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A Day in the Eighteenth Century at the Musée des Arts Décoratifs, GreenRow Opens Its First Store, and Atlanta Homes & Lifestyles’ 2026 Southeastern Designer Showhouse

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at A Day in the Eighteenth Century at the Musée des Arts Décoratifs, GreenRow’s first store opening, and Atlanta Homes & Lifestyles’ 2026 Southeastern Designer Showhouse. Written by Natalie Aldridge.

A Day in the Eighteenth Century at the Musée des Arts Décoratifs

The Musée des Arts Décoratifs in Paris is inviting visitors to step inside the world of an eighteenth-century hôtel particulier with its new exhibition, A Day in the Eighteenth Century: Chronicle of a Parisian Townhouse. Rather than presenting decorative arts as isolated objects, the show recreates the rhythm of daily life inside an aristocratic Parisian residence in the years leading up to the French Revolution.

Robe à l’anglaise — France, 1780–1785 White-ground silk Pékin with pink stripes and fine green zigzag stripes, embroidered with floral bouquets in silk threads © Les Arts Décoratifs / Christophe Dellière

Moving room to room, visitors follow the flow of the household from morning to evening, passing through spaces such as the dining room, gaming salon, and the boudoir. The exhibition shows how these interiors were not only beautifully decorated but designed for the rituals of social life, from leisurely mornings to lively evenings spent entertaining.

Design for a “Polonaise” Bed — Jean-Démosthène Dugourc (1749–1825) Paris, circa 1784–1790 Pen, black ink, watercolor on paper Inscription at lower left: J.D. Dugourc, inv. Del (date erased) Collection mark at lower right: Lugt 103b [Richard Wallace] © Les Arts Décoratifs / Christophe Dellière
Pug on a Cushion — Berlin Manufactory, Germany, circa 1760 Hard-paste porcelain, polychrome, gilding Mark under the base: blue sceptre © Les Arts Décoratifs / Christophe Dellière

More than 550 objects are included throughout the townhouse setting, from furniture and silver to ceramics, textiles, dress, and jewelry. Seen together, they give a fuller picture of the craftsmanship and refinement that made Paris the epicenter of luxury in the eighteenth century.

The Glam Pad adores opportunities to learn about interiors in this way, not just as beautiful rooms, but as history where daily life unfolded. Exhibitions like this offer a fascinating glimpse into how people lived, entertained, and moved through their homes centuries ago. A Day in the Eighteenth Century: Chronicle of a Parisian Townhouse is on view now through July 5, 2026.

GreenRow Opens Its First Store

There is a cheerful new arrival in New York City! GreenRow, the colorful home brand from Williams-Sonoma has opened its first brick-and-mortar shop, bringing the brand’s fresh and optimistic approach to interiors into a real-life setting.

GreenRow
GreenRow
GreenRow

The new space has been designed to feel more like a home than a traditional showroom, inviting visitors to slow down and wander through rooms that truly show GreenRow’s signature mix of joyful color, traditional forms, and thoughtfully crafted pieces. The full assortment is on display, including furniture, lighting, bedding, rugs, and tabletop, alongside original artwork and a small selection of vintage and found pieces.

GreenRow
GreenRow
GreenRow

What we particularly appreciate is the brand’s focus on responsible design. From FSC-certified wood furniture to upholstery made from natural materials, the collection centers on pieces designed to last and age beautifully over time. We love a good patina! It is a thoughtful approach that balances craftsmanship, timeless style, and comfort. To celebrate the opening, GreenRow hosted a grand opening weekend, with a portion of proceeds benefiting the New York Botanical Garden. If you happen to be strolling through SoHo, it is certainly worth popping in for a look, or shop online here.

GreenRow

Atlanta Homes & Lifestyles’ 2026 Southeastern Designer Showhouse

Spring showhouse season is upon us, and one event we always enjoy following is the Southeastern Designer Showhouse presented by Atlanta Homes & Lifestyles. Now in its eleventh year, the annual event returns April 16th through May 10th in Atlanta’s Chastain Park area, bringing together top designers from across the Southeast while supporting an important cause.

The newly built residence, designed by Hask Custom Homes in collaboration with architect Linda MacArthur and interior specification designer Claudia Stimmell, embraces a refined European transitional style which we love. Spanning roughly 8,000 square feet, the home pairs classic architectural details such as a brick façade, limestone accents, and a charcoal slate roof with interiors that feature curved plaster walls, herringbone wood floors, and richly layered  materials.

Nineteen designers have each taken on a space within the home, including rooms by Suzanne Kasler and Matthew Quinn, creating a incredible mix of interiors to explore. Visitors can tour the home throughout the run of the showhouse and enjoy a lively schedule of events, including designer panels, gardening classes, and floral arranging workshops. This year’s showhouse benefits Solidarity Sandy Springs, a local food pantry for families and individuals in the community. Tickets can be purchased here!

Read our favorite articles of the week!

How to Make Your Linen Closet Feel Like a Chic Boutique written by Sarah DiMarco for Veranda.

Visit Ellie Peugeot’s Home on a 500-Year-Old French Country Estate written by Eugenia Santiesteban Soto for Frederic.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Style Profile: Nina Liddle Design

Last fall, House Beautiful named designer Nina Liddle‘s Nantucket shop, Birdie, one of the 25 Best Home Stores in America for 2025, noting her darling accents “meant to bring beachday vibes into every home”. After nearly two decades of running her namesake firm, Nina brought her eclectic eye to the island’s historic downtown, creating a boutique that feels as layered and welcoming as one of her interiors.

Nina Liddle Design launched in 2007. Building off her sixteen-year career in real estate, she decided to make the change from selling homes to creating them. Her expertise extends from custom homes tailored to her clients’ preferences, to rental properties, to homes that her clients want to remodel and sell. Each project blends practicality and aesthetics, infusing Nantucket’s unique character into every design space.

Birdie, Photograph by Jane Beiles

Today, we are delighted to welcome Nina to The Glam Pad for a Style Profile Q&A as we pursue her charming portfolio and get to know more about her work. Welcome, Nina!

Written by Micah Hanvey.

Q: How has Nantucket impacted your design style? 

A: I grew up summering on Nantucket, where my family has roots, surrounded by antiques and artists who were deeply connected to the island. That early exposure instilled in me a love for both the history of its architecture and the beauty of its natural setting. After more than three decades living here year-round, the island continues to shape my work. Nantucket’s mix of history, natural beauty, and fresh modern perspective inspires me to design with balance—honoring authenticity while embracing individuality and color—creating spaces that feel timeless yet deeply personal.

Photograph by Matt Kisiday
Photograph by Matt Kisiday
Photograph by Jane Beiles
Photograph by Jane Beiles

Q:  Do you incorporate any inspiration from your home state of New Jersey into your designs?

A: I wouldn’t say my inspiration comes directly from New Jersey but rather from the homes I grew up in. Both of my parents had a strong love for art and antiques, and those pieces were always part of our surroundings. My mother had a passion for color. As a child, I didn’t always appreciate it, but as an adult, I can clearly see how much her boldness and eye for color has influenced me.

Photograph by Jane Beiles
Photograph by Matt Kisiday
Photograph by Matt Kisiday

Q: What kind of insight did your background in real estate provide to you in order for you to create your designs?

A: Real estate gave me a strong foundation for understanding how people live in their houses and what truly adds value, not just financially but emotionally. It trained me to see space differently, how rooms flow together, how light shifts and how a home can evolve with its owners. That perspective translates into designing spaces that aren’t just beautiful but also deeply livable and long lasting. 

Photograph by Jane Beiles
Photograph by Jane Beiles
Photograph by Jane Beiles

Q: What projects are you working on next that we can look forward to?

A: We are working on several exciting projects – redesigning and decorating a classic Sconset cottage, new construction projects in Brant Point, Pocomo and in the Town of Nantucket. 

Photograph by Jane Beiles
Photograph by Jane Beiles
Photograph by Matt Kisiday

Q: Are there any designers who inspire you?

A: I’m endlessly inspired by the artistry of Kit Kemp. She is an absolute genius layering colors and patterns. I also turn to Jeffrey Bilhuber, Gil Schafer as well as Steven Gambrel when looking for inspiration.

Photograph by Jane Beiles

Q: What project have you done that has been your favorite?

A: It’s impossible to choose just one. Each project is tied to the people behind it, and that’s what makes them special. We have developed long standing relationships with so many of our clients. That said, I always love the homes where the client trusts the process, allows color, pattern and individuality to shine through. Those projects tend to capture the essence of what I do.

Photograph by Jane Beiles
Photograph by Jeffrey Allen
Photograph by Jane Beiles

Q: What room is typically your favorite to design?

A: Living rooms and kitchens because they’re the heart of the home. They bring people together, and they’re where design has the power to enhance not only beauty but also daily rituals. I love layering textiles, color and furniture in a way that makes those rooms both inviting and full of personality.

Photograph by Matt Kisiday
Photograph by Jane Beiles
Photograph by Jane Beiles
Photograph by Matt Kisiday

Q: How do you define your style?

A: My style resists being pinned down to one formula, I would describe it as curated, colorful and deeply personal. I don’t believe in imposing a singular look – instead, I work to uncover each client’s unique design language and translate that into spaces that are as functional as they are beautiful. For me, style is about individuality elevated with artistry.

Nina Liddle

Thank you, Nina, for joining us today, your interiors are certain to put a smile on everyone’s face!

For more information, please visit Nina Liddle Design, and follow @ninaliddledesign on Instagram for ongoing inspiration. Also be sure to visit Birdie the next time you are on Nantucket, or click here to shop online!

Biltmore House, the Design Emporium Collective on Fifth, and Dôen Opens on Madison Avenue

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Dôen’s new Madison Avenue store, Rizzoli’s Biltmore House, and the Design Emporium Collective on Fifth. Written by Natalie Aldridge.

Biltmore House: The Interiors and Collections of George W. Vanderbilt

There are few homes in America as storied as Biltmore Estate, the monumental Gilded Age château built by George Washington Vanderbilt II in the mountains of North Carolina. Now a new book, Biltmore House: The Interiors and Collections of George W. Vanderbilt, offers a fresh look inside the legendary residence and the extraordinary collections that have defined it for more than a century.

The east facade of Biltmore House from the Vista. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt
The walls of the Breakfast Room are covered with tooled leather above a marble wainscoting and are decorated with modern paintings from George Vanderbilt’s collection. A concealed door to the right of the fireplace leads to the Butler’s Pantry, where tableware was stored. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt

Designed by Richard Morris Hunt and surrounded by landscapes created by Frederick Law Olmsted, Biltmore remains the largest privately owned house in the United States and one of the most remarkable expressions of Gilded Age ambition. At the center of it all is a 250-room French Renaissance–inspired château filled with art, tapestries, rare books, and decorative objects Vanderbilt collected during his travels through Europe.

Edith Vanderbilt (far left) and George Vanderbilt (far right) enjoying tea on the Loggia with family and friends, 1903. The art collector Isabella Stewart Gardner is pictured third from right. Copyright: The Biltmore Company Archives courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt
George Vanderbilt’s bedroom, looking southwest. Light fixtures for the room were sketched by the Hunt firm, their details approved by Vanderbilt. Copyright: William Abranowicz (Art + Commerce) Page 176: Louis XV Bedroom courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt

This new book, written by Darren Poupore and Laura C. Jenkins with photography by William Abranowicz, invites readers beyond the grand spaces we all recognize and into the more intimate corners of the house. The Banquet Hall, Winter Garden, Tapestry Gallery, and Library all make an appearance, alongside rooms that reveal how the house actually functioned as a home.

A Régence giltwood mirror installed above a marble chimneypiece in the Louis XV Room, one of the grandest guest bedrooms at Biltmore House. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt
he Loggia overlooking the Deer Park. The highest peak, Mount Pisgah, can be seen in the distance. Copyright: William Abranowicz (Art + Commerce) courtesy of Rizzoli for Biltmore House: The Interiors and Collections of George W. Vanderbilt

What makes the book especially exciting is that it is the first major publication on Biltmore in more than three decades. With new photography and stories, it gives a closer look at the vision that made the estate one of the most fascinating houses in America.

Biltmore House: The Interiors and Collections of George W. Vanderbilt

For anyone who loves historic interiors, remarkable collections, or simply the romance of a truly grand home, this is the kind of book that invites you to settle in and linger for a while.

Dôen Opens on Madison Avenue

A new boutique has arrived on Madison Avenue just in time for spring! Dôen, the beloved California label known for its romantic and vintage-inspired silhouettes, has opened its newest storefront uptown, bringing a touch of breezy West Coast ease to one of New York’s most storied streets.

 

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A post shared by Nickey Kehoe (@nickeykehoe)

Founded by sisters Margaret and Katherine Kleveland, Dôen has built a devoted following around pieces that feel nostalgic and effortless. Floaty dresses, delicate florals, and softly structured separates have become signatures of the brand, making for pieces that feel almost like you could have inherited in them.

 

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A post shared by D Ô E N (@shopdoen)

The Madison Avenue boutique reflects that same sensibility. Designed by Nickey Kehoe, the space feels warm and inviting rather than overly polished, encouraging visitors wander and discover slowly. With its layered textures, thoughtful details, and relaxed atmosphere, the shop feels more like a beautifully considered home than a traditional retail space.

The DÔEN Sebastiane Skirt, inspired by an Edwardian-era trousseau

The opening also feels particularly well timed for the season ahead. As New York begins to shake off winter and welcome longer, brighter days, I am pining of a an airy Dôen dress. Be certain to check out the new shop, either in person or online!

The Design Emporium Collective on Fifth

London’s Design Centre, Chelsea Harbour has unveiled an exciting new destination for design discovery: the Design Emporium Collective on Fifth. Located on the fifth floor of Design Centre East, the space brings together a curated mix of international makers and brands under one roof, creating a vibrant hub for designers, architects, and collectors alike.

Nineteen design brands each occupy their own dedicated space within the emporium, creating an environment that feels part showroom, part treasure trove. From beautifully crafted furniture and lighting to textiles and decorative objects, the collective celebrates craftsmanship and originality while creating a dynamic place to discover pieces you simply won’t find anywhere else.

Among the names featured are Boura & White, Gaze Burvill, Kathryn M. Ireland, The Soho Lighting Co., and Unnatural Flooring, alongside the Design Centre’s Source service showcasing an impressive selection of china and glass. For those who love wandering through beautifully curated interiors and discovering new design treasures along the way, it promises exactly the sort of inspiring experience we adore. And as an interior designer, I cannot wait to explore these new resources! If you find yourself in London, be certain to check it out.

Read our favorite articles of the week!

How to Shop Etsy Exactly Like an Interior Designer written by Lauren Wicks and Sarah DiMarco for Veranda.

How “Love Story” Recreates the Iconic ’90s Style of Carolyn Bessette, JFK Jr., and Jackie O written by Cathy Whitlock for Frederic.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Flowering Outdoors: Gardens & Parties

Spring is in the air, and Flower magazine, the authority on all things floral, has just released a breathtaking new coffee table book brimming with inspirational ideas to enliven outdoor home spaces. So many of The Glam Pad’s favorite designers and floral experts are featured in Flowering Outdoors: Gardens & Parties, including Meg Braff, Kate Rheinstein Brodsky, James Farmer, Mary Celeste Beall, Bettie Bearden Pardee, India Hicks, Michael Devine, Courtnay Tartt Elias, Frances Schultz and more. There’s even a peek around the tennis court and garden of Liz Lange’s exquisite restored and legendary Grey Gardens in East Hampton. These tastemakers share their joy of flowers and entertaining alfresco in outdoor spaces such as terraces, dining pavilions, and loggias in a variety of locations, from city balconies and country patios to mountain and seaside settings

Mary Hollis Huddleston and Katie Jacobs, Mah-Jongg in the Garden

This beautifully photographed book concludes with a primer on garden elements including architecture, statuary, furniture, and live sculpture, as well as advice on assembling simple arrangements for parties. Inspirational and instructive, it is a must-have for flower enthusiasts, home decorators, gardeners, and haute hosting.

Mary Hollis Huddleston and Katie Jacobs, Mah-Jongg in the Garden

Let’s take a peek inside Flowering Outdoors: Gardens & Parties, written by Margot Shaw, founder and editor in chief of Flower magazine, with foreword by Bunny Williams. Images provided by Rizzoli.

Mary Celeste Beall, Blackberry Farm
Bettie Beardon Pardee, Private Newport
Liz Lange, Grey Gardens
Sharon Santoni, Normandy, France
Flowering Outdoors: Gardens & Parties

“Although I have many, many books, this is one I am adding to my collection since I never tire of looking at inspirational images of gardens and tablescapes, which encourage me to be more creative,” Bunny Williams.

