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At Home with Designer Cynthia Collins

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Designer Cynthia Collins, founder of Dallas-based Collins Interiors, is a master at incorporating generous doses of color and cheer within her traditionally-rooted designs. Cynthia and her team travel to England and France throughout the year where they handpick antiques, lighting and unique accessories for their latest projects. These one-of-a-kind items are then blended with contemporary original artwork, custom upholstery and fine textiles to create rooms that are sophisticated, yet whimsical, and timeless.

Today, we thrilled to welcome Cynthia today for a tour of her delightful University Park home that is certain to put a smile on your face. Welcome, Cynthia!

Q:  Please tell us about the home in terms of year built, architect and/or architectural style.

A:  My home is a traditional 1940s-style house nestled in the heart of University Park, which I purchased in 2019 from longtime friends and neighbors. I was easily and immediately connected to the southern A. Hayes Town inspired traditional design.

Q:  How did you know that this was the home for your family, and what all did you do in terms of updates?

A:  This was a rare moment of right-place, right-time Pandemic magic. The home was located 4 houses down from my previous home. I was able to have a next-door eye on things during construction. Given this was not my first full “to-the-studs” remodel — I was able to let my playfulness and my current season (empty nesting) take the front seat. I collaborated with a forever friend and contractor, Clay Snelling of Snelling Homes, to reimagine how the house would newly live. One of the key things we chose was to remove the existing circular driveway and create a private courtyard and greenspace. A real front-yard living room enclosed by a low brick wall set the tone for the entire project.


Q:  How do you describe the overall design aesthetic?

A:  Classically rooted but very personal—grounded in traditional design, yet layered with things I love. There’s a mix of English and French influences, along with years of collecting and living among antiques, textiles, and art that speak to me. It’s not overly polished — formality is not my thing. No official formulas — I let myself take risks here in a way I don’t always with clients because, it was a platform for me to experiment and reinvent my ever-growing collections.

Q:  What were the biggest challenges you faced?

A:  This house is smaller than our previous one, so every inch needed to feel inviting and versatile and be mulit-purpose. It required creative space planning to carve out intimate zones rather than a big, open texas sized foor plans. Some of our private rooms are teeny tiny and I can confidently say, they are the living areas we gravitate to!!!


Q:  What are some of your favorite wallpapers, fabrics, fixtures, antiques, etc. Any fun stories to share?

A:  A real moment of silence for the living room mantel!!!! This was a real opportunity for me to be extravagant in a special way that I can’t always execute in client’s home — it was an ellaborate choice and I am stilled bowled over with the incredible details. It makes me happy and it is definitely a favorite!!!

Q:  Do you have any favorite objects you like to collect?

A:  My grandmother was a collector, so I got the gene naturally!! I have inherited many pieces from her which launched my weakness for beautiful boxes, original artwork, chinoiserie figurines, antique rose medallion and celadon. The list goes on, but I have always loved a treasure — it is part of my DNA.

Q:  Anything else you would like to share?

A:  My open-door policy is real: guests drop by all the time, and my hope is that the design supports that feeling of welcome!! Every corner has purpose and creates invitations for sharing. In this season of my life, my house is full of all different ages, neighbors and groups and this home has been a foundation and backdrop for my family to grow.

Thank you, Cynthia for joining us today! We simply adore your beautiful and cheerful home.

Designer Cynthia Collins

To learn more, please visit Collins Interiors and follow @collins__interiors on Instagram for ongoing inspiration. You can also see more of our favorite images from the Collins Interiors portfolio via our recent Design Crush spotlight.

In 1992, Cynthia Collins began Collins Interiors, a Dallas-based firm specializing in full-scale residential interior design. Throughout the years, Cynthia has been privileged to work with some of the most talented architects in the field and has worked on projects across the United States, including Texas, North Carolina, Utah, Colorado, Florida, Georgia & California.

Kips Bay Decorator Show House New York, The Edwardians: Age of Elegance, London’s Garden Museum Celebrates Bunny Mellon

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at the Kips Bay Decorator Show House New York, The Edwardians: Age of Elegance, London’s Garden Museum Celebrates Bunny Mellon. Written by Natalie Aldridge.

The Designers Revealed: Kips Bay Decorator Show House New York

Recently we announced the triumphant return of the grand dame of show houses, the Kips Bay Decorator Show House, celebrating its 50th anniversary in New York. Now, the excitement continues as we unveil the star-studded roster of designers who will bring their vision to one of Greenwich Village’s most glamorous townhouses.

Bedroom by Charlotte Moss at the 2019 Kips Bay Decorator Show House New York. Photo: Courtesy of Iconic Rooms: Kips Bay New York Decorator Show House at 50

From September 30 through October 19, 2025, twenty-one of the nation’s top talents will reimagine the eight-bedroom jewel at 20 West 12th Street. With its soaring ceilings, wood-burning fireplaces, and garden terraces, the historic townhouse is set to become a living canvas for creativity, all in support of the Kips Bay Boys & Girls Club. (Click here to see the “before” images from the real estate listing!)

This year’s golden anniversary promises to be nothing short of dazzling, with a lineup that perfect blend of new faces and seasoned veterans of the design world. reads like a who’s who of the design world. This year we will see rooms from Andrea Schumacher Interiors, Ben Pentreath Studio, BRANCA, Corey Damen Jenkins & Associates, Christopher Peacock, Eve Robinson Associates Inc, Huniford Design Studio, J Cohler Mason Design, James Thomas, Jamie Drake, Jim Dove Design Studio, Leyden Lewis Design Studio, Mark Hampton LLC, Melanie Roy Design, Olivia Williams Studio, Ovadia Design Group, Pavarini Design, Purple Cherry Architects & Interiors, Tamara Feldman Design, Tiffany Skilling Interiors, and Vicente Wolf Associates.

Bedroom by Mario Buatta at the 1984 Kips Bay Decorator Show House New York. Photo by Phillip H Ennis: Courtesy of Iconic Rooms: Kips Bay New York Decorator Show House at 50
Entrance hall by Richard Ridge at the 1995 Kips Bay Decorator Show House New York. Photo Courtesy of Iconic Rooms: Kips Bay New York Decorator Show House at 50
Bedroom by David Barrett at the 1993 Kips Bay Decorator Show House New York. Photo: Courtesy of Iconic Rooms: Kips Bay New York Decorator Show House at 50

We cannot wait to see what this year’s designers pull together in just a matter of weeks! Tickets and more information can be found here. And in the meantime, make sure to pick up a copy of Iconic Rooms: Kips Bay New York Decorator Show House at 50 to reflect upon 175 images of iconic Show House rooms selected from the past 50 years. This keepsake book recognizes the incredible work of its design community and the impact the Show House has in transforming spaces and lives.

Iconic Rooms: Kips Bay New York Decorator Show House at 50

The Edwardians: Age of Elegance

It is time to put on your pearls and step into another age. Today, The King’s Gallery at Buckingham Palace unveils The Edwardians: Age of Elegance, an exhibition devoted to one of Britain’s most dazzling yet transitional periods. With more than 300 objects on display, nearly half shown to the public for the first time, the exhibition offers an extraordinary glimpse into an age of opulence poised on the cusp of modernity.

Queen Alexandra (1844-1925)

At its heart lies Queen Alexandra’s gold coronation gown, a masterpiece of embroidery and sequins that epitomises Edwardian grandeur. Alongside it, the robes of Edward VII, exquisite tiaras, jeweled fans, and objets d’art reveal a court devoted to spectacle and style. The artistry of Fabergé, John Singer Sargent, and William Morris lends further richness to a narrative already steeped in elegance.

The Dagmar Necklace, 1863

The Edwardian period, spanning the brief but glittering reign of Edward VII through the early years of George V, marked a society in flux. It was a world of gilded salons, champagne-fueled soirées, and elaborate pageantry, yet also of subtle restraint and shifting cultural currents that foreshadowed the modern age. The exhibition captures this duality, celebrating both the extravagance and the refinement that defined the era.

On view until November 23, The Edwardians: Age of Elegance is as instructive as it is enchanting. Its creamy palettes, rich embroideries, and layers of decorative detail speak directly to those who find inspiration in the past and seek to translate it into timeless interiors.

For lovers of design, fashion, and heritage, the exhibition is nothing short of essential. To step inside is to enter a golden age, one that continues to shape our imagination and our sense of elegance today. Tickets and information can be found here. I know I will be stopping by!

London’s Garden Museum Celebrates Bunny Mellon

And there is another exhibition to add to your London list. The Garden Museum has opened a jewel-box pop-up exhibition, Bunny Mellon: A Life in Bloom, in collaboration with de Gournay and the Oak Spring Garden Foundation, celebrating one of the twentieth century’s greatest gardeners, collectors, and tastemakers.

On view through September 7, the exhibition brings together rare botanical manuscripts, artworks, and Bunny’s own garden sketches from the Oak Spring Garden Library in Virginia. These treasures inspired de Gournay’s latest collection of hand-painted wallpapers and porcelain, where blossoms and vines unfurl across panels and ceramics with all the poetry of a garden in bloom.

Image Courtesy of de Gournay

Visitors will find themselves surrounded by exquisite botanical illustrations by artists such as Charles Germain de Saint-Aubin, Domenico Buonvicini, and Elizabeth Blackwell. De Gournay’s artisans have reimagined these works into immersive interiors, where the boundaries between house and garden all but dissolve. It is a tribute not only to Bunny Mellon’s enduring vision but also to the art of living beautifully with nature at the heart of the home.

Image Courtesy of de Gournay

This exhibition is delightful inspiration, a living mood board of embroidered silks, painted florals, and interiors that whisper of timeless elegance. Just as Bunny once designed gardens that felt effortless yet impossibly refined, so too does this collaboration remind us of the grace that comes when history, art, and design bloom together.

Adding to its charm, de Gournay’s collection also gives back, with proceeds helping support fellowships, educational programs, and conservation at the Oak Spring Garden Foundation, ensuring that Bunny’s legacy of beauty and generosity continues to flourish.

Read our favorite articles of the week!

Irish Author Polly Devlin on the Psychology of Collecting for Her London Home written by Polly Devlin for World of Interiors.

This Dallas Mansion Dials Up the Glamour with Deco Antiques and Statement Chandeliers written by Celia Barbour for Veranda.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

For Sale: Audrey Hepburn’s Brentwood Oasis

Written by Natalie Aldridge.

If these walls could talk, they’d whisper tales of candlelit suppers, gardening adventures, chiffon gowns sweeping across floors, and perhaps a martini or two taken on the terrace. Welcome to 685 Elkins Road, the former home of none other than Audrey Hepburn.

Photos courtesy of Simon Berlyn for Sotheby’s International Realty.

In the late 1950s Audrey rented this traditional Brentwood estate from fellow screen legend Deborah Kerr. Hollywood photographer Sid Avery captured unforgettable images of Audrey and her husband Mel Ferrer strolling the grounds in 1957. One can still imagine her wandering the rose-lined paths in ballet flats, pausing for tea in the conservatory, or reading on the balcony in the morning sun. She did not just live here, she imbued it with her rare blend of warmth, wit, and beauty that continues to inspire.

Built in 1939, it is the quintessential Brentwood home of its day, elegant yet understated, with gracious proportions and a sense of ease that defined the neighborhood in its star-studded prime. The bones remain much as they would have been when Audrey lived here, and while today’s interiors are quite different to Audrey’s time with updated features, we like to imagine the dreamy interiors as they might have been. Sunlight pouring through sheers in the conservatory, bouquets of garden roses on every table, and evenings that drifted into night beneath the soft glow of lamps.

The rose gardens, pool, and meandering trails still conjure a cinematic air, a reminder that this was once more than a residence; it was part of the everyday backdrop of Hollywood’s most luminous stars. And it represents everything The Glam Pad loves: glamour without pretense, beauty rooted in tradition, and a grace that lingers long after the credits roll. Tiffany’s may be in New York, but breakfast here on Audrey’s balcony sounds just as romantic.

For more information on 685 Elkins Road, Los Angeles, visit the listing here.

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Chairish X LiveAuctioneers, the Downeast Antiques & Art Show, and Lilly Pulitzer’s Vintage Vault Collection

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Chairish joining up with LiveAuctioneers, the Downeast Antiques & Art Show, and the Lilly Pulitzer Vintage Vault Collection. Written by Natalie Aldridge.

Chairish Joins Forces with LiveAuctioneers

In thrilling news for treasure hunters everywhere, Chairish, along with its stylish European sister site Pamono, has been acquired by Auction Technology Group, the powerhouse behind beloved marketplaces like LiveAuctioneers. Two of the design world’s most adored sources for rare, beautiful, and irresistible pieces are now under one very chic roof.

 

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A post shared by Chairish (@chairishco)

For interior designers and devoted design aficionados, this union is nothing short of a dream. It means more vintage gems to unearth, more artful antiques to swoon over, and more singular statement pieces from expert sellers across the globe. Chairish will continue to keep everything that makes it so beloved, from its distinctive brand to its keen editorial eye and world-class customer service that has turned casual browsers into loyal collectors.

Think of it as an already-great treasure hunt going supercharged. Whether seeking a perfect Louis XVI fauteuil, a sculptural midcentury light, or a piece of contemporary art that makes your heart race, the chances of finding “the one” have just multiplied. This dynamic pairing is set to make the hunt more exciting than ever!

Downeast Antiques & Art Show

Sometimes antiques are even better when you can treasure hunt in person, where the scent of aged leather, the gleam of patinated brass, and the thrill of discovery come together. Nowhere captures that magic quite like the Downeast Antiques & Art Show in Blue Hill, Maine.

Set against the serene backdrop of coastal Maine’s August light and mist, the show begins today and runs through the 16th on the grounds of George Stevens Academy. It is one of America’s longest-running antiques events and each year becomes one of the summer’s most covetable destinations for stylish seekers. The show brings together world-class dealers offering the finest American, English, and European antiques, decorative art, and design treasures.

 

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A post shared by FREDERIC (@fredericmagazine)

On Friday, interior designer Rita Konig and architect Gil Schafer will join Frederic’s Editor-in-Chief Dara Caponigro for an “In Conversation” event. This promises an engaging discussion on interiors, design, antiques, and architecture, followed by a book signing of Dara’s latest book, Glorious Gardens.

Honorary Chair, Rita Konig

 

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A post shared by Dara Caponigro (@dara_caponigro)

General admission is $15, with all proceeds benefiting George Stevens Academy, a beloved local high school deeply woven into the Blue Hill community. The Downeast Antiques & Art Show is a love letter to designers, collectors, and beauty hunters, offering the rare joy of finding a piece that speaks to you and knowing it is truly yours.

Lilly Pulitzer Vintage Vault Collection

Lilly Pulitzer has opened the doors to its storied archives with the debut of the Vintage Vault Collection, a treasure trove for connoisseurs of the brand’s most iconic and nostalgic designs. The Glam Pad adores vintage Lilly, with its sunny palette, playful prints, and effortlessly glamorous resort spirit. The brand’s archives are a treasure trove of joy, and the idea of seeing these classics return has us positively giddy.

Launching on August 21st, the first limited-edition drop, Lilly’s Zoo, brings back a beloved print from 1974, resplendent in saturated blues and vibrant neutrals. Think palm-fringed whimsy and safari escapades, reimagined on both women’s silhouettes and the brand’s iconic children’s Shift.

The Vintage Vault pulls from the fashion house’s original print library from 1962 to 1985, as well as its archive from the 1990s onward. Each drop will reinterpret these classic designs for today’s wardrobe, offering heirloom-worthy pieces that feel modern yet timeless. As CEO Michelle Kelly explains, it is about reconnecting with some of the most iconic prints in the brand’s history while inviting a new generation to fall in love anew.

For Lilly devotees, this is an irresistible invitation to relive the brand’s golden era, whether you remember wearing it the first time around or have been hunting for vintage pieces ever since. The collection will be available in Lilly Pulitzer flagship stores, select boutiques, and online.

Read our favorite articles of the week!

Raspberry Social: Recipes Inspired by Anne of Green Gables by Victoria Magazine.

This Storybook Connecticut Cottage Quietly Holds a Treasure Trove of Swedish Antiques written by Frances Schultz for Veranda.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Style Profile: Camille Hellwig Interiors

Camille Hellwig’s passion for design began at an early age. Growing up in the South with a mother in the antiques business and a father with an extensive art collection, she thrived in an environment where fine furnishings and beautiful art were celebrated. Her happiest childhood memories include the frequent rearranging of her room and playhouse.

An honors graduate with a business degree from the University of Mississippi, Camille worked in design-related sales positions before returning to her “first love.” Enrolling in the Associates program at the New York School of Interior Design (NYSID), she was determined to learn from the best in the field. In addition to managing her rigorous NYSID schedule, she sought work as an intern with local design firms to gain real-world experience in New York’s competitive and demanding marketplace.

Camille’s career received a significant boost when Miles Redd, LLC, selected her as a design intern. Miles Redd, now known as Redd Kaihoi, is one of the industry’s A-list firms, and her time spent in this fast paced environment was invaluable. Subsequently, she worked as a design manager for Brockschmidt & Coleman, LLC, where she led projects, sourced materials, and nurtured relationships with vendors and high-profile clients. She gained an unwavering commitment to detail, which is essential to the success of any design project.

Today, she is at ease curating homes that seamlessly blend classic and contemporary elements. Her designs are a testament to the power of contrast, offering warmth and comfort while creating spaces with dynamic impact. Clean line furnishings, bold color palettes, eclectic artwork, and boastful fabrics are her signature style. She has a penchant for color and prides herself on vibrant projects that range from moody jewel-tone entryways to soft, icy-colored bedrooms and even whimsical children’s playrooms. Launched in 2012, Camille Hellwig Interiors’ client base spans across the Southeast, New York City and Long Island.

We are delighted to welcome Camille to The Glam Pad for a Style Profile Q&A! Welcome, Camille!

Q:  When did you decide to pursue a career in interior design?

A:  Growing up in a home steeped in artwork and filled with antiques, I’ve always had an appreciation for a beautifully decorated home.
As a young girl, I would rearrange and “style” rooms and I wouldn’t stop until the room felt right. Prior to my design career, I pursued a number of marketing positions that worked well with my business degree, but they didn’t satisfy my craving for interior design. Exploring home décor shops, enrolling in drawing and color theory classes and arranging coffee meetings with established designers were a few ways I started to explore the design world. On weekends, I would pour into design magazines for hours, organize tear sheets and create inspiration boards on Pinterest and Instagram.

Finally, I decided to apply to the New York School of Interior design and was thrilled when I was accepted into the program. Without hesitation or much planning, I packed my belongings. The first six months were a huge change for me. I went from being an independent working woman in a southern city to a student in a fast paced city that kept me on edge. Suddenly, I was carrying drafting tubes and large supplies on the subway to the NYSID atelier on the Upper East Side working late hours and grinding out art projects and drawings. A labor of love! Attending NYSID events and speaking engagements were also great ways to connect with others in the design community. I’m grateful for the close contacts I made in design school; they are my dear friends to this day.


Q:  How would you describe your design aesthetic?

A:  In my home I offer a fresh and colorful approach to classic interiors with an emphasis on artwork and a variety of paint colors. I have a few clean line antiques that work really well with contemporary pieces. They ground the space and give it prominence. Location and architecture along with the clients’ existing décor and collections play into the design plan as well.

Q:  Where do you find inspiration, and what other designers – past or present – do you admire?

A:  There are too many talented designers to mention who have inspired me. One of my favorites is Alex Wilson who seamlessly blends beautiful antiques with colorful walls, bold geometric rugs, and a mix of unique textiles to create a vibrant look that feels fresh, collected and comfortable. Miles Redd, Palmer Weiss, Kerri Pilchik, Corey Damen Jenkins, Matthew Carter, Summer Thornton, Williams Lawrence and Ariel Okin are some of my favorites and that’s barely scratching the surface!

I also recently came upon an article featuring Anna Brockaway’s Upper East Side apartment by Elizabeth Cooper Interiors. I’m drawn in by her color choices and all furniture and fabric selections. Shall I continue…

I also draw inspiration from fashion, resorts and restaurants. Even a blouse on a mannequin can spark inspiration for a color scheme!

Q:  What are some of the most important lessons you learned while working with Miles Redd and Brockschmidt & Coleman?

A:  As the trite saying goes, teamwork makes the dreamwork and communication is key here. The most successful component of the design process is not only the project team but the skillful artisans involved – from the drapery and upholstery workrooms to the decorative painters.

Also, it is crucial to have site visits prior to and throughout the design process. This was not always the case for me as a junior designer jumping in. Many of the projects I was assigned were out of state and I was working off of photos and facetime calls. I now realize the importance of face-to-face interaction with clients and seeing the space in real time. It’s important to have a visual especially when it comes to scale.

Q:  What are some of your favorite elements to include in your designs? Such as favorite wallpapers, paints, linens, antiques, art, etc?

A:  Typically, I start with artwork or a rug when it comes to a jumping off point in a room then I begin to think about paint colors. Other times, I will begin with fabrics or wallpapers if the client doesn’t have significant artwork preferences. In my opinion, mood begins with color, textures and lighting. It’s important to really understand how the client wants to feel in these spaces. I also love to play with shapes and scale when it comes to lighting or accessories. An element of whimsy adds a touch of fun to a room!

Q:  Which historic era or decade inspires you most and why?

A:  For architecture, it’s Federal or Georgian style for me. The lovely, former estate of Gil Schafer in upstate New York comes to mind. As for furniture, if I had to choose a historical style, it would be Neoclassical or Louis the XVI. Clean lined (and well-polished) antiques not only transition well into contemporary spaces but are a nod to history while adding paramount elegance. While my style is more classic contemporary, I also love an occasional French Provencial secretary thrown in the mix.

Q:  Do you have any interesting collections, and how do you display them?

A:  Collections – yes! Collecting art is my forte. My home is filled with colorful oil and acrylic paintings that tell a story of my background and travels from Mississippi, New Orleans, Charleston and New York all the way to France. One notable moment in my career was bidding in French with a gallery in Leon. Needless to say, I ended up with three wonderful pieces by a French artist from the 1920’s. C’est bon!

