/CAPEHART

Lisa’s “Royal Retreat” is currently on view at the The 9th Annual Kips Bay Decorator Show House Palm Beach. It is a Caribbean haven inspired by the timeless glamour of Mustique and one of its most celebrated patrons, Princess Margaret. The exquisite Show House is closing today, so swing by if you can!

“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
“The Royal Retreat” Inside the 9th Annual Kips Bay Decorator Show House Palm Beach, by Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley

We are delighted to welcome Lisa to The Glam Pad today for a Style Profile Q&A! Welcome, Lisa!

Conducted by Micah Hanvey

Q: When and how did you first become interested in interior design?

A: My path to design was filled with twists and turns. My mom was a designer in Florida; however, I was very independent and interested in forging my own path. We never worked together until my firm collaborated with her on her new house just a few years ago.

I graduated from Middlebury College with a liberal arts degree and moved to New York City. I was interested in fashion design but took an office job at Donghia that I found through a friend’s older sister. Within two weeks, I was promoted and within a year or so, I managed customer service. I loved the textiles and furniture and met with Donghia’s management to voice that I was interested in moving into other areas. They were a firm that liked to promote good people from within, so I eventually went to school at night and worked in product development during the day. Within a few years, I became a director of the company in Product Development under Sherri Donghia. I worked with designers and traveled to our European and UK mills several times a year and had a dream job.  After 7 years, I wanted a change and went to work for a design firm in New York City that had a retail store. Then in my early 30s, my husband and I moved to Florida, and I opened my own interior design firm.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photo by Carmel Brantley
Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY

Q: How do you define your style?

A: Classic, not trendy. My firm is also unique in that we meet with clients to determine what they want in their home. How do they want to live in the spaces? – Is it for a lot of entertaining or a private family retreat? Given this, we don’t stamp our projects with a style but create a “look” and design for each that is a unique combination of my firm’s creativity and the client’s wishes and desires.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photograph by Daniel Newcomb
Photo by Carmel Brantley

Q: What designers inspire you?

A: Bunny Williams blends a wonderful mix of antiques and new furniture, which I find inspiring.

Q: What do you enjoy doing in your free time?

A: Reading, entertaining, and traveling. My father is a sailor, so we always sailed to exotic places like the South Pacific, Canada, Caribbean, New England, the Mediterranean, etc. on the family sailboat. I was one of four children, and we were a good crew. I have continued this tradition with my family, and we have been to some wonderful places: Europe, Africa, South America, and more (but not on a boat).

Photo by Carmel Brantley
Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY

Q: How did growing up in North Palm Beach, Florida influence your design style?

A: My mother was my influence. She would involve me in design selections and paint colors for my bedroom. One of my favorite drapery treatments was made in a Robert Indiana “Love” pattern drapery fabric in pink. She would let me move my bedroom furniture into different configurations and talk about the projects she worked on.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photo by Ron Rosenzweig
Photo by Jessica Bordner

Q: What enthused you to become involved in different organizations, such as Nicklaus Children’s Health Care and Red Cross, and how do you utilize your design firm to assist these organizations with their needs?

A: My mother was always involved in charity organizations and fostered the obligation that we must give back to our community. Florida was a small community in the 1960s. I have always done this in a variety of ways, including serving on boards, community activities and participating in Red Cross and Kips Bay Show Houses after my firm was founded.

Photo by Carmel Brantley
Photo by Jessica Bordner
Photo by Carmel Brantley

Q: As your design firm was founded in 1994, how do you think that your design style has changed over time from when you first began until now?  

A: That’s a good question to ponder. I have a lot more sources and capabilities due to a great team. We have more range in style and options to solve design requests as well as to search for pieces. The internet has also changed everything because we can access antiques, furniture, and lighting from all over the world in an afternoon, which was not possible when we began.

Photo by SARGENT ARCHITECTURAL PHOTOGRAPHY
Photo by Carmel Brantley

Thank you, Lisa, for participating in our Style Profile series!

To learn more, please visit Lisa Erdmann Interiors and follow @lisaerdmanninteriors on Instagram for ongoing inspiration.

Tuckernuck’s Redesigned Georgetown Flagship, Hill House Home x Pottery Barn, and Schumacher Revives Tillett Textiles

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Tuckernuck’s Redesigned Georgetown Flagship, Hill House Home x Pottery Barn, and Schumacher Revives Tillett Textiles. Written by Natalie Aldridge.

Tuckernuck’s Redesigned Georgetown Flagship

There are few things we love more than a beautiful shop reopening, especially when it’s one that already feels like a classic. Tuckernuck, the brand known for its polished, all-American sensibility, has officially reopened its Georgetown flagship on Wisconsin Avenue in a space nearly four times the size of its original 2016 location. The new store brings the brand’s signature charm to one of DC’s most iconic shopping streets, and does so with ease.

Tuckernuck

Photographs courtesy of Lesley Unruh. 