Click here to order your copy of Flowering Outdoors: Gardens & Parties!

ABOUT THE AUTHOR
Based in Birmingham, Alabama, Flower magazine was founded by Margot Shaw, who has also been the editor in chief since 2007. It has a readership of over 475,000 and is the leading authority on all things floral—from flower arrangements to gardens and inspired botanical decorating. Lydia Somerville is a contributing editor for Flower magazine. Bunny Williams, considered one of the most talented names in design, is an accomplished businesswoman and philanthropist. She is the author of Rizzoli’s Bunny Williams: Life in the Garden.

For more floral goodness from our friends at Flower magazine, be sure to check out a newly released video tour of the exquisite 2025 FLOWER Nashville Showhouse! FLOWER enlisted 23 design firms from across the country to take the freshly updated rooms of this Belle Meade house and transform them into spaces bursting with ideas and inspiration. Watch the video tour, see designer profiles, and check out their sources below…

Dorothy Draper & Company x The Beaufort Bonnet Company, David Flint Wood and India Hicks for Wallshoppe, and the Enchanting Interiors of Bunny Mellon

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Dorothy Draper & Company x The Beaufort Bonnet Company, David Flint Wood and India Hicks for Wallshoppe, and the Enchanting Interiors of Bunny Mellon. Written by Natalie Aldridge.

Dorothy Draper & Company x The Beaufort Bonnet Company

There is something endlessly exciting about watching the Dorothy Draper legacy reappear in new places. The new collaboration between The Beaufort Bonnet Company and Dorothy Draper & Company feels like exactly that kind of surprise, a little bit polished, a little bit punchy, and entirely unafraid of color.

T.B.B.C. x Dorothy Draper
T.B.B.C. x Dorothy Draper

Dorothy Draper & Company has long stood for big florals, fearless palettes, graphic stripes, and a certain unapologetic glamour. Seeing that language translated into Beaufort Bonnet’s crisp, preppy universe feels perfectly natural. The prints feel lifted from a Palm Beach fantasia, all lively and classic, but grounded in silhouettes that are easy and wearable.

T.B.B.C. x Dorothy Draper
T.B.B.C. x Dorothy Draper

What makes it fun is the sense of lightheartedness. Nothing feels overly precious or overly styled. It is cheerful, yes, but also self-assured. The kind of pieces you imagine wearing on a sunny afternoon without overthinking it, perhaps while standing in front of a trellis wall Draper herself once made iconic.

T.B.B.C. x Dorothy Draper
T.B.B.C. x Dorothy Draper

More than anything, it is a reminder that great design legacies have range. They can live in architecture, interiors, textiles, and occasionally in your closet. And when they do, they should feel just as spirited as ever. The full collection is available here!

David Flint Wood and India Hicks for Wallshoppe

We have long loved India Hicks for her distinctly English roots paired with a chic island sensibility, so her latest collaboration with Wallshoppe, alongside her husband, David Flint Wood, immediately caught our attention. It feels entirely like a melding of minds, with both India and David represented so well. Polished but relaxed, rooted in tradition yet kissed by sea air.

Having lived on a small island for three decades, Hicks’ style lends itself to the tropical grit of island life, yet England remains her internal compass. That duality shapes the collection. Paradise here is not unruly or overly tropical. It is orderly, layered, and occasionally just slightly eccentric. There is symmetry, a tad bit of restraint, and the richness of island life.

Even when the palette drifts toward sun-washed hues, there is structure beneath it that feels distinctly English. The designs feel collected rather than contrived, textured rather than trendy. They are meant to be enjoyed daily, not admired nervously from across the room, which, if we are honest, is exactly how the best interiors should function.

We also love the spirit behind the collaboration, not only between David and India, but between the pair and Wallshoppe. India describes working with the Wallshoppe team as an ongoing conversation, and that ease shows. The collection does not feel overworked but easy and lived in. In short, it is India Hicks distilled. English discipline softened by island light. Launching on March 2nd, the collection will be available here.

The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell

We have long admired and written about the inimitable style of Bunny Mellon, so the arrival of The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell feels especially meaningful to us. Published by Rizzoli, the book offers a rare and intimate glimpse into rooms that have become enduring benchmarks of American style.

The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli, p.122
The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli, p.6

Rather than presenting the interiors through glossy photography, the book features the watercolor paintings of Snowy Campbell, who was commissioned by Mellon in the 1970s to document several of her residences. The paintings capture not only color, furnishings, and arrangement, but also the light and rhythm of her interiors in a way that feels deeply personal. They’re remarkably transportive, fun, and a touch wacky.

The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli, p.91
The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli, p.50

Mellon’s homes in New York, Washington, and Upperville have long been studied not only for their gardens, but for their effortless, traditional interiors with an unbelievable atmosphere. A masterpiece hung with restraint, a textile chosen for nuance rather than trend, a room that feels collected over decades. It is a way of decorating that values connoisseurship and ease in equal measure.

The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli, p.45
The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli, p.46

There is something especially meaningful about seeing these interiors translated through watercolor. The medium softens the edges and invites you to linger, reinforcing what we have always admired about Bunny Mellon. True elegance, deep consideration, and spaces that are meant to be lived in. Click here to purchase.

The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, Rizzoli

Read our favorite articles of the week!

The Best Etsy Shops, Chosen by Interior Designers and Our Editors written by Christabel Chubb and Tilly Wheeler.

Tour a New York Apartment Where Uptown Sophistication Meets Fearless Decorating written by Kathleen Hackett for Frederic.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Inside the 9th Annual Kips Bay Decorator Show House Palm Beach

Written by Natalie Aldridge.

The doors are officially open to the 9th Annual Kips Bay Decorator Show House Palm Beach, and this year’s presentation feels more dazzling than ever. For the first time, twenty-three designers have transformed not one but two remarkable properties, the waterfront Intracoastal House and the charming Palm Cottage in Northwood Shores, into a layered showcase of creativity, craftsmanship, and unmistakable Palm Beach glamour.

Bell Design
Bell Design, Photograph by Carmel Brantley

Inside, each space becomes its own world, with every room telling a distinct story shaped by its designer and expressed through rich detail. Jewel-box sitting rooms, theatrical guest suites, serene indoor–outdoor entertainment spaces, and neoclassical passages lead from one transportive moment to the next. The result is a house that balances fantasy with livability, infused an elegance and refinement that feel inherently Palm Beach.

As always, the beauty serves a larger purpose. Proceeds from the show house benefit the Kips Bay Boys & Girls Club and the Boys & Girls Clubs of Palm Beach County, supporting essential educational and developmental programs for the youth, a philanthropic legacy that has defined the event for decades.

Open now through March 24th, this year’s show house features work by Alexander Interiors, Amy Young Designs, BAMO, Inc., Bell Design, Inc., Colleen Rosar Design, Danielle Balanis Design, EERDMANS, Firefinish Interiors, Justin P. Moreland Interiors, Kate Ives Design, Lisa Erdmann Interiors, Lopez Group Inc., Lori Morris Design, LTA Interiors, Pappas Miron Design, River Brook, Sherrill Canet Interiors, Sire Design, Steven Walsh Design, Tartan & Toile, The Lewis Gallo Design Group, Wecselman Design, and Yarn Design Associates, a remarkable roster proving once again that great design can inspire, delight, and give back in equal measure.

Take a peek inside! Photography courtesy of Nickolas Sargent, unless otherwise noted.

Alexander Interiors
Alexander Interiors
Colleen Rosar
Colleen Rosar
Colleen Rosar
Danielle Balanis Design
Danielle Balanis Design
Danielle Balanis Design
EERDMANS
EERDMANS
EERDMANS
Justin Moreland Interiors
Justin Moreland Interiors
Justin Moreland Interiors
Kate Ives Design
Kate Ives Design
Kate Ives Design
Lewis Gallo Design
Lewis Gallo Design
Lewis Gallo Design
Lisa Erdmann Interiors
Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
Lisa Erdmann Interiors, Photograph courtesy of Carmel Brantley
Lori Morris
Lori Morris
LTA Interiors
LTA Interiors
River Brook
River Brook
River Brook
Sire Design
Sire Design
Tartan Toile
Tartan Toile
Tartan Toile
Tartan Toile
Bell Design

Be certain to visit the Kips Bay Decorator Show House Palm Beach. Tickets can be purchased here!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

The 6th Annual Mark Hampton Lecture, John Derian Spring Decoupage Collection, and Paige Spearin for Lycette

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at the 6th Annual Mark Hampton Lecture, the John Derian Spring Decoupage collection, and Paige Spearin for Lycette. Written by Natalie Aldridge.

The 6th Annual Mark Hampton Lecture

The design calendar is never short on lectures, but the Mark Hampton Lecture remains one of the few that feels truly worth circling. Hosted by the Institute of Classical Architecture & Art, the 6th Annual Mark Hampton Lecture takes place February 25th at the General Society Library, honoring the legacy of the legendary decorator whose work helped define a distinctly American vision of elegance.

 

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A post shared by Alexa Hampton (@alexahamptoninc)

This year’s program brings together Steven Gambrel in conversation with Alexa Hampton, a pairing that feels especially fitting. Gambrel’s interiors are celebrated for their layered ease, while Hampton continues the classical tradition championed by her father, Mark Hampton, with a sensibility that balances rigor and livability.

 

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A post shared by Steven Gambrel (@stevengambrel)

What makes the evening particularly appealing is its focus. This is not nostalgia for tradition, but a conversation about proportion, craftsmanship, and why rooms grounded in classical principles are so important. For those who believe in timeless design and beauty, make sure to purchase your tickets here. It will be a fun night of discussion, mingling, and inspiration.

John Derian Spring Decoupage Collection

Few objects possess the charm of John Derian’s decoupage, and the new Spring 2026 collection reminds us why his work has become such a beloved presence in well-layered homes. Rooted in antique prints and ephemera, his pieces carry a sense of history that we so cherish at The Glam Pad. This collection leans into the poetic and the curious, with botanical studies, insects, maritime imagery, animals, and fragments of 18th and 19th century illustrations translated onto trays, plates, paperweights, and small tabletop objects. The imagery feels both archival and playful, the sort of visual language that feels collected, meaningful, and deeply personal.

John Derian’s process remains central to the appeal. Each piece begins with antique imagery sourced from his vast personal archive, then layered by hand under glass by artisans in his New York studio. The result is something that sits between object and artifact, familiar yet transportive to another time. What makes the spring collection especially delightful is its sense of discovery. A butterfly study might sit comfortably beside a floral plate, while a tiny tray featuring a ship or trade card feels like a small treasure uncovered in a curiosity cabinet. These are objects that encourage collecting rather than decorating, layering rather than matching.

At The Glam Pad, we have always believed that the most interesting interiors are collected over time, built from pieces that carry narrative and memory. This spring decoupage collection fits effortlessly into that philosophy and we cannot wait to get our hands on a piece or two. The full collection can be shopped here. And click here to read our Style Profile Q&A with John Derian to learn more about his delightful world of whimsey.

Paige Spearin x Lycette

We are so excited about the new Lycette needlepoint collection created in collaboration with artist Paige Spearin! Known for her whimsical hand, bunny characters, and punchy sense of color, Paige brings a playful sophistication to Lycette Designs’ beloved canvases that feel timely, collectible, and so much fun.

The collection is a joyful mix of motifs that nod to coastal living, sport, culture, and a touch of cheeky glamour. Think skiing bunnies, Honey Duces, mermaids, Palm Beach-ready scenes, and much more all with Paige’s iconic painterly lightness. These are not your grandmother’s needlepoint canvases, though they carry the same sense of tradition and care.

What makes the collaboration especially appealing is how it bridges craft and personality. Needlepoint has long been associated with patience and tradition, yet Paige’s designs introduce wit and a contemporary sensibility, meaning the finished pieces feel perfectly at home in a layered interior or tucked into a beach house bar.

There is something particularly satisfying about a craft that asks you to slow down while producing something joyful. Whether worked stitch by stitch or simply admired for their charm, these designs bring a welcome sense of levity to the world and are a must have. Shop the full collection here.

Read our favorite articles of the week!

Almost Every Piece in This Layered Arkansas Home Was a Lucky Antique Find written by Alyssa Longobucco of House Beautiful.

Queen Elizabeth’s Childhood Doodles and Handwritten Letter Are Headed to Auction written by Alexandria Sillo for Galerie Magazine.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Classic Country Style in Bedford, New York

Nestled in the picturesque town of Bedford, New York, Jennifer Hunter Design was tasked with designing a country home that blends family-friendly functionality with timeless, traditional style. The 4,100-square-foot home (plus a small stable) serves as a serene country retreat for a young family seeking an escape from the fast pace of city life. The vision came to life through the thoughtful layering of classic furnishings, playful patterns, and pops of color. Natural textures, such as warm woods, washed linens, and woven accents anchor the spaces, adding richness, classic country style, and a sense of ease throughout.

The result is a home that feels elevated yet welcoming, perfectly suited for laid-back weekends, family gatherings, and memory-making for years to come. Let’s take a peek inside with photography by Kirsten Francis and styling by Frances Bailey.

“My team and I worked closely with the client to bring to life a charming, family-friendly retreat that captures the warmth and ease of country living,” said Jennifer. “Infused with pops of color, artful wallpaper, and richly layered textures and patterns, the home strikes a balance between timeless tradition and effortless livability. While the overall aesthetic leans elevated and classic, every detail was thoughtfully chosen to feel approachable, not too precious, always inviting, and perfectly suited for relaxed family life in the country.”

To see more of Jennifer’s work, please visit Jennifer Hunter Design and follow @jenniferbeekhunter on Instagram for ongoing inspiration. You can also learn more about here via our Style Profile Q&A and tour the delightful New York City rental Jennifer customized with English Charm for photographer Jacqueline Clair here.

Kips Bay Decorator Show House Palm Beach, Dorothy Draper x Stubbs & Wootton, and Gainsborough: The Fashion of Portraiture

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Dorothy Draper x Stubbs & Wootton, Kips Bay Decorator Show House Palm Beach, and Gainsborough: The Fashion of Portraiture. Written by Natalie Aldridge.

Dorothy Draper x Stubbs & Wootton

There are certain names in American design that need little introduction, and Dorothy Draper is undoubtedly one of them. Known for her fearless use of color, theatrical scale, and unapologetic glamour, Draper helped define a distinctly optimistic vision of decorating that continues to influence interiors today. Debuting February 16th, Dorothy Draper & Company unveils an exclusive collaboration with Stubbs & Wootton, the beloved loafer house long associated with polished, personality-driven dressing. The collection feels like a natural meeting of minds, bringing together Draper’s iconic decorative language with Stubbs & Wootton’s classic silhouettes.

Dorothy Draper x Stubbs & Wootton
Dorothy Draper x Stubbs & Wootton
Dorothy Draper x Stubbs & Wootton

The result is a lineup that feels equally suited to Park Avenue as it does to Palm Beach. There is a sense of ease paired with a touch of glamour, the kind that suggests confidence rather than excess. Much like Draper’s interiors, the designs understand that tradition need not be quiet and that elegance is often at its best when it carries a bit of wit.

Dorothy Draper x Stubbs & Wootton

The collection reads exactly as one might hope. Polished but not rigid, expressive without feeling overdone, and equally at home on Park Avenue or in Palm Beach. It carries that particular kind of American glamour that feels effortless. Much like the interiors of Dorothy Draper & Company, the designs understand that tradition need not be quiet and that elegance is often at its best when it carries a bit of wit and a lot of color.

Dorothy Draper x Stubbs & Wootton

At a moment when fashion and interiors continue to borrow from one another, this collaboration serves as a reminder that great style transcends category. Whether worn in the city or seaside, these loafers channel a spirit that is unmistakably Dorothy Draper. Make sure to snag a pair here on Monday when they drop!

Kips Bay Decorator Show House Palm Beach

Anticipation is building for the Kips Bay Decorator Show House Palm Beach, opening on February 24. Newly released renderings provide an early look inside, hinting at the layered interiors and distinct perspectives we have come to look forward to each year.

Renderings always carry a particular kind of excitement. They offer just enough to spark curiosity while leaving room for imagination, hinting at material palettes, and the moods each designer hopes to create. If these early previews are any indication, this year’s rooms point to an intriguing blend of classic Palm Beach sensibility and new ideas, balancing tradition with a more current perspective.

At The Glam Pad, we always relish this moment of preview, when ideas begin to take shape and the creative direction of the house starts to reveal itself. Today, we are sharing a sneak peek at a few of the rooms we are especially excited to see come to life once the doors officially open.

Lewis Design Group
Colleen Rosar Design
Danielle Balanis
Emily Eerdmans
Kate Ives Design
Justin P. Moreland Interiors

Gainsborough: The Fashion of Portraiture

This past Tuesday evening, The Glam Pad had the pleasure of attending the opening of Gainsborough: The Fashion of Portraiture at The Frick Collection, a show that feels both impeccably timed and revelatory. The exhibition, the first in New York devoted entirely to Thomas Gainsborough’s portraiture, brings together more than two dozen paintings from the Frick’s collection alongside important loans from across North America and the United Kingdom.

What makes the presentation particularly compelling is its focus on the relationship between portraiture and fashion in eighteenth-century Britain. Clothing was far more than adornment; it was deeply tied to ideas of identity and status. For Gainsborough, painting a silk gown, lace cuff, or embroidered coat was never merely decorative. It was integral to the narrative each sitter wished to project. His signature, featherlight brushwork give fabrics a remarkable luminosity, while pose and gesture reveal the subtleties of personality. Together, the works trace the shifting social landscape of Georgian Britain.

The intimate setting of the Frick only heightens the experience of these incredible portraits. It was an elegant evening and a fitting debut for an exhibition that reminds us how closely art, fashion, and identity have always been intertwined. Gainsborough understood this instinct intuitively, capturing not only likeness but presence, and in doing so, created paintings that continue to feel remarkably alive. On view on through May 25th, make sure to book a time to see this thought provoking exhibition.

Read our favorite articles of the week!

7 Style Icons Who Shaped the Face of Interior Design—and How to Get the Look written by Rachael Burrow Rummel, Catherine Smith and Susan Hall Mahon for Veranda.

Visit an Anglophile’s Charm-Steeped, Collection-Filled Texas Home written by Fiona McCarthy for Veranda.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Step Inside A Beautiful Home Studio and Journaling Ministry

Each January, The Glam Pad enjoys exploring “anti-trends” for the coming year… classic timeless design and societal principles that are happily making a comeback. For the past two years, we have been delighted to see a rise in home office decor, analogue journaling of all forms, and Bible sales, and Nanda Anderson’s “Paper Ministry” – The Apple of His Eye – embraces all three of these things!

As a teen facing fear and panic, Nanda struggled to find her purpose. God met her through the words of Psalm 17:8, “Keep me as the apple of Your eye; hide me under the shadow of Your wings.” This verse wrapped around her heart like a warm embrace, and is the inspiration behind her Paper Ministry, which is available to shop on Etsy and via ongoing freebies through her Instagram account. Everything Nanda designs flows from Scripture, prayer, and the quiet moments inspired by God’s peace and inspiration. Her journals, tags, pockets, florals, and vintage papers are more than just supplies, they are reflections of His tenderness, His beauty, and His presence in my story.

Nanda Anderson, Apple of His Eye Paper Ministry

Nanda also shares tours and inspiration from her beautiful home studio, which is currently featured in the Spring 2026 issue of In Her Studio Magazine. Nanda lovingly describes her studio as “a cozy, peaceful refuge, where cottage charm meets Scripture, where floral textures and soft pastels remind you of His goodness, and where creativity becomes worship,” and we couldn’t agree more.

We are delighted to welcome Nanda today for a Q&A and a peek inside her studio and creations! Welcome, Nanda!

Q: HOW DID YOU GET STARTED IN PAPER CRAFTING AND FAITH JOURNALING?

A: For as long as I can remember, I’ve loved crafting—especially anything involving paper. Even when I was very young, I was drawn to creating and collecting. I still have pen-pal letters from friends all the way back to first grade, so the love for paper and handwriting has always been there.

My teenage years were a rough path for me. I drifted away from my Lord, and in the middle of my despair and the desperation of struggling with panic attacks (and of course, there’s so much more to that story of salvation and deliverance), God gently reminded me of this talent He had placed in me long ago. In His mercy, God brought that gift back to my attention. It was as if He reminded me of the talent He placed in me when I was just a little girl.

That’s really when faith journaling began for me. I remember specifically praying and telling the Lord that I wanted to serve Him in some way. In that moment, He reminded me how much joy crafting had always brought me. Since then, I truly believe He’s the one who gives me the ideas. Every layout, every page, every creative thought feels like something He placed there. When it comes alive on paper, I’m reminded that He is the true Creator. I’m simply using the gifts He planted in me to honor Him.

Q: WHAT INSPIRED YOU TO START YOUR ETSY SHOP, THE APPLE OF HIS EYE PAPER MINISTRY? CAN YOU TELL US ABOUT YOUR MOST POPULAR JOURNALING PROJECTS AND HOW YOU CREATE YOUR DESIGNS?

A: What many people don’t know is that I actually had my Etsy shop years ago—long before I ever imagined doing paper ministry work. Back then, I made jewelry and sold it through the same shop. Eventually, I closed it for several years as life shifted and seasons changed.

When the Lord restored my love for paper crafting, He also stirred something new in my heart. I felt led to reopen my shop, not for jewelry this time, but for what I truly love creating: paper designs that can be used for journaling, reflection, and time with the Lord. That desire to share the gift He placed in me and to encourage others in their walk with Him is what inspired me to bring The Apple of His Eye Paper Ministry to life.

Interestingly, my most popular designs aren’t even in my shop. The Lord placed a very specific assignment on my heart: to create SWP (Scripture Writing Plan) pages completely free for anyone who wants to write scripture. It’s a ministry, not a product. I often remind everyone who joins an SWP that we don’t need fancy paper, fancy pens, or a Pinterest-perfect studio. The Word of God is more than enough.

My design process is very prayerful. Every idea, every pattern, color palette, or layout—I genuinely believe He places it in my heart. I simply bring it to life on paper.

Q: WE ARE FINDING THAT PEOPLE ARE INCREASINGLY HUNGRY TO PHYSICALLY CONNECT WITH LIKE-MINDED INDIVIDUALS. CAN YOU TELL US MORE ABOUT THE WOMEN’S RETREAT YOU HOST OUTSIDE OF HOUSTON?

A: I completely agree—people are craving real, face-to-face connection more than ever, especially within faith and creative communities. The women’s retreat I helped host outside Houston is a beautiful example of that.

I was asked by my church to serve in this way, and I couldn’t say no. It became one of the most meaningful experiences I’ve been part of. At the retreat, we gathered together and created a journal that I designed specifically for the event. Watching the women write, reflect, pray, and create was incredibly moving—a reminder of how powerful community can be.

Even before this retreat, I had been hosting craft gatherings in my home. What started as a small group of women coming together to create, talk, and share quickly grew. I’m now transforming our living room into a dedicated space for hosting so we can welcome even more women for fellowship, creativity, and time spent in God’s Word. There is something powerful about women sitting side by side, crafting, encouraging one another, and simply being together.

Q: YOUR HOME STUDIO IS ABSOLUTELY STUNNING! WHERE DID YOU FIND THE INSPIRATION FOR THE SPACE AND THE DESIGN?

A: Thank you so much. This room has gone through countless changes over time. My inspiration shifts and grows almost daily, so the space evolves right along with me. It’s fun, and sometimes a little frustrating, because the vision in my heart is always expanding.

What inspires me most is paper—different textures, colors, patterns, old pages, and vintage scraps. I also draw so much inspiration from my vintage finds. Thrifting old postcards, handwritten letters, vintage Bibles, and worn books fills my studio with character and meaning. Each piece carries history and contributes to a space that feels deeply personal and endlessly inspiring.

Q: WHAT TIPS DO YOU HAVE FOR OTHER JOURNALERS AND CRAFTERS ON HOW TO BEST ORGANIZE THEIR MATERIALS?

A: Honestly, my studio is not always perfect. There are days when paper and tools are scattered everywhere, and I’ve learned to embrace that as part of the creative process.

One habit that helps tremendously is giving everything a “little home.” Writing supplies stay at my writing desk, and design tools stay at my computer desk. I also try to put things back in their place as soon as I’m done using them. Small bins, trays, and baskets make supplies feel intentional and easy to navigate.

Most importantly, don’t pressure yourself to have a perfect studio. Creativity can be messy, and that’s okay.

Q: WHAT ADVICE WOULD YOU GIVE TO SOMEONE INTERESTED IN BEGINNING FAITH JOURNALING?

A: My biggest piece of advice is simple: just start writing. You don’t need beautiful paper, expensive pens, or a perfectly set-up studio. I began with a basic composition notebook and a desire to draw closer to God.

Start where you are. Write small notes in your Bible, jot down a verse, or keep a simple notebook for conversations with God. This is a heart practice before it is a creative one.

Q: FOR THE SECOND YEAR IN A ROW, WE ARE SEEING RECORD INCREASES IN BIBLE SALES THROUGHOUT THE U.S. HOW CAN THE APPLE OF HIS EYE PAPER MINISTRY BLESS NEWCOMERS AND SEASONED CHRISTIANS ALIKE?

A: It’s beautiful to see so many people turning to God’s Word. One way The Apple of His Eye Paper Ministry hopes to bless both newcomers and seasoned believers is through the free SWP (Scripture Writing Plan) pages the Lord placed on my heart to create.

Writing scripture is a gentle way for newcomers to begin spending time in the Bible and a meaningful way for seasoned believers to slow down and meditate on God’s truth. Being able to offer these pages at no cost allows me to honor Jesus Christ by using the gifts He placed in me to serve others.

Q: FROM JOURNALING AND PAPER CRAFTING TO INTERIOR DESIGN, HOW DO YOU DESCRIBE YOUR AESTHETIC AND WHERE DO YOU GO FOR INSPIRATION?

A: My studio blends many eras and styles. I’m deeply drawn to vintage books, handwritten letters, antique décor, and soft, worn textures. I love mixing those elements with modern finds and a touch of whimsy.

I’m inspired by Little Women, Pride & Prejudice, thrift stores, vintage paper, and ephemera. Sometimes a single postcard or book cover sparks an entirely new idea. My aesthetic evolves naturally, just like my creativity.

Q: WHEN YOU AREN’T BUSY DESIGNING AND JOURNALING, HOW DO YOU ENJOY SPENDING YOUR TIME?

A: When I’m not creating, I’m a stay-at-home wife, and I truly love homemaking. DIY projects, decorating with handmade and thrifted pieces, and giving old items new life bring me so much joy.

My husband and I also love traveling together. Exploring new places gives us time to reconnect and appreciate the world God created.

Q: ANYTHING ELSE YOU WOULD LIKE TO ADD?

A: Thank you for this opportunity. The SWP pages are completely free—no limitations or requirements, just a willing heart. Writing scripture has brought peace, clarity, and transformation into my life, and my hope is that these resources encourage others to begin their own journey with God’s Word.

Thank you, Nanda for joining us today! You are such an inspiration to us in so many ways.

To learn more about Nanda Anderson, please follow @theappleofhiseyebynanda on Instagram, Facebook, YouTube, Patreon, and shop The Apple of His Eye Paper Ministry on Etsy. You can also download her latest Scripture Writing Plan here and other freebies here!