Q:  When you aren’t busy decorating, how do you enjoy spending your time?

A:  As far as travel goes, the warmer destinations appeal to me. This summer we are heading to Mallorca and Puglia and I cannot wait to see the architectural styles there. I will be sure to share some of my photos and inspiration on Instagram along the way!

Spending time outdoors with my family is one of my favorite joys in life. We are moving down South this summer and I am looking forward to having a backyard and grilling out with friends and family al fresco! I am also looking forward to enjoying a neighborhood, watching my kids ride bikes, visiting farmers markets and spending more time with my extended family since they will be much closer now.

Q:  What exciting projects are you currently working on, and where do you see your firm in the next five years?

A:  I am exploring a few new opportunities along with my own home! We have been in NYC over 15 years and we are buying our first home down South. Now that we will have more space, I will have the opportunity to expand on what I have built. In our own home, entertaining is one way I love to connect with friends and clients.

As for the next five years, I look forward to taking on more design projects and also refining my business model. We will cross that bridge as it nears!

Q:  Anything else you would like to add?

A:   One of my greatest strengths is the ability to build and layer color schemes. Planning color schemes that are complimentary to adjacent rooms not only provides congruency throughout the home but flexibility when interchanging furniture. It’s fun to discover new ways to enjoy and restyle existing furniture and accessories while keeping an eye out for the next unique addition.



Thank you, Camille, for joining us today! To learn more, please visit Camille Hellwig Interiors and follow @camillehellwiginteriors on Instagram for ongoing inspiration.

Styling and Photography Credits:

Kimberly Power
Hayley Day
Lucy Bamman
Kirsten Francis
Mariana Martinis

Daisy Green: An English Country Dream House for Sale

Written by Natalie Aldridge.

At The Glam Pad, we always gravitate toward homes with soul. Houses with stories in their bones, charm in their creaks, and a sense of warmth that lingers long after you’ve stepped through the door. Those that dare to be joyful, timeless, and unapologetically individual.

So when the listing for Daisy Green came across our desk, a romantic country house nestled in the Gloucestershire hills, we were instantly smitten. Built between 2009 and 2011, it has the grace and proportion of a Georgian beauty, the craftsmanship of a bygone era, and just enough whimsy to make you smile. It’s the kind of house that doesn’t shout but enchants. A true original, dreamt up and brought to life by artist, interior designer, and and creator of wallpaper and fabric line, Whiteworks, Susanna White, her husband John White, and the late architect Martin Branston.

From the start, Daisy Green served as both residence and creative studio. It became the testing ground for Susanna’s wallpaper and fabric line, and the interiors reflect that spirit of experimentation and delight. Her hand-painted designs wrap the rooms in painterly whimsy, paired with theatrical touches like a chinoiserie-metal balustrade and a mural by Priscilla Kennedy. Nothing feels contrived or overly polished. Instead, the house is briming with character. Tall sash windows, intricate plasterwork, and reclaimed pieces, including a Georgian mantelpiece that once belonged to Cecil Beaton, discovered later in a photograph by pure serendipity.

Now, with Whiteworks thriving and her designs gracing homes around the world, Susanna is ready for her next chapter. Daisy Green is a house that doesn’t just reflect her vision, it nurtured it. What she leaves behind is more than a beautiful home; it is a living work of art, crafted with soul, wit, and extraordinary care.

Daisy Green is a love letter to eccentric English style, built from scratch with a reverence for history and a twinkle of imagination.

For more information on Daisy Green, visit the listing here.

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

Nantucket by Design, a £10 Vintage Train Ride, and Kips Bay Decorator Show House New York

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. This week we take a look at Nantucket by Design, a £10 Vintage Train Ride, and Kips Bay Decorator Show House New York. Written by Natalie Aldridge.

Nantucket by Design

Designers and aficionados alike have just returned from a dreamy stretch of island time, with salt in the air and design on the brain, for Nantucket by Design, the annual celebration hosted by the Nantucket Historical Association. From elegant garden parties to thought-provoking panels, it was a sun-soaked swirl of creativity, conversation, and coastal charm. We’re charmed by the beautiful moments captured from the week’s events.

Photographs courtesy of Michael Blanchard, Emily Elisabeth, Bill Hoenk, and Georgie Morley.


The week kicked off in style with the Opening Night Party at The Nantucket Hotel, where guests sipped cocktails and enjoyed the kick-off to a week of design on island. Throughout the event, the island’s most beautiful venues, from the iconic White Elephant to the historic Hadwen House, played host to an inspiring lineup of speakers, luncheons, and pop-ups. The Design Luncheon featured design luminary Patrick Frey of Pierre Frey, in conversation with Stacey Bewkes of Quintessence.

More highlight moments included panels exploring textiles, global fashion and design, and Nantucket’s design heritage with some of the industry’s top talent. Intimate gathering included this harbor-side private dinner hosted by NHA Board Member, Connie Anne Harris.  Other notable offerings included hands-on workshops celebrating historic crafts at the NHA’s property, Greater Light, in partnership with Alpha Kilo.

And then there was Martha Stewart with her bestselling Gardening Handbook. In one of the week’s most talked-about events, a garden dinner was hosted in her honor, complete with topiaries, green linens, and Garden Gimlets. It was every bit as layered, lush, and elegant as you’d expect. Very Martha, and very Nantucket.
Nantucket by Design continues to be one of the season’s most delightful intersections of history, heritage, and high style. We are already counting down to next year.

Martha Stewart’s Gardening Handbook: The Essential Guide to Designing, Planting, and Growing

Nantucket by Design continues to be one of the season’s most delightful intersections of history, heritage, and high style. We are already counting down to next year.

A Glamorous Return to the Golden Age of Travel

This summer, a bit of transport nostalgia is steaming its way back into our hearts and onto our itineraries. In an inspired collaboration with Uber, the legendary Golden Arrow Pullman train is once again gliding along the English countryside, offering guests a rare chance to step back into the golden age of travel for just £10.

Originally launched in 1929, the Golden Arrow carried well-heeled passengers from London to Dover, where they would continue on to Paris in high style. Today’s revival retains every inch of that historic glamour, as depicted in the likes of Downton Abbey and Poirot. Think plush Art Deco interiors, gleaming wood paneling, and the romance of dining in motion, complete with a three-course, wine-paired luncheon and live violin performances en route.

Dubbed The Grape British Railway, this limited-time experience includes a vineyard visit in Sussex, an elegant onboard meal inspired by local produce, and a welcome return to the kind of travel that favors charm over speed.

At The Glam Pad, we long for this very sort of beauty and civility. Travel as it should be, where the journey itself is part of the delight. The Golden Arrow reminds us that true elegance lies in the details, and that a bit of pageantry never goes out of style.

It is a rare opportunity to trade the everyday for something altogether more cinematic, and with tickets priced at a mere £10, it feels like the most stylish steal of the season.  Tickets for this once in a life time event are exceptionally limited. The next ticket drop opens August 11th at 10am GMT here. Set your alarm!

Kips Bay Decorator Show House New York

The grand dame of show houses is back. After a brief postponement earlier this year, the 50th annual Kips Bay Decorator Show House New York will open to the public this fall from September 30th to October 19th, and it promises to be one for the books.

This year’s edition will take over a magnificent 9,000-square-foot townhouse in the heart of Greenwich Village, a true architectural jewel box. Built in 1900, the eight-bedroom brick and stone beauty is peak old New York glamour, with all the trimmings: 13-foot ceilings, seven wood-burning fireplaces, a parlor floor suite, and a soaring conservatory great room that begs for a soirée.

Kips Bay Show House 2024, Kit Kemp Photographed by Nickolas Sargent

There’s even an original Otis elevator for a proper grand entrance, plus multiple private terraces and a garden lush enough to make you forget you’re in the middle of Manhattan. In short, it’s a dream and the perfect canvas for this year’s crop of design talent.

Over the past five decades, the Kips Bay has served as a launchpad for more than 800 celebrated designers. This year, a new cohort of tastemakers will reimagine the turn-of-the-century townhouse, transforming it into a living exhibition of high style and layered inspiration. It’s a fitting location for the golden anniversary of an institution that has long been a cornerstone of the design calendar.

Kips Bay Show House 2024, Patrick Mele Photographed by Nickolas Sargent

Originally founded in 1973, the Kips Bay Decorator Show House has raised over $30 million to date, supporting critical programming for more than 11,000 children through the Kips Bay Boys & Girls Club. The New York event has since inspired sister showhouses in Palm Beach and Dallas, each carrying forward the tradition of exceptional design in support of an important cause.

We’ll be keeping a close eye as the designers are revealed in the coming weeks. Until then, mark your calendars, book your tickets, and prepare for an unforgettable walk through one of Manhattan’s most beautiful townhouses, reimagined as only Kips Bay can.

Kips Bay Show House 2024, Shawn Henderson Photographed by Nickolas Sargent

For updates and ticket information, visit Kips Bay Decorator Show House here.

Read our favorite articles of the week!

Gil Schafer and Rita Konig’s Guide to the Downeast Antiques & Art Show in Maine written by Jill Simpson Frederic.

Creatively Ink-Lined: The Illustrated Diaries of Christopher Isherwood’s Mother written by Leyla Spratley for World of Interiors.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge

An Upper East Side Jewel Box by Chrissy Ritter

When designer Chrissy Ritter first toured her client’s classic pre-war building on the Upper East Side, the beautiful original architectural details — including graceful proportions, beautiful moldings, and high ceilings — told her immediately how to decorate the space. Built in 1928, the 1,300 square-foot apartment contains two bedrooms, two baths, and an eat in kitchen… all transformed into an exquisite and timeless jewel box through Chrissy’s impeccable vision.

We are delighted to welcome Chrissy to The Glam Pad today for a tour, complete with styling by Kimberly Power and photography by Hayley Ellen Day. Welcome, Chrissy!

Q:  What was the vision for the decor? Your inspiration?

A:  The clients had a few key pieces they wanted to keep (e.g. their dining table and living room sofa) but were ready for a full refresh. We updated the kitchen and powder room, and from there, layered in new fabrics, paint, wallpapers, rugs, antiques, art, and lighting to really bring the space to life.

They had a clear vision from the start: traditional, elegant, timeless, but also colorful with some personality. They wanted the space to reflect them, and I think that’s exactly what we achieved. This particular client and I had really aligned on the apartment vision from the beginning, so the whole project flowed really naturally.

Q:  Are there any particular fabric/wallpaper patterns, pieces of furniture, paint colors, antiques, etc.?

A:  The foyer mural—Les Oiseaux by Schumacher—was a jumping-off point. The clients told me they were open to a pink entryway, which is not something you get to hear everyday! So that got me excited from the start.

My clients also love green, we used different shades throughout the apartment—nothing too matchy, but enough to create a sense of continuity. Chartreuse, avocado, forest, celadon, Kelly… no green shade was spared. In the primary bedroom, they wanted something softer and more tonal, so we went for a calmer direction there.

We scored some amazing pieces at auction, like a set of Weinmann botanicals framed in leather and brass that now hang over the dining table, and a great pair of faux tortoise and leather side tables. We balanced those vintage finds with newer pieces, like the Bunny Williams leather and brass coffee table, which keeps it from feeling too period or precious.

And the artwork over the sofa came from a young artist we found on Saatchi. It is the perfect scale and brought the whole room together. I love when a piece of art can do that.

Q:  Were there existing pieces or specific direction the client wanted incorporated within the project?

A:  The client had pieces that were staying, like the dining table and sofa, some art. So instead of starting over, we built around what they had, rethinking the context with new textiles, color, and a mix of old and new. It was about honoring what worked, and refreshing everything around it.

Q:  Anything else you’d like to add?

A:  This was one of those dream projects where the space, the clients, and my own vision all came together really organically. The apartment’s architecture sort of told us where to go, and we listened. I think the end result feels layered, warm, personal, and timeless—which is always the goal.

Chrissy, thank you for joining us today, and for a lovely look inside this beautiful home!

To learn more, please visit Chrissy Ritter and follow @chrissyritter_llc on Instagram for ongoing inspiration.

At Home with Designer Ashley Hanley

The collector finally finds her forever home.

A collector at heart, designer Ashley Hanley discovered her family’s beautiful 1930s home after following signage for an estate sale. To seal the sale of the home, a promise was made to the former owner of the home to keep the existing architectural details and to honor the integrity of the age of the home. Equipped with her team of talented trades, Ashley brought in a fresh look and needed updates to the home that had not been touched since the early 90s. And Ashley’s collections that outgrew her family’s first home finally found the space to be displayed.

This summer, The Glam Pad has been highlighting the work of Ashley Hanley from an elegantly refreshed historical farm to a classic American 1940s home. Today, we are delighted to tour Ashley’s own home, complete with an interview with the designer herself! Let’s take a peek inside with photography by Kip Dawkins Photography.

Welcome, Ashley!

Q:  Please tell us about the home in terms of year built, architect and/or architectural style.

A:  Our home was built in 1939 and is located in an old streetcar suburb outside of downtown Richmond. It is a red brick home that is a hodgepodge of various architectural styles – Georgian, Colonial and Federal. We could not ever find the architect, as we believe that it was built by a prominent builder at the time.



Q:  How did you know that this was the home for your family, and what all did you do in terms of updates?

A:  We had recently sold our first home and were in a rental nearby. I happened to be out on a morning run and I saw an estate sale sign that had me reroute my run. I’m always hunting at local estate sales for my own home, as well as for client projects. However, this one stopped me in my tracks as we found out that the house was about to come onto the market and in a neighborhood that we have always loved. After our first tour of the home, we immediately fell in love. It had so much charm and character, and was ready for me to put our own personal touch on the home, while still honoring the architectural integrity of the home. What really sold us about the home, however, was the extra space that it had, compared to our old home. There were some tricky spaces, but we could see the vision and how it could flow and function for a young family.

Q:  How do you describe the overall design aesthetic?

A:  My personal design aesthetic is collected and not too decorated. My home is layered, warm and inviting, and while it is traditional, there is a sense of freshness due to light walls, fun textiles and a mixture of various timepieces.

Q:  What were the biggest challenges you faced?

A:  Naturally with an older home, we have faced many challenges with electrical, old plaster walls, plumbing, etc. But a few of the trickiest challenges that this home has presented to us are the kitchen, powder room, the third floor and the primary bedroom. We have tackled these challenges over time and in multiple phases – helping spread out the heavy expense of renovating as well as keeping the home liveable for us.

Before we moved in we tackled the third floor that is now our daughters’ playroom, as well as the upstairs hall bathroom. The biggest change for the third floor was flipping the staircase so that it opens into the hallway instead of into my daughter’s bedroom. By doing this, we were able to gain a closet for her bedroom and easy access to the playroom. Getting both of these completed prior to moving in was so helpful to make the house extremely liveable until we could tackle the next project. We also had old wallpaper removed, and my dad helped me paint the entire house!

After many iterations of architectural plans to figure out the best way to tackle our next challenges, we eventually settled on keeping the kitchen in its existing footprint. I decided that it would be best for the home to honor its original 1930s roots and keep the kitchen in its original location. With some smart cabinet planning and rearranging the entry to the powder room, we were able to create an incredibly functional kitchen that also feels very spacious.

I absolutely love to entertain and I have a huge collection of glassware, dinnerware and linens. These were stored on wire metal shelves down in the basement and now all have a home of their own in our latest phase of work – the party pantry. We had an attached carriage garage to our home that was too small to fit either of our vehicles in and served as storage for lawn equipment, strollers, kids bikes, etc. We converted this space into liveable space, but raising the floor and creating an opening from our living room into this newly finished space. Before we started renovating, I found the most incredible antique bookcase at my friend Justin Westbrook’s warehouse. We designed the entire space around this piece that displays and stores some of my favorite collections. On either side of the hutch, we have our very first coat closet (yes, you heard that correct!) and a closet for my tablecloth collection and vases. On the opposite side of the hutch is a new built-in cabinet that is made to look like an old butler’s pantry cabinet, equipped with a sink and dishwasher.

Our final phase of work will be tackling the primary bedroom and adding a screened in porch, as well as a mudroom.



Q:  What are some of your favorite wallpapers, fabrics, fixtures, antiques, etc. Any fun stories to share?

A:  Oh gosh every piece has a fun story! That is what is so fun about collecting vintage and antique pieces. Every single piece of art has meaning, and every piece always has a great story. Most guests that come into our home are always taken away by the dining room chandelier. I found this on Live Auctioneers through a Philadelphia auction house. My mom rode up with me to pick it up and we did not have any proper packing material to bring it home. It made it home safe and sound all of the way down 95, potholes and all! Our poor electrician had quite a puzzle to reassemble it, but did it beautifully and it truly is the crown jewel of the room.

Q:  What advice would you give to anyone looking to create a similar “collected” home?

A:  Buy what you love! You will start to see that you continue to gravitate to similar items. It also makes antiquing fun to have a mission looking for something. Know that the layers take time, and it won’t happen overnight. My home is almost 20 years of collecting.


Q:  Do you have any favorite objects you like to collect?

A:  I absolutely love collecting antique Syrian wood inlay boxes. My dog, Grady, also loves these boxes and has destroyed at least eight of these from my collection! I also love collecting old chippy landscape oil paintings. I think because I could never excel with oil paints, I have such a respect for this type of art – there is so much depth and layers, and I love imagining what story the artist was portraying.

What a beautiful, timeless, and perfectly curated home! Thank you, Ashley — and Grady! — for joining us today.

To learn more, please visit Ashley Hanley and follow @ashleybhanley on Instagram. You can also tour an elegantly refreshed historical farm by Ashley here and a timeless classic 1940s American home here.

And if you want to get a jump-start on the holidays, you can tour Ashley’s beautiful home, decorated for Christmas and check out her Top 10 Tips for Throwing a Memorable Holiday Dinner Party.

Costume Couture at the Fashion & Textile Museum, Sanderson’s Highgrove Collection, and Weezie Gives Back

Welcome to TGP Tidbits where we round up the happenings and our musings of the design industry each week. Weezie’s Weekender Collection, Costume Couture: Sixty Years of Cosprop, and Sanderson’s Highgrove collection. Written by Natalie Aldridge.

Weezie’s Weekender Collection

Summer may be on its last, lazy stretch, but there is still time to soak up the season in style. Our solution: wrapping ourselves in Weezie’s newest Weekender Collection. We have long been fans of the brand’s knack for making even an ordinary morning feel like a mini holiday, and this latest launch takes it one step further. The collection of organic-cotton robes and wraps comes in charming florals and stripes that practically beg for a lakeside morning coffee or a post-swim hang-out on the porch.

The best part about this collection is that a portion of proceeds benefits the Kerr County Flood Relief Fund, supporting families affected by the recent floods in Texas Hill Country, a cause close to home for The Glam Pad. For co-founder Liz Eichholz, she spent her childhood summers at camp in the region and wanted to create something that celebrates those slow summer days while giving back to a community close to her heart.

It is soft, it is meaningful, and it is exactly the kind of summer indulgence we will be reaching for well into fall. The full collection can be shopped here.

Costume Couture: Sixty Years of Cosprop

The Fashion & Textile Museum is pulling back the curtain on one of cinema’s best-kept secrets. Opening September 26 in London, Costume Couture: Sixty Years of Cosprop is set to celebrate six decades of sartorial magic from the legendary costume house behind some of film and television’s most unforgettable looks from Bridgerton to The Crown.

Founded in 1965 by Oscar and BAFTA-winning designer John Bright, Cosprop has dressed everyone from Meryl Streep in Out of Africa to Colin Firth’s iconic Mr. Darcy in Pride and Prejudice and Maggie Smith in Downton Abbey. Now many of these costumes are leaving the archives for the very first time, offering an extraordinary chance to see the craftsmanship that brings characters to life.

The exhibition is a feast for fashion and film lovers alike. Expect sumptuous gowns, tailored three-piece suits, and exquisitely embroidered accessories displayed alongside sketches, mood boards, and swatch samples that trace each costume’s journey from page to screen. The details are mesmerizing: frayed hems, delicate beadwork, perfectly weathered fabrics, all the subtle touches that transform an actor into a character.

For those of us who love costumery and storytelling, this exhibition will be pure delight. It is nostalgic, cinematic, and brimming with inspiration, reminding us why costume design remains one of the most powerful forms of visual storytelling. We cannot wait to visit!

Sanderson’s Highgrove collection

When King Charles III acquired Highgrove House in Gloucestershire in 1980, the grounds were little more than overgrown fields. Over the decades he transformed them into one of Britain’s most celebrated private gardens, a series of distinct outdoor “rooms” that reflect his lifelong passion for craftsmanship and heritage. From wildflower meadows and formal yew topiary to the enchanting Stumpery filled with ferns and sculptural tree stumps, Highgrove is a living portrait of the King’s vision for harmony between nature and design.

Sanderson’s new collection, Highgrove by Sanderson, translates the celebrated landscape of the estate into a series of painterly wallpapers and fabrics. The designs capture the romance and richness of the gardens, with more than 100 patterns that evoke the estate’s seasonal beauty. From the classic chintz we adore to vibrant citrus trees, delicate fritillaries, graceful delphiniums, lively pheasants, and Mediterranean motifs, each print stands as a testament to enduring style.

Fabrics are woven in historic British mills, and wallpapers are printed using century-old machines, reflecting the enduring quality and heritage that define both Highgrove and Sanderson. Ten percent of net sales supports The King’s Foundation, which advances environmental stewardship, traditional crafts, and cultural education.

The Glam Pad always celebrates heritage and the stories that give design its soul. This collaboration feels especially meaningful, marrying the artistry of Sanderson with the storied grounds of Highgrove to create something timeless yet deeply personal.

Read our favorite articles of the week!

This Historic Captain’s Cottage Proves Neutrals Can Be Daring—and Antiques Delightfully Fresh written by Sarah Dimarco for Veranda.

Thyme Founder Caryn Hibbert Has Created a Cotswolds Retreat That’s as Warm and Stylish as She Is written by Roslyn Sulcas for Introspective Magazine.

Shop this week’s inspired finds!

x Natalie

Follow TGP on Instagram: @theglampad
Follow Natalie on Instagram: @natalieealdridge