Tuckernuck
Tuckernuck

Designed by one of our favorites, CeCe Barfield Thompson, the space reads more like a thoughtfully layered Georgetown townhouse than a traditional retail store. From the de Gournay-lined foyer to a series of rooms, including a front parlor, living room, conservatory, and sunlit scullery, the layout invites a slower, more considered way of shopping. Each space has its own perspective on Tuckernuck’s world, blending ready-to-wear, accessories, and home into a cohesive, highly livable vision.

Tuckernuck
Tuckernuck
Tuckernuck

Beyond its beauty, the store is rooted in experience. Tuckernuck’s “old school” approach to retail comes to life through thoughtful details like private styling appointments, on-site monogramming, and concierge gifting. Even the dressing rooms are reimagined, with a hidden stylist closet designed to create an uninterrupted, personalized try-on experience.

Tuckernuck
Tuckernuck
Tuckernuck

The result is a space that feels both timeless and refreshingly current, grounded in Georgetown’s historic character while embracing the ease and energy of modern retail. It’s the kind of place you stop in for a quick browse and inevitably linger, whether for a spring wardrobe refresh or simply the pleasure of being in a beautiful space.

And if you cannot shop in person, check out Tuckernuck online… It’s one of our favorite shops!

Hill House Home x Pottery Barn

Pottery Barn has just partnered with Hill House Home, the brand beloved for its ultra-feminine sensibility! The collection feels like a natural extension of Hill House’s world, translating its signature charm into interiors that are equal parts nostalgic and fresh.

Hill House Home x Pottery Barn
Hill House Home x Pottery Barn
Hill House Home x Pottery Barn

Founded by Nell Diamond, Hill House Home has always been rooted in the idea of creating beauty in everyday rituals, and that ethos carries through here. Think delicate florals, scalloped edges, and classic patterns reinterpreted in a way that feels light and current rather than overly precious. There is a sense of ease to it all, as though these pieces were meant to be lived with, layered over time, and enjoyed daily.

Hill House Home x Pottery Barn

 

Spanning bedding, furniture, and decorative accents for PB Teen and Pottery Barn Kids, the collection feels just as at home in a child’s room as it does in any space throughout the house. Upholstered pieces, soft textiles, and small details like painted finishes and trim work give everything a collected, chic quality.

Hill House Home x Pottery Barn
Hill House Home x Pottery Barn

The collection leans into romance without becoming saccharine, and nods to tradition while still feeling relevant now. And while the collection was intended for kids and teen, we cannot wait to get our hands on it. For those drawn to interiors that feel personal, gentle, and a bit transportive, Hill House Home x Pottery Barn is perfect. Shop the full Hill House Home x Pottery Barn collection here!

Schumacher Revives Tillett Textiles

Some fabric houses never really fade, they simply wait for the right moment to return. Tillett Textiles, founded in 1946 by D.D. and Leslie Tillett, is stepping back into view following its acquisition by Schumacher, with a selection of its iconic prints now available on the Schumacher website.

Long favored by tastemakers like Jacqueline Kennedy, Sister Parish, and Albert Hadley, Tillett became known for its vivid, hand-screened patterns and distinctly American sense of charm. Designs like Jackie’s Daisy and Geranium feel just as fresh today.

Schumacher’s approach has been to preserve what made Tillett special rather than absorb it. The brand will continue its tradition of customization and hand-printing, while also expanding into new categories like wallpaper. At the same time, the rediscovery of hundreds of original screens, many unseen since the 1960s, adds a layer of excitement to what comes next.

It’s a thoughtful revival, one that honors the artistry and individuality at the heart of Tillett while introducing it to a new generation. For those who love color, pattern, and a bit of design history, it’s a welcome return. We are so excited to see what is to come of this heritage textile house as it enters a new era.

Shop this week’s inspired finds!

Read our favorite articles of the week!

A Historic Arkansas Farmhouse Comes Alive with Youthful Spirit and Daring Pattern written by Stephanie Hunt for Veranda.

Tour Bill Brockschmidt and Richard Dragisic’s Colorful French Quarter Cottage written by Mario López Cordero for Frederic.

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Spring Dresses to Complement Your Interiors

With the arrival of spring comes one of our favorite customs: the return of spring dresses. Below, we’ve gathered a selection of beautiful options for the season ahead, each paired with imagery from home and garden that reflects their colors, textures, and charm. Perfect for Easter, Mother’s Day, and everything in between, these are the dresses we’re currently admiring. Written by Natalie Aldridge.

Pink

River Spencer for Kips Bay Dallas. Photo by Paul Costello

Blue

Angela Geyer

Green

Shelley Johnstone’s Naples pied-à-terre, Photograph by Kevin Kerr

Yellow

Jenny Holladay, Photograph by Francesco Lagnese, courtesy of FREDERIC 

White

Hillary Taylor Interiors

Purple

Nina Liddle Design, Photograph by Jane Beiles

Welcome Spring!